| 487 | -- | 488 | Julian Kiverstein. Editorial - The affordances of art |
| 489 | -- | 503 | Erik Rietveld. The affordances of art for making technologies |
| 505 | -- | 507 | Rob Withagen, Alan Costall. What does the concept of affordances afford? |
| 509 | -- | 511 | Martin Stokhof. The affordances of art: the role of the individual and the case of literature |
| 513 | -- | 516 | Duarte Araújo. Skill learning in making and experiencing artworks: technologies that transform detached intellectuals into bodily engaged actors |
| 517 | -- | 519 | Annemarie Mol. Material philosophy and the adaptability of materials |
| 521 | -- | 523 | Jeannette Pols. Portrait of the artist as a philosopher |
| 525 | -- | 527 | Paul Voestermans. Let's talk about affordances: some implications of the social-material affordances approach |
| 529 | -- | 531 | Marc Slors. The paradox of unconventional affordances |
| 533 | -- | 534 | Marek McGann. Sculpting the landscape of affordances |
| 535 | -- | 536 | Laura Mojica. Material playgrounds: opening an ontology of active matter |
| 537 | -- | 540 | Caroline Hummels, Sander van der Zwan, Maarten L. Smith, Jelle P. Bruineberg. Non-discursive philosophy by imagining new practices through design |
| 541 | -- | 544 | Tim Elmo Feiten, Kristopher Holland, Anthony Chemero. Doing philosophy with a water-lance: art and the future of embodied cognition |
| 545 | -- | 546 | Tim Ingold. Meeting art with words: the philosopher as anthropologist |
| 547 | -- | 550 | Kitty Zijlmans. Intra-performance: the choreographies of K.G. Guttman |
| 551 | -- | 553 | Anna M. Barona, Lambros Malafouris. with human touch |
| 555 | -- | 559 | John Sutton. Preserving without conserving: Memoryscopes and historically burdened heritage |
| 561 | -- | 564 | Harry Heft. Disrupting the Flow of Perception-Action through Design |
| 565 | -- | 567 | Dirk van den Heuvel. Rethinking relationality |
| 569 | -- | 571 | Janna Bertchen van Grunsven. Making and embedding humane technologies: can artistic practices provide normative guidance? |
| 573 | -- | 575 | Simon(e) van Saarloos. Centralizing the cut: a feminist, queer, crip response to powerful playgrounds |
| 577 | -- | 579 | Flora Lysen. Get up, stand up: art's affordances for unseating and unsettling |
| 581 | -- | 584 | Edward Baggs, Kerstin Sailer. Letting the affordances fool around: architectural space from the users' point of view |
| 585 | -- | 587 | Andrea Jelic. What is architecture for? designing as enriching the landscape of affordances |
| 589 | -- | 602 | Erik Rietveld, Julian Kiverstein. Reflections on the genre of philosophical art installations |
| 603 | -- | 611 | Anja Novak, Geerteke van Lierop, Erik Rietveld. Engaging with art skillfully. First steps towards an ecological-enactive account of the experience of art |
| 613 | -- | 623 | Erik Rietveld. Change-Ability for a World in Flux |