Abstract is missing.
- The EVA London Conference 1990-2012: Personal ReflectionsJames Hemsley. 1-5 [doi]
- From Descriptions to Duplicates to DataMichael Lesk. 9-23 [doi]
- Quantifying Culture: Four Types of Value in VisualisationChris Alen Sula. 25-37 [doi]
- Embodied Airborne Imagery: Low-Altitude Cinematic Urban TopographyAmir Soltani. 39-55 [doi]
- Back to Paper? An Alternative Approach to Conserving Digital Images into the Twenty-Third CenturyGraham Diprose, Mike Seaborne. 57-72 [doi]
- Light Years: Jurassic Coast: An Immersive 3D Landscape ProjectJeremy Gardiner, Anthony Head. 75-89 [doi]
- AuraMurat Germen. 91-104 [doi]
- Fugue and Variations on Some Themes in Art and ScienceGordana Novakovic. 105-118 [doi]
- Motion Studies: The Art and Science of Bird FlightFernanda D'Agostino, Harry Dawson, Bret W. Tobalske. 121-136 [doi]
- Game Catcher: Visualising and Preserving Ephemeral Movement for Research and AnalysisGrethe Mitchell, Andy Clarke. 137-151 [doi]
- mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting GestureJoanne L. Armitage, Kia Ng. 153-165 [doi]
- Photocaligraphy: Writing Sign LanguageRoman Miletitch, Claire Danet, Morgane Rébulard, Raphaël de Courville, Patrick Doan, Dominique Boutet. 167-180 [doi]
- Mobile Motion: Multimodal Device Augmentation for Musical ApplicationsMatthew Benatan, Kia Ng. 183-195 [doi]
- Legal Networks: Visualising the Violence of the LawJeremy Pilcher. 197-211 [doi]
- Face, Portrait, Mask: Using a Parameterised System to Explore Synthetic Face SpaceSteve DiPaola. 213-227 [doi]
- Facebook as a Tool for Artistic CollaborationSophy Smith. 229-240 [doi]
- Just in Time: Defining Historical ChronographicsStephen Boyd Davis, Emma Bevan, Aleksei Kudikov. 243-257 [doi]
- Beckford's Ride: The Reconstruction of Historic LandscapePaul Richens, Marion Harney. 259-276 [doi]
- Reconfiguring Experimental Archaeology Using 3D Movement ReconstructionStuart Dunn, Kirk A. Woolford. 277-291 [doi]