Journal: Speech Communication

Volume 13, Issue 1-2

7 -- 22Gunnar Fant. Some problems in voice source analysis
23 -- 32Shigeru Kiritani, Hajime Hirose, Hiroshi Imagawa. High-speed digital image analysis of vocal cord vibration in diplophonia
33 -- 43Kenneth N. Stevens. Modelling affricate consonants
45 -- 51Katsuhiko Shirai. Estimation and generation of articulatory motion using neural networks
53 -- 61Bernd Möbius, Matthias Pätzold, Wolfgang Hess. Analysis and synthesis of German F::0:: contours by means of Fujisaki s model
63 -- 73Gösta Bruce, Björn Granström. Prosodic modelling in Swedish speech synthesis
75 -- 85John Laver. Repetition and re-start strategies for prosody in text-to-speech conversion systems
87 -- 107Mario Rossi. A model for predicting the prosody of spontaneous speech (PPSS model)
109 -- 125David B. Pisoni. Long-term memory in speech perception: Some new findings on talker variability, speaking rate and perceptual learning
127 -- 134Dominic W. Massaro, Michael M. Cohen. Perceiving asynchronous bimodal speech in consonant-vowel and vowel syllables
135 -- 147Louis C. W. Pols, R. J. J. H. van Son. Acoustics and perception of dynamic vowel segments
149 -- 154Ilse Lehiste, Robert Allen Fox. Influence of duration and amplitude on the perception of prominence by Swedish listeners
155 -- 161John J. Ohala. Sound change as nature s speech perception experiment
163 -- 170Anna Corazza, Renato de Mori, Roberto Gretter, Giorgio Satta. Language modeling using stochastic context-free grammars
171 -- 185Joseph-Jean Mariani. Automated voice dictation in French
187 -- 196Yifan Gong, Jean-Paul Haton. Plausibility functions in continuous speech recognition: The VINICS system
197 -- 205P. V. S. Rao. VOICE: An integrated speech recognition synthesis system for the Hindi language
207 -- 222J. L. Flanagan, Arun C. Surendran, Ea-Ee Jan. Spatially selective sound capture for speech and audio processing
223 -- 229Keikichi Hirose. Speech signal processing using optical method
231 -- 237Manfred R. Schroeder. A brief history of synthetic speech
239 -- 253Johan Sundberg. How can music be expressive?