| 10 | -- | 27 | Nils Peters, Georgios Marentakis, Stephen McAdams. Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis |
| 28 | -- | 42 | M. Sile O Modhrain. A Framework for the Evaluation of Digital Musical Instruments |
| 43 | -- | 57 | R. Brent Gillespie, Bo Yu, Robert Grijalva, Shorya Awtar. Characterizing the Feel of the Piano Action |
| 58 | -- | 75 | Gustavo Colmenares, René Escalante, Juan F. Sans, Rina Surós. Computational Modeling of Reproducing-Piano Rolls |
| 76 | -- | 89 | Peter F. Driessen, Thomas E. Darcie, Bipin Pillay. The Effects of Network Delay on Tempo in Musical Performance |
| 90 | -- | 104 | Freya Bailes, Roger T. Dean. The Perceived Affective Expression of Computer-Manipulated Sung Sounds |
| 105 | -- | 107 | Margaret Schedel. Roger T. Dean, Editor: Oxford Handbook of Computer Music |
| 107 | -- | 109 | James Harley. Évelyne Gayou, Editor: Denis Smalley: Polychrome Portraits No. 15 |
| 109 | -- | 111 | Ross Feller. Melia Watras: Prestidigitation |
| 111 | -- | 112 | James Harley. Henk Badings: More Electronic Music |