Table of Contents

• Distance in audio for VR: constraints and opportunitiesA. McArthur, M. Sandler, R. Stewart. [doi]
• IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion AnnotationsDorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet, Elaine Chew. [doi]
• Recognition of Piano Pedalling Techniques Using Gesture DataBeici Liang, György Fazekas, Mark B. Sandler. [doi]
• Aural Fabric: an interactive textile sonic mapAlessia Milo, Joshua D. Reiss. [doi]
• Embedded Multichannel Linux Audiosystem for Musical ApplicationsHenrik Langer, Robert Manzke. [doi]
• Towards a Parallel Computing Framework for Direct Sonification of Multivariate Chronological DataGordan Krekovic, I. Vican. [doi]
• Walking Phrases: Modeling the Walker's Context for Sonic Interaction DesignNassrin Hajinejad, Licinio Roque, Barbara Grüter. [doi]
• Mode Explorer: Using Model-based Sonification to Investigate Basins of AttractionJiajun Yang, Thomas Hermann. [doi]
• The Role of Live Visuals in Audience Understanding of Electronic Music PerformancesNuno N. Correia, Deborah Castro, Atau Tanaka. [doi]
• Metronome Music Time Capsule: rematerialising music consumption and exchangeRishi Shukla, Rebecca Stewart. [doi]
• Mood Visualiser: Augmented Music Visualisation Gauging Audience ArousalAnand Subramaniam, Mathieu Barthet. [doi]
• Designing Computationally Creative Musical Performance SystemsCallum Goddard, Mathieu Barthet, Geraint A. Wiggins. [doi]
• The Geometric Oscillator: Sound Synthesis with Cyclic ShapesJoshua Peschke, Axel Berndt. [doi]
• If These Walls Could Speak: Tangible MemoriesMatthew Mosher. [doi]
• Sound recycling from public databases: Another BigData approach to sound collectionsHernán Ordiales, Matías Lennie Bruno. [doi]
• Sonic Interaction Design for Paper WearablesGiorgio Klauer, Annalisa Metus, Pietro Polotti. [doi]
• Exploring Computational Music Thinking in a Workshop Setting with Primary and Secondary School ChildrenDaniel Hug 0002, Serge Petralito, Sarah Hauser, Anna Lamprou, Alexander Repenning, Didier Bertschinger, Nadine Stüber, Markus Cslovjecsek. [doi]
• The Rough Mile: Reframing Location Through Locative AudioAdrian Hazzard, Jocelyn Spence, Chris Greenhalgh, Sean McGrath. [doi]
• HaptEQ: A Collaborative Tool For Visually Impaired Audio ProducersAaron Karp, Bryan Pardo. [doi]
• User Requirements for Live Sound Visualization System Using Multitrack AudioIreti Olowe, Mick Grierson, Mathieu Barthet. [doi]
• Large-Scale Interaction with a Sound Installation as a Design ToolKjetil Falkenberg Hansen, Martin Ljungdahl Eriksson, Ricardo Atienza. [doi]
• Augmenting Drama: A Speech Emotion - Controlled Stage Lighting FrameworkN. Vryzas, A. Liatsou, Rigas Kotsakis, Charalampos Dimoulas, George Kalliris. [doi]
• Creating Space for Facilitated Music Performance: Gesture Controlled Sound for Users with Complex DisabilitiesAmy Dickens, Chris Greenhalgh, Boriana Koleva. [doi]
• Sound and Interaction Design of an Augmented Drum SystemJeff Gregorio, Peter English, Youngmoo E. Kim. [doi]
• Structured interaction in the SoundThimble real-time gesture sonification frameworkGrigore Burloiu, Stefan Damian, Bogdan Golumbeanu, Valentin Mihai. [doi]
• Physically Derived Sound Synthesis Model of a PropellerRod Selfridge, David Moffat, Joshua D. Reiss. [doi]
• Zound: An interactive live electronicsDanilo Randazzo, Giovanni Cospito. [doi]
• Are the Robots Coming?: Designing with Autonomy & Control for Musical Creativity & PerformanceAlan Chamberlain. [doi]
• Composing The Good Ship Hibernia and the Hole in the Bottom of the WorldS. Roddy. [doi]
• Simulating Auditory Hallucinations in a Video Game: Three Prototype MechanismsJonathan Weinel, Stuart Cunningham 0001. [doi]
• More Cowbell: Measuring Beat Consistency With Respect To Tempo And Metronome VariationsSteffan Owens, Stuart Cunningham. [doi]
• Turn-Taking and Chatting in Collaborative Music Live CodingAnna Xambó, Pratik Shah, Gerard Roma, Jason Freeman, Brian Magerko. [doi]
• Datascaping: Data Sonification as a Narrative Device in Soundscape CompositionJon Pigrem, Mathieu Barthet. [doi]
• Deep Models for Ensemble Touch-Screen ImprovisationCharles P. Martin, Kai Olav Ellefsen, Jim Tørresen. [doi]
• Perception of Paralinguistic Traits in Synthesized VoicesAlice Baird, Stina Hasse Jørgensen, Emilia Parada-Cabaleiro, Simone Hantke, Nicholas Cummins, Björn W. Schuller. [doi]
• 2K-Reality: An Acoustic Sports Entertainment Augmentation for Pickup Basketball Play SpacesTimothy P. Ryan, Jonathan Duckworth. [doi]
• Mapping Media and Meaning: Autoethnography as an Approach to Designing Personal Heritage SoundscapesAlan Chamberlain, Mads Bødker, Konstantinos Papangelis. [doi]
• EVERTims: Open source framework for real-time auralization in VRDavid Poirier-Quinot, Markus Noisternig, Brian F. G. Katz. [doi]
• Examples of use cases with Smart InstrumentsLuca Turchet, Michele Benincaso, Carlo Fischione. [doi]
• The Frailty of Formal Education: Visual Paradigms and Music CreationA. Poscic, Gordan Krekovic. [doi]
• FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack AudioIreti Olowe, Mathieu Barthet, Mick Grierson. [doi]
• CardioSounds: Real-time Auditory Assistance for Supporting Cardiac Diagnostic and MonitoringAndrea Lorena Aldana Blanco, Steffen Grautoff, Thomas Hermann. [doi]
• The Data-Driven Algorithmic ComposerJ. Fitzpatrick, F. Neff. [doi]
• Handwaving: Gesture Recognition for Participatory Mobile MusicGerard Roma, Anna Xambó, Jason Freeman. [doi]
• Biosignal Augmented Embodied PerformanceRikard Lindell, Tomas Kumlin. [doi]
• Open Band: A Platform for Collective Sound DialoguesAriane Stolfi, Mathieu Barthet, Fábio Goródscy, Antonio Deusany De Carvalho Junior. [doi]
• Mixed Reality MIDI Keyboard DemonstrationJohn Desnoyers-Stewart, Megan Smith, David Gerhard. [doi]
• Potential of Application of Psychoacoustics to User/Product Interaction DesignR. Sanz-Segura, E. Manchado-Pérez. [doi]
• Hear-Here: a choreographed peer-to-peer network for live participation on the radioAugust Black. [doi]
• Media Device Orchestration for Immersive Spatial Audio ReproductionJon Francombe, Russell Mason, Philip J. B. Jackson, Tim Brookes, Richard Hughes, James Woodcock, Andreas Franck, Frank Melchior, Chris Pike. [doi]
• A Network of Noise: Designing with a Decade of Data to Sonify JANETIain Emsley, David De Roure, Alan Chamberlain. [doi]
• The Hyper-MandolinLuca Turchet. [doi]
• Designing a Multimodal Warning Display for an Industrial Control RoomJohan Fagerlönn, Kristin Hammarberg, Stefan Lindberg, Anna Sirkka, Sofia Larsson. [doi]
• An Archival Echo: Recalling the public domain through real-time query by vocalisationBen White, Adib Mehrabi, Mark B. Sandler. [doi]