Computer Music Journal - researchr journal

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10	--	27	Andrew P. McPherson, Youngmoo E. Kim. The Problem of the Second Performer: Building a Community Around an Augmented Piano
28	--	39	Alexander Refsum Jensenius, Victoria Johnson. Performing the Electric Violin in a Sonic Space
40	--	58	Elizabeth Hoffman. "I"-Tunes: Multiple Subjectivities and Narrative Method in Computer Music
59	--	80	Guillaume Boutard, Catherine Guastavino. Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process
81	--	94	Emmanouil Benetos, Simon Dixon. A Shift-Invariant Latent Variable Model for Automatic Music Transcription
95	--	0	Cory Kasprzyk. SEAMUS 2012: The National Conference of the Society for Electro-Acoustic Music in the United States
96	--	98	James Harley. Alessandro Cipriani and Maurizio Giri: Electronic Music and Sound Design: Theory and Practice with Max/MSP, Vol. 1
99	--	100	Ross Feller. Hubert Howe: Clusters

8	--	23	Nick Collins. Automatic Composition of Electroacoustic Art Music Utilizing Machine Listening
24	--	42	Grégoire Carpentier, Eric Daubresse, Marc Garcia Vitoria, Kenji Sakai, Fernando Villanueva. Automatic Orchestration in Practice
43	--	56	Baris Bozkurt. A System for Tuning Instruments Using Recorded Music Instead of Theory-Based Frequency Presets
57	--	72	Akira Maezawa, Katsutoshi Itoyama, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. Automated Violin Fingering Transcription Through Analysis of an Audio Recording
73	--	83	Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho, Ana M. Barbancho. A Multidimensional Environment for the Exploration of Musical Content
84	--	87	Barry Schrader. Elainie Lillios: Entre Espaces
87	--	89	Ross Feller. David A. Jaffe: Wildlife
89	--	91	Ross Feller. Erdem Helvacioglu: Resonating Universes

10	--	22	Elizabeth Anderson. An Interview with Annette Vande Gorne, Part 2
23	--	36	Markus Zaunschirm, Joshua D. Reiss, Anssi Klapuri. A Sub-Band Approach to Modification of Musical Transients
37	--	54	Michael Terrell, Mark Sandler. An Offline, Automatic Mixing Method for Live Music, Incorporating Multiple Sources, Loudspeakers, and Room Effects
55	--	73	Adriana Olmos, Nicolas Bouillot, Trevor Knight, Nordhal Mabire, Josh Redel, Jeremy R. Cooperstock. A High-Fidelity Orchestra Simulator for Individual Musicians' Practice
74	--	84	Cordelia V. Hall, John T. O'Donnell. Regular Expressions as Violin Bowing Patterns
85	--	89	Jeffrey Treviño, Drew Allen. The Audio Programming Book, Edited by Richard Boulanger and Victor Lazzarini
89	--	90	Jeff Kowalkowski. Bob Ostertag: Creative Life: Music, Politics, People, and Machines
90	--	91	Christopher Riggs. Reed Evan Rosenberg: At the End of an Endless Stream

10	--	22	Elizabeth Anderson. An Interview with Annette Vande Gorne, Part One
23	--	41	Michael Gurevich, Adnan Marquez-Borbon, Paul Stapleton. Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument
42	--	54	Anthony Prechtl, Andrew J. Milne, Simon Holland, Robin C. Laney, David B. Sharp. A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings
55	--	64	Ryan Nikolaidis, Bruce Walker, Gil Weinberg. Generative Musical Tension Modeling and Its Application to Dynamic Sonification
65	--	80	Bob Gluck. Nurturing Young Composers: Morton Subotnick's Late-1960s Studio in New York City
81	--	82	Elainie Lillios. Larry Austin at Eighty: A Fifty-Year Retrospective, Part I
83	--	85	Michael Gogins. Dmitri Tymoczko: A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
86	--	87	Ross Feller. Christopher Bailey: Immolation Ritual

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