| 115 | -- | 128 | Felipe Otondo. Using mobile sound to explore spatial relationships between dance and music performance |
| 129 | -- | 148 | Dom Brown, Chris Nash, Tom Mitchell 0001. Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians |
| 149 | -- | 164 | Tychonas Michailidis, James Dooley, Niccolò Granieri, Balandino Di Donato. Improvising through the senses: a performance approach with the indirect use of technology |
| 165 | -- | 181 | Alexis Kirke, Duncan Williams, Eduardo Reck Miranda, Amanda Bluglass, Craig Whyte, Rishi Pruthi, Andrew Eccleston. Unconsciously interactive Films in a cinema environment - a demonstrative case study |
| 182 | -- | 190 | Leah Henrickson. Tool vs. agent: attributing agency to natural language generation systems |
| 191 | -- | 207 | Tom Flint, Lynne E. Hall, Fiona Stewart, David Hagan. Virtualizing the real: a virtual reality contemporary sculpture park for children |
| 208 | -- | 234 | Hafizur Rahaman. Digital heritage interpretation: a conceptual framework |
| 235 | -- | 248 | Jong-chul Choi. Reinventing the archive in the age of digital reproduction: Walid Raad's the Atlas Group |