Abstract is missing.
- SINFONIE: Numerical Process Command with Gestual Input ControlPierre-Alain Jaffrennou, Pierre Jaubert, Ludovic Champenois. [doi]
- Shaping A Compositional Network with ComputerKaija Saariaho. [doi]
- The Synthetic Performer in The Context of Live PerformanceBarry Vercoe. [doi]
- Score and/or Gesture: the System RTI4I for Real-Time Control of the Digital Processor 4IFranco Azzolini, Sylviane Sapir. [doi]
- The Digital Piano and the Patch Control Language SystemRichard Teitelbaum. [doi]
- Musical Sound Synthesis by Means of Two-Variable Functions: Experimental Criteria and ResultsAldo Borgonovo, Goffredo Haus. [doi]
- Un Modele Informatique pour la Transformation Continue de Sons InharmoniquesAndré Riotte. [doi]
- Quarts in Pint PotsTristram Cary. [doi]
- MLOGO: Un Langage de Programmation Orienté Composition MusicaleYann Orlarey. [doi]
- Secrets of Life in Music: Musicality Realised by ComputerManfred Clynes. [doi]
- An Expert System for Schenkerian Synthesis of Chorales in the Style of J. S. BachKemal Ebcioglu. [doi]
- A Modular Approach to Sound Synthesis SoftwareShawn L. Decker, Gary S. Kendall. [doi]
- Synthesis of Selected VCV-Syllables in SingingJan Zera, Jan Gauffin, Johan Sundberg. [doi]
- An On-Line Algorithm for Real-Time AccompanimentRoger B. Dannenberg. [doi]
- Time Management in Interactive Score EditingPrzemyslaw Prusinkiewicz. [doi]
- Carnegie-Mellon University Studio ReportRoger B. Dannenberg, Paul McAvinney, Marilyn T. Thomas. [doi]
- An Intelligent Ear-Training LessonDorothy Gross. [doi]
- Frequency Dependent WaveshapingGiovanni De Poli. [doi]
- Operations on Timbre: Perspectives and ProblemsWayne Slawson. [doi]
- The M Orchestra LanguageMiller Puckette. [doi]
- An Allpass Approach to Digital Phasing and FlangingJulius O. Smith. [doi]
- Music Editing and Graphics (MEG 1.00): A Personal Computer Based Operative System for Editing and Printing Musical ScoresMarco Minciacchi, Diego Minciacchi. [doi]
- Simulating the Cues of Spatial Hearing in Natural EnvironmentsGary S. Kendall, William L. Martens. [doi]
- A Data Structure for Computer Analysis of Musical ScoresAlexander R. Brinkman. [doi]
- Programmation du Processeur Numerique Temps Reel, 4XEmmanuel Favreau, Andrew Gerzso, Patrick Potacsek. [doi]
- The Computer Musical Compositions in CzechoslovakiaJosef Gerbrich, Rudolf Ruzicka, Jirí Stehlík. [doi]
- A VLSI Approach to Sound SynthesisJohn Wawrzynek, Carver Mead, Tzu-Mu Lin, Hsui-Lin Liu, Lounette M. Dyer. [doi]
- Performance Rules for Melodies. Origin, Functions, PurposesLars Frydén, Johan Sundberg. [doi]
- Centro Di Sonologia Computazionale C. S. C. University of PadovaGiovanni B. Debiasi, Giovanni De Poli, Graziano Tisato, Alvise Vidolin. [doi]
- Refinements in Phase-Vocoder-Based Modification of MusicMark Dolson. [doi]
- Ensemble Timing in Computer MusicDavid A. Jaffe. [doi]
- MOXIE: A Language for Computer Music PerformanceDouglass J. Collinge. [doi]
- AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual ToolsStephen McAdams, Serge Gladkoff, Jean-Pierre Keller. [doi]
- A Procedural Control Language for a Digital Signal ProcessorPaul Berg. [doi]
- Hugh Le Caine's 1948 Sackbut Synthesizer: Performance Mode of Electronic InstrumentsGayle Young. [doi]
- Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds [doi]
- Società Di Informatica MusicaleLindoro Del Duca, Francesco Galante, Michelangelo Lupone, Giorgio Nottoli, Nicola Sani. [doi]
- Recur: Composition and SynthesisRobert Rowe. [doi]
- Toward A Device Independent Representation of MusicLounette M. Dyer. [doi]
- Models of Interactive Composition with the DMX-1000 Digital Signal ProcessorBarry Traux. [doi]
- Sound Structuring Techniques Utilizing Parameters Derived from a Voice Analysis/Synthesis SystemGian Antonio Mian, Graziano Tisato. [doi]
- A Functional Approach to Real-Time ControlRoger B. Dannenberg, Paul McAvinney. [doi]
- Musical Recording, Editing, and Production Using the Compusonics DSP-2000John P. Stautner. [doi]