Abstract is missing.
- Interactive Experience, Art and EvaluationLinda Candy, Sam Ferguson. 1-10 [doi]
- Human Computer Interaction, Art and ExperienceErnest A. Edmonds. 11-23 [doi]
- Evaluation and Experience in ArtLinda Candy. 25-48 [doi]
- Keeping Research in Tune with PracticeAndrew Johnston. 49-62 [doi]
- Interactive Art, Autonomy and EvaluationScott L. Simon. 63-73 [doi]
- The Machine as Autonomous PerformerOliver Bown, Petra Gemeinboeck, Rob Saunders. 75-90 [doi]
- Intimate Aesthetics and Facilitated InteractionLian Loke, George Poonkhin Khut. 91-108 [doi]
- The Network Unveiled: Evaluating Tele-musical InteractionRoger Mills, Kirsty A. Beilharz. 109-122 [doi]
- Mutual Engagement in Digitally Mediated Public ArtNick Bryan-Kinns. 123-138 [doi]
- The Role of Emotions in Art EvaluationChek Tien Tan, Sam Ferguson. 139-152 [doi]
- Blending Art Events and HCI ResearchDerek Reilly, Fanny Chevalier, Dustin Freeman. 153-168 [doi]
- In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public SettingsBen Bengler, Nick Bryan-Kinns. 169-186 [doi]
- Evaluation in Public Art: The Light Logic ExhibitionXimena Alarcón-Díaz, Kira Askaroff, Linda Candy, Ernest A. Edmonds, Jane Faram, Gillian Hobson. 187-208 [doi]
- Experience and Evaluation in the Collective Creation of a Public Digital ExhibitionStephen Barrass, Ana Luisa Sanchez Laws. 209-219 [doi]
- Curating Digital Public ArtDeborah Turnbull, Matthew Connell. 221-241 [doi]
- Digital Arts Entrepreneurship: Evaluating Performative InteractionJennifer G. Sheridan. 243-259 [doi]