Journal: Computer Music Journal

Volume 43, Issue 4

12 -- 24Stefano Scarani, Adolfo Muñoz, Jaime Serquera, Jorge Sastre, Roger B. Dannenberg. Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software
25 -- 40Tom Mudd, Simon Holland, Paul Mulholland. The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments
41 -- 57Charles Patrick Martin, Jim Tørresen. Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam
58 -- 80Sergio Canazza, Giovanni De Poli. Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale
81 -- 84Ralph Lewis. HPSCHD@50
84 -- 85Seth Rozanoff. New Music Gathering 2020
86 -- 87Seth Rozanoff. 2020 SPLICE Institute
88 -- 91Bradley Green. Selected Compositions III (1986-2017)
91 -- 93Ross Feller. SLEW TEW - A Compilation of Compilation Tracks 2003-2017
110 -- 120Mara Helmuth, Judith Shatin, Annea Lockwood, Elizabeth Hoffman, Elsa Justel, Judy Klein, Elizabeth Hinkle-Turner, Laurie Spiegel, Hildegard Westerkamp, Natasha Barrett, Margaret Schedel, Paula Matthusen, Carla A. Scaletti, Katharine Norman, Frances White, Esther Lamneck. Sound and Video Anthology: Program Notes

Volume 43, Issue 2-3

15 -- 30Stefan Bilbao, Charlotte Desvages, Michele Ducceschi, Brian Hamilton, Reginald Harrison-Harsley, Alberto Torin, Craig J. Webb. Physical Modeling, Algorithms, and Sound Synthesis: The NESS Project
31 -- 47Stefan Bilbao, James Perry, Paul Graham, Alan Gray, Kostas Kavoussanakis, Gordon Delap, Tom Mudd, Gadi Sassoon, Trevor Wishart, Samson Young. Large-Scale Physical Modeling Synthesis, Parallel Computing, and Musical Experimentation: The NESS Project in Practice
48 -- 66Dan Trueman, Michael Mulshine. Preparing the Digital Piano: Introducing bitKlavier
67 -- 88Dan Trueman, Aatish Bhatia, Michael Mulshine, Theo Trevisan. Tuning Playfully: Composed and Adaptive Tunings in bitKlavier
89 -- 108Angelo Fraietta, Oliver Bown, Sam Ferguson, Sam Gillespie, Liam Bray. Rapid Composition for Networked Devices: HappyBrackets
109 -- 124Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gérard Assayag, Kamel Smaïli. Learning of Hierarchical Temporal Structures for Guided Improvisation
125 -- 141Enrique Hurtado, Thor Magnusson, Josu Rekalde. Digitizing the Txalaparta: Computer-Based Study of a Traditional Practice
142 -- 157Gilbert Wassermann, Mark E. Glickman. Automated Harmonization of Bass Lines from Bach Chorales: A Hybrid Approach
158 -- 159Ralph Lewis. 21st Century Piano Composition Competition Concert
159 -- 166Margaret Schedel, Sonya Yuditskaya, Susan E. Green. New Interfaces for Musical Expression (NIME) Conference
166 -- 168Ross Feller. The Digital Score: Musicianship, Creativity and Innovation
168 -- 170Ross Feller. Agostino Di Scipio: Concrezioni Sonore
170 -- 171Seth Rozanoff. Sabina Covarrubias: Viaje

Volume 43, Issue 1

8 -- 20Luc Döbereiner. Between the Abstract and the Concrete: A Constraint-Based Approach to Navigating Instrumental Space
21 -- 37Alexander Sigman. Robot Opera: Bridging the Anthropocentric and the Mechanized Eccentric
38 -- 58Juan Pablo Yepez Placencia, Jim W. Murphy, Dale Anthony Carnegie. Survey of Hardware and Software Design Approaches for Mechatronic Chordophones
59 -- 78David Johnson, Daniela E. Damian, George Tzanetakis. Detecting Hand Posture in Piano Playing Using Depth Data
79 -- 87Seth Rozanoff. Two Live Sets
79 -- 87Seth Rozanoff. The SPLICE Institute
79 -- 87Ross Feller. Electroacoustic Works
79 -- 87Ralph Lewis. Electronic Music Midwest