Table of Contents

• Extending Brass & Woodwind Instruments with Acoustic-Aggregate-SynthesisPaul Clift, Adrien Mamou-Mani, René Caussé. [doi]
• The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano SoundsChuck-jee Chau, Andrew Horner. [doi]
• Rhythmic Similarity Based on a Descriptor Balancing between Meter and TempoSébastien Juchs, Pierre Hanna, Matthias Robine, Myriam Desainte-Catherine. [doi]
• iSuperColliderKit: A Toolkit for iOS Using an Internal SuperCollider Server as a Sound EngineAkinori Ito, Kengo Watanabe, Genki Kuroda, Kenichiro Ito. [doi]
• Cross-Modality in Multi-Channel Acousmatic Music: The Physical and Virtual in Music Where There Is Nothing to SeeAdrian Moore 0002. [doi]
• An Online Interactive Course on Computer MusicRoger B. Dannenberg, Jesse Stiles, Yuezhang Li, Qiao Zhang. [doi]
• Exploratory Analysis on Expressions in Two Different 4/4 Beat PatternsKyungho Lee, Michael J. Junokas, Mohammad Amanzadeh, Guy E. Garnett. [doi]
• Sonification of Medical Images Based on Statistical DescriptorsRodrigo F. Cádiz, Patricio de la Cuadra, Aarón Montoya, Veronica Marín, Marcelo E. Andia, Cristian Tejos, Pablo Irarrazaval. [doi]
• fXfD, A Digital Approach to the No-Input PracticeDominic Thibault. [doi]
• Low-Level Topology of Spatial TextureErik Nyström. [doi]
• Gesture Capture, Processing, and Asynchronous Playback within Web Audio InstrumentsBenjamin Taylor, Jesse T. Allison. [doi]
• The Decibel ScorePlayer: New Developments and Improved FunctionalityCat Hope, Aaron Wyatt, Lindsay Vickery. [doi]
• The New Developments in Csound 6John ffitch, Victor Lazzarini, Steven Yi, Michael Gogins, Andrés Cabrera. [doi]
• Notes on "Culture of Fire" for Analog Neural Network Synthesizer, Geiger Muller Counters and ComputerScot Gresham-Lancaster. [doi]
• Initial Survey Results from The LilyPond ConsortiumMichael Solomon, Urs Liska, Trevor Baca. [doi]
• Fuzzy Equalization of Musical GenresMarie González, Patricio de la Cuadra, Rodrigo F. Cádiz. [doi]
• SIG~: Performance Interface for Schaefferian Sound-Object ImprovisationIsrael Neuman. [doi]
• Dynamic Message-Oriented Middleware with Open Sound Control and OdotJohn MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed. [doi]
• Audio Processing by Means of FM Synthesis Parameters: Fundamentals, Real-Time Implementation, and Preliminary Compositional ApplicationsSérgio Freire. [doi]
• Studio Report 2015: New York University (NYU) Music Technology ProgramJaesong You, Andrew Telichan, Michael Musick, Tae Hong Park. [doi]
• Witold Lutosławski - An Algorithmic Music Composer?Stanislaw Krupowicz. [doi]
• Audio Collage as an Instrument for Musical Expression: Combining Freehand and Tangible ControllersVanissa Law, Garth Paine. [doi]
• Network Gyre - Exercising the Network's Rhythmic PotentialEthan Cayko. [doi]
• Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic LanguageMichael Musick, Jonathan P. Forsyth, Rachel M. Bittner. [doi]
• Improving the Musical Expressiveness of Tesla Coils with SoftwareJason Long, Josh Bailey, James McVay, Dale A. Carnegie, Ajay Kapur. [doi]
• Genre-specific Key ProfilesCian O'Brien, Alexander Lerch. [doi]
• Spectromorphology and Spatiomorphology of Sound Shapes: Audio-Rate AEP and DBAP Panning of SpectraStuart James. [doi]
• The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument TonesChuck-jee Chau, Bin Wu, Andrew Horner. [doi]
• Studio Report: Music Technology at the Pennsylvania State UniversityMark Ballora. [doi]
• Automatic Piano Reduction from Ensemble Scores Based on Merged-Output Hidden Markov ModelEita Nakamura, Shigeki Sagayama. [doi]
• Building the Erbe-Verb: Extending the Feedback Delay Network Reverb for Modular Synthesizer UseTom Erbe. [doi]
• Composition Techniques for the Ilinx Vibrotactile GarmentIan Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci. [doi]
• Adaptive Music Technology: History and Future PerspectivesKimberlee Graham-Knight, George Tzanetakis. [doi]
• Studio Report: Arizona State UniversityGarth Paine, Barry Moon. [doi]
• State Space Models: Virtual World for CompositionRosalia Soria-Luz. [doi]
• The Just Intonation Automat - a Musically Adaptive InterfaceJøran Rudi. [doi]
• Sound Spatialisation from a Composer's PerspectiveHans Timmermans. [doi]
• Improving and Adapting Finite State Transducer Methods for Musical AccompanimentJonathan P. Forsyth, Rachel M. Bittner, Michael Musick, Juan Pablo Bello. [doi]
• Physical Modeling Synthesis of the Stone Chime Instrument "Pyeongyeong"Jae Hyun Ahn, Richard Dudas. [doi]
• Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based MusicAurie Y. Hsu, Steven T. Kemper. [doi]
• Rasping Music: Remodeling Early Minimalist Music through Mechatronic Sound-SculptureMo Zareei, Ajay Kapur, Dale A. Carnegie. [doi]
• Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger GesturesMickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley. [doi]
• materialssoundmusic: a Computer-Aided Data-Driven Composition Environment for the Sonification and Dramatization of Scientific Data StreamsMarco Buongiorno Nardelli. [doi]
• Hierarchical Genomes in a Genetic Algorithm for Control of a Guitar SynthesizerTimothy M. Walker. [doi]
• Wesleyan University Electronic Music Studios ReportRon Kuivila, Paula Matthusen. [doi]
• Spatial Modulation SynthesisRyan McGee. [doi]
• Morphing Sound in Real Time through the Timbre TunnelJohannes Kretz. [doi]
• Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music ApplicationsAntonio Deusany De Carvalho Junior, Marcelo Queiroz, Georg Essl. [doi]
• "There is pleasure...": An Improvisation Using the AAIM Performance SystemSimon Fay. [doi]
• Unsampled Digital Synthesis: Computing the Output of Implicit and Non-Linear SystemsDavid Medine. [doi]
• ToscA: an OSC Communication Plugin for Object-Oriented Spatialization AuthoringThibaut Carpentier. [doi]
• Mapping Tone Helixes to Cylindrical Lattices Using Chiral AnglesHanlin Hu, Brett Park, David Gerhard. [doi]
• Audio Spray Gun 0.8 - the Generation of Large Sound-Groups and Their Use in Three-Dimensional SpatialisationRichard Garrett. [doi]
• Using Singing Voice Vibrato as a Control Parameter in a Chamber OperaAnna Einarsson, Anders Friberg. [doi]
• Specifying Sounding Frequency of a Voice Model during Live Interactive Saxophone PerformanceJennifer Hsu, Tamara Smyth. [doi]
• Media Modules: Intermedia Systems in a Pure Functional ParadigmMark Santolucito, Donya Quick, Paul Hudak. [doi]
• The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum WeightingKurt James Werner. [doi]
• Architecture in Motion: a Model for Music CompositionJorge Variego. [doi]
• In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger's Free Music and the Grainger MuseumRoger Alsop. [doi]
• Haptic Control of Multistate Generative Music SystemsBret Battey, Marinos Giannoukakis, Lorenzo Picinali. [doi]
• VizScore: An On-Screen Notation Delivery System for Live PerformanceSeth Shafer. [doi]
• Towards an Interactive Argentine Tango MilongaCourtney Brown, Garth Paine. [doi]
• Brooklyn College Center for Computer MusicDouglas Geers, Nicholas R. Nelson, Red Wierenga. [doi]
• Another Take on Renovating Dated Technology for Concert PerformanceRichard Dudas. [doi]
• The Intrinsic Value of Timbre in DoppelgangerAsbjørn Blokkum Flø, Hans Wilmers. [doi]
• Antony: A ReimaginingJohn MacCallum, Matthew Goodheart, Adrian Freed. [doi]
• Binaural Navigation for the Visually Impaired with a SmartphoneLee Tae Hoon, Manish Reddy Vuyyuru, T. Ananda Kumar, Simon Lui. [doi]
• Composing with KulittaDonya Quick. [doi]
• Minimal Fitness Functions in Genetic Algorithms for the Composition of Piano MusicRodney Waschka II. [doi]
• Augmenting Room Acoustics and System Interaction for Intentional Control of Audio FeedbackSeunghun Kim, Graham Wakefield, Juhan Nam. [doi]
• Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived SimilarityRobert Hamilton. [doi]
• Brain-Computer Interfaces and Their Application as an Audiovisual InstrumentYago de Quay, João Beira. [doi]
• Flatter Frequency Response from Feedback Delay Network ReverbsHans Anderson, Kin Wah Edward Lin, Clifford So, Simon Lui. [doi]
• Developing a Socio-Historical Model for Electro-Acoustic Music Analysis: The Challenge from an Adornian PerspectiveJaeseong You, Andrew Telichan, Tae Hong Park. [doi]
• Interactive Virtual Soundscapes: A Research ReportAnil Çamci, Zeynep Özcan, Damla Pehlevan. [doi]
• Twenty Years of Ircam Spat: Looking Back, Looking ForwardThibaut Carpentier, Markus Noisternig, Olivier Warusfel. [doi]
• Peabody Computer Music: 46 Years of Looking to the FutureGeoffrey Wright, McGregor Boyle, Joshua Armenta, Ryan Woodward, Sunhuimei Xia. [doi]
• RCCM Canons: Not Only a Problem of CageAlba Francesca Battista, Carlos Maximiliano Mollo, Nicola Monopoli. [doi]
• Music Programming in GibberCharles Roberts, Matthew Wright, JoAnn Kuchera-Morin. [doi]
• Simple Synchronisation for Open Sound ControlSebastian Madgwick, Thomas Mitchell, Carlos Barreto, Adrian Freed. [doi]
• Neural Versus Symbolic Rap Battle BotsDekai Wu, Karteek Addanki. [doi]
• Piece Description: Growth of the Universe (in log time)Mark Ballora. [doi]
• Automatic Transcription of Japanese Taiko Drumming Using the Microsoft KinectWillian Hua, Andrea Salgian. [doi]
• Noisebox: Design and Prototype of a New Digital Musical InstrumentJohn Sullivan. [doi]
• Musical Acoustics & Instrument Design: When Engineering Meets MusicThibault Bertrand, Konrad Kaczmarek, Larry Wilen. [doi]
• Wearable Sound System for Dance and MusicFelipe Otondo, Rodrigo Torres. [doi]
• Generative Feedback Networks Using Time-Varying Allpass FiltersGreg Surges, Tamara Smyth, Miller Puckette. [doi]
• An Approach to the Generation of Real-Time Notation via Audio Analysis: The Semantics of RedactionLindsay Vickery. [doi]
• Mirror Mind: New Possibilities for Overall Interactive Design in New Music-Media TheatreYi Qin, Da-Lei Fang, Zhi-Bo Xu, Yan Da. [doi]