Journal: IJART

Volume 2, Issue 4

258 -- 276Sarah Kenderdine, Jeffrey Shaw. New media in situ: the re-socialisation of public space
277 -- 296Josephine Anstey, A. Patrice Seyed, Sarah Bay-Cheng, Dave Pape, Stuart C. Shapiro, Jonathan P. Bona, Stephen Hibit. The agent takes the stage
297 -- 310Horea Avram. Intermediary zones: augmented space between real and digital
311 -- 330David I. Tafler, Peter d'Agostino. WorldWideWalks: mapping the 'mixed realities' of physical and virtual space-time
331 -- 347Doron Friedman, Ayal Donenfeld, Eli Zafran. Neurophysiology-based art in immersive virtual reality
348 -- 366Johann Habakuk Israel, Jörn Hurtienne, Anna Elisabeth Pohlmeyer, Carsten Mohs, Martin Christof Kindsmüller, Anja Naumann. On intuitive use, physicality and tangible user interfaces

Volume 2, Issue 3

173 -- 186Bonnie Marranca. Mediaturgy: a conversation with Marianne Weems
187 -- 201Sergio Costola. Strategies of subversion: the power of live performance within the walls of a Renaissance city
202 -- 217Sara Wookey, Kaitlin Drisko. Walking Los Angeles: from documentation to performance
218 -- 234Brian Granger. Santa Monica's Third Street Promenade as near-Utopia
235 -- 254Alissa Nicole Antle, Greg Corness, Milena Droumeva. Human-computer-intuition? Exploring the cognitive basis for intuition in embodied interaction

Volume 2, Issue 1/2

5 -- 21Alice Bayliss, Derek Hales, Scott Palmer, Jennifer G. Sheridan. (Re)searching through play: play as a framework and methodology for collaborative design processes
22 -- 39Aleksandra Dulic, Keith Hamel. Visual music instrument
40 -- 50Aleksandra Kaminska. Locating the ephemeral: capturing the fleeting moment in digital arts
51 -- 61Blake Hurt. Up close and personal: some effects of technology on portraiture
62 -- 81David A. Shamma. Autonomous Expressionism: a framework for installation directed Network Arts
82 -- 93Steve DiPaola. Exploring a parameterised portrait painting space
94 -- 111Tzu-Wei Tsai, I-Chia Tsai. Aesthetic experience of proactive interaction with cultural art
112 -- 128Veroniki Korakidou, Bettina Schuelke, Nina Czegledy. Cinesthesis: cross-modal and cross-cultural perceptions of the Aurora Borealis for the design of an interactive installation
129 -- 132Wilfried Jentzsch, Jean Detheux. Real-time audio-visual composition: Mugenkei as a Live Dream
133 -- 151Wendy Keay-Bright. ReacTickles: playful interaction with information communication technologies
152 -- 160Dahlia W. Zaidel. The brain, biology and evolution in art and its communication