0 | -- | 0 | Marine Riguet, Suzanne Mpouli. At the crossroads between the scientific and the literary discourse: Comparison as a figure of dialogism |
0 | -- | 0 | Joris J. van Zundert, Tara L. Andrews. Qu'est-ce qu'un texte numérique? - A new rationale for the digital representation of text |
0 | -- | 0 | David L. Hoover. The microanalysis of style variation |
0 | -- | 0 | Heather Richards-Rissetto. An iterative 3D GIS analysis of the role of visibility in ancient Maya landscapes: A case study from Copan, Honduras |
0 | -- | 0 | Taylor Arnold, Peter Leonard, Lauren Tilton. Knowledge creation through recommender systems |
0 | -- | 0 | Katarzyna Bazarnik, Jakub Wróblewski. First We Feel Then We Fall: James Joyce's Finnegans Wake as an interactive video application |
0 | -- | 0 | Elena González-Blanco García, Clara Martínez Cantón, Gimena del Rio Riande, Salvador Ros, Rafael Pastor 0001, Antonio Robles-Gómez, Agustín C. Caminero, María Luisa Díez Platas, Álvaro del Olmo, Miguel Urízar. EVI-LINHD, a virtual research environment for the Spanish-speaking community |
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0 | -- | 0 | Arianna Ciula. Digital palaeography: What is digital about it? |
0 | -- | 0 | Rui Hu, Carlos Pallan Gayol, Jean-Marc Odobez, Daniel Gatica-Perez. Analyzing and visualizing ancient Maya hieroglyphics using shape: From computer vision to Digital Humanities |
0 | -- | 0 | Stefan Evert, Thomas Proisl, Fotis Jannidis, Isabella Reger, Steffen Pielström, Christof Schöch, Thorsten Vitt. Understanding and explaining Delta measures for authorship attribution |
0 | -- | 0 | Maciej Eder, Jan Rybicki, Manfred Thaller. Introduction |
0 | -- | 0 | Grace Muzny, Mark Algee-Hewitt, Dan Jurafsky. Dialogism in the novel: A computational model of the dialogic nature of narration and quotations |
0 | -- | 0 | James O. Gawley, A. Caitlin Diddams. Comparing the intertextuality of multiple authors using Tesserae: A new technique for normalization |
0 | -- | 0 | Stefan Jänicke, David Joseph Wrisley. Visualizing Mouvance: Toward a visual analysis of variant medieval text traditions |
0 | -- | 0 | Claire Warwick. Beauty is truth: Multi-sensory input and the challenge of designing aesthetically pleasing digital resources |