| 6 | -- | 8 | Franziska Schroeder, Romain Michon. Editors' Notes |
| 9 | -- | 23 | Alex Michael Lucas, Franziska Schroeder, Miguel Ortiz. Enabling Communities of Practice Surrounding the Design and Use of Custom Accessible Music Technology |
| 24 | -- | 38 | Lauren Hayes, Adnan Marquez-Borbon. Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies |
| 39 | -- | 54 | Patricia Cadavid Hinojosa. Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface |
| 55 | -- | 68 | Chantelle Ko, Lora Oehlberg. Construction and Performance Applications of an Augmented Violin: TRAVIS II |
| 69 | -- | 91 | Giulio Moro, Andrew P. McPherson. Performer Experience on a Continuous Keyboard Instrument |
| 92 | -- | 107 | Olivier Capra, Florent Berthaut, Laurent Grisoni. Levels of Detail in Visual Augmentation for Novice and Expert Audiences |
| 108 | -- | 117 | Thomas Licata. The Experience of Sound: An Interview with Thomas DeLio |
| 118 | -- | 132 | Maxence Larrieu. An Analysis of "nyx" (2017), a Computer Music Work by Kerry Hagan |
| 133 | -- | 158 | Michelangelo Lupone, Laura Bianchini, Silvia Lanzalone, Alessio Gabriele. Research at Rome's Centro Ricerche Musicali on Interactive and Adaptive Installations and on Augmented Instruments |
| 159 | -- | 160 | Seth Rozanoff. Lefteris Papadimitriou: Objects |
| 160 | -- | 162 | Arian Bagheri Pour Fallah. Annette Vande Gorne: Illusion |
| 162 | -- | 164 | Ross Feller. David Felder: Jeu de Tarot |
| 164 | -- | 166 | Ross Feller. Jeff Morris: Hearing Voices |