Abstract is missing.
- Understanding Music Interaction, and Why It MattersSimon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley. 1-20 [doi]
- A Design Workbench for Interactive Music SystemsJoseph Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot. 23-40 [doi]
- TMAP Design Cards for Technology-Mediated Audience Participation in Live MusicOliver Hödl, Fares Kayali, Geraldine Fitzpatrick, Simon Holland. 41-59 [doi]
- The Poetry of Strange Connections: An Interview with Bill VerplankAndrew P. McPherson, Bill Verplank. 61-70 [doi]
- The Groove PizzaEthan Hein, Sumanth Srinivasan. 71-94 [doi]
- XronoMorph: Investigating Paths Through Rhythmic SpaceAndrew J. Milne. 95-113 [doi]
- HCI, Music and Art: An Interview with Wendy MackayMarcelo M. Wanderley, Wendy E. Mackay. 115-120 [doi]
- Material-Oriented Musical InteractionsTom Mudd. 123-133 [doi]
- Embodied Musical Interaction - Body Physiology, Cross Modality, and Sonic ExperienceAtau Tanaka. 135-154 [doi]
- Making as Research: An Interview with Kristina AndersenTom Mudd, Kristina Andersen. 155-161 [doi]
- Detecting and Adapting to Users' Cognitive and Affective State to Develop Intelligent Musical InterfacesBeste F. Yuksel, Kurt B. Oleson, Remco Chang, Robert J. K. Jacob. 163-177 [doi]
- Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding ApproachesAndrew P. McPherson, Fabio Morreale, Jacob Harrison. 179-212 [doi]
- Music, Design and Ethnography: An Interview with Steve BenfordAndrew P. McPherson, Steve Benford. 213-220 [doi]
- Applying Game Mechanics to Networked Music HCI SystemsAnil Çamci, Cem Çakmak, Angus Graeme Forbes. 223-241 [doi]
- Mediated Musical Interactions in Virtual EnvironmentsRob Hamilton. 243-257 [doi]
- Machine Learning, Music and Creativity: An Interview with Rebecca FiebrinkSimon Holland, Rebecca Fiebrink. 259-267 [doi]
- Free-Improvised Rehearsal-as-Research for Musical HCICharles P. Martin, Henry J. Gardner. 269-284 [doi]
- A Case Study in Collaborative Learning via Participatory Music Interactive Systems: Interactive Tango MilongaCourtney Brown, Garth Paine. 285-306 [doi]