François-Xavier Féron. Could the endless progressions in James Tenney's music be viewed as sonic koans?. In Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014. Michigan Publishing, 2014. [doi]
@inproceedings{Feron14, title = {Could the endless progressions in James Tenney's music be viewed as sonic koans?}, author = {François-Xavier Féron}, year = {2014}, url = {http://hdl.handle.net/2027/spo.bbp2372.2014.018}, researchr = {https://researchr.org/publication/Feron14}, cites = {0}, citedby = {0}, booktitle = {Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014}, publisher = {Michigan Publishing}, }