| 655 | -- | 656 | Michael Iber, Kajetan Enge, Niklas Rönnberg, Annika Neidhardt, Norbert Schnell, Katharina Pollack, Maria Kallionpää, Alan Chamberlain. What you hear is what you see? Perspectives on modalities in sound and music interaction |
| 657 | -- | 676 | Elias Elmquist, Kajetan Enge, Alexander Rind, Carlo Navarra, Robert Höldrich, Michael Iber, Alexander Bock 0002, Anders Ynnerman, Wolfgang Aigner, Niklas Rönnberg. Parallel Chords: an audio-visual analytics design for parallel coordinates |
| 677 | -- | 692 | Mark Grimshaw-Aagaard, Brian Bemman. Ultrasonics and urban greening: an exploratory study on ultrasound presence in urban spaces |
| 693 | -- | 711 | Lucrezia Guiotto Nai Fovino, Anita Zanella, Luca Di Mascolo, Michele Ginolfi, Nicolò Carpita, Francesco Trovato Manuncola, Massimo Grassi. Evaluating the effectiveness of sonification in science education using Edukoi |
| 713 | -- | 725 | Mark Grimshaw-Aagaard, Mads Walther-Hansen. Less-is-more: auditory strategies for reduced reality |
| 727 | -- | 743 | Matteo Sacchetto, Cristina Rottondi, Andrea Bianco. Implementation and optimization of Burg's method for real-time packet loss concealment in networked music performance applications |
| 745 | -- | 761 | Eloysa Zelada, Anil Çamci. Conveying climate data through immersive sonification and interactive plant art in Unnatural Nature |
| 763 | -- | 778 | Alessio Bellino, Davide Rocchesso. SoundOrbit: motion-correlation interaction with auditory orbital trajectories |
| 779 | -- | 799 | Stuart Cunningham 0001, Iain McGregor. Audience perceptions of Foley footsteps and 3D realism designed to convey walker characteristics |
| 801 | -- | 821 | Andreas Bergsland. Beginnings and endings - dance phrase edges in an interactive dance study |
| 823 | -- | 843 | Prithvi Ravi Kantan, Sofia Dahl, Stefania Serafin, Erika G. Spaich. Sonifying gait kinematics: generating water wading sounds through a digital Foley approach |
| 845 | -- | 856 | Maria Belen Echenique, Eduardo J. Godoy, Rodrigo F. Cádiz, Marcelo E. Andia. Enhancement of cardiac and respiratory sounds for cellphone reproduction by means of digital sound processing methods |