Abstract is missing.
- A Web-based Real-Time Kinect Application for Gestural Interaction with Virtual Musical InstrumentsAthanasia Zlatintsi, Panagiotis Paraskevas Filntisis, Christos Garoufis, Antigoni Tsiami, Kosmas Kritsis, Maximos A. Kaliakatsos-Papakostas, Aggelos Gkiokas, Vassilios Katsouros, Petros Maragos. [doi]
- Subjective Evaluation of a Speech Emotion Recognition Interaction FrameworkNikolaos Vryzas, Maria Matsiola, Rigas Kotsakis, Charalampos Dimoulas, George Kalliris. [doi]
- Some reflections on the relation between augmented and smart musical instrumentsLuca Turchet. [doi]
- Surfing with Sound: An Ethnography of the Art of No-Input Mixing: Starting to Understand Risk, Control and Feedback in Musical PerformanceAlan Chamberlain. [doi]
- The London Soundmap: Integrating sonic interaction design in the urban realmSara Adhitya, Daniel Scott. [doi]
- Staging sonic atmospheres as the new aesthetic workElio Toppano, Alessandro Toppano. [doi]
- Emotional MusificationAndrew Godbout, Iulius A. T. Popa, Jeffrey E. Boyd. [doi]
- MozziByte Workshop: Making Things Purr Growl and SingStephen Barrass. [doi]
- A Method for Virtual Acoustic Auralisation in VRCallum Forsyth. [doi]
- High-Level Analysis of Audio Features for Identifying Emotional Valence in Human SingingStuart Cunningham 0001, Jonathan Weinel, Richard Picking. [doi]
- Investigating Concurrent Speech-based Designs for Information CommunicationMuhammad Abu ul Fazal, Sam Ferguson, Andrew Johnston. [doi]
- Investigating metaphors of musical involvement: Immersion, flow, interaction and incorporationOskari Koskela, Kai Tuuri. [doi]
- Muscle activity response of the audience during an experimental music performanceVictor Gonzalez Sanchez, Agata Zelechowska, Alexander Refsum Jensenius. [doi]
- On Transformations between Paradigms in Audio ProgrammingRobert Kraemer, Cornelius Poepel. [doi]
- Activating Archives: Combining Elements of Japanese Culture to Create a New and Playful Musical ExperienceOliver Halstead, Jack Davenport, Ruben Dejaegere. [doi]
- A Prototype Mixer to Improve Cross-Modal Attention During Audio MixingJoshua Mycroft, Tony Stockman, J. D. Reiss. [doi]
- Smart Mandolin: autobiographical design, implementation, use cases, and lessons learnedLuca Turchet. [doi]
- An AI-Based Design Framework to Support Musicians' PracticesJuan Martinez-Avila, Adrian Hazzard, Alan Chamberlain, Chris Greenhalgh, Steve Benford. [doi]
- Immersive VisualAudioDesign: Spectral Editing in VRLars Engeln, Natalie Hube, Rainer Groh. [doi]
- An Immersive Approach to 3D-Spatialized Music Composition: Tools and Pilot SurveyD. Ledoux, R. Normandeau. [doi]
- The Perceived Emotion of Isolated Synthetic Audio: The EmoSynth Dataset and ResultsAlice Baird, Emilia Parada-Cabaleiro, Cameron Fraser, Simone Hantke, Björn W. Schuller. [doi]
- Interactive Control of Explicit Musical Features in Generative LSTM-based SystemsMaximos A. Kaliakatsos-Papakostas, Aggelos Gkiokas, Vassilios Katsouros. [doi]
- Real time Pattern Based Melodic Query for Music Continuation SystemSanjay Majumder, Benjamin D. Smith. [doi]
- Returning to the Fundamentals on Temperament (In Digital Systems)Nathan Renney, Benedict R. Gaster, Tom Mitchell 0001. [doi]
- My Sound Space: An attentional shield for immersive redirectionMartin Ljungdahl Eriksson, Lena Pareto, Ricardo Atienza, Kjetil Falkenberg Hansen. [doi]
- Procedurally-Generated Audio for Soft-Body AnimationsFeng Su, Chris Joslin. [doi]
- Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's PerspectiveAnna Xambó, Johan Pauwels, Gerard Roma, Mathieu Barthet, György Fazekas. [doi]
- Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its ApplicationsAxel Berndt, Simon Waloschek, Aristotelis Hadjakos. [doi]
- Playing the Body: Making Music through Various Body MovementsJunko Ichino, Hayato Nao. [doi]
- Acoustic Vehicle Alerting Systems: Will they affect the acceptance of electric vehicles?Johan Fagerlönn, Anna Sirkka, Stefan Lindberg, Roger Johnsson. [doi]
- The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled InterfacesAlan Chamberlain, Mads Bødker, Maria Kallionpää, Richard Ramchurn, David De Roure, Steve Benford, Alan Dix. [doi]
- Designing Musical Soundtracks for Brain Controlled Interface (BCI) SystemsRichard Ramchurn, Alan Chamberlain, Steve Benford. [doi]
- Music Genre Classification: Genre-Specific Characterization and Pairwise EvaluationAdam Lefaivre, John Z. Zhang. [doi]
- Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and TechnologiesMaria Kallionpää, Alan Chamberlain, Hans-Peter Gasselseder. [doi]
- Collaborative Artificial Intelligence in Music ProductionSteven Nicholls, Stuart Cunningham 0001, Richard Picking. [doi]
- Evolving in-game mood-expressive music with MetaComposeMarco Scirea, Peter W. Eklund, Julian Togelius, Sebastian Risi. [doi]
- Symbolic Music Similarity through a Graph-Based RepresentationFederico Simonetta, Filippo Carnovalini, Nicola Orio, Antonio Rodà. [doi]
- Lovelace's Legacy: Creative Algorithmic Interventions for Live PerformanceDavid De Roure, Pip Willcox, Alan Chamberlain. [doi]
- Auditory Masking and the Precedence Effect in Studies of Musical TimekeepingSteffan Owens, Stuart Cunningham. [doi]
- Re-Thinking Immersive Technologies for Audiences of the FutureAlan Chamberlain, Steve Benford, Alan Dix. [doi]
- Music retiler: Using NMF2D source separation for audio mosaicingHadrien Foroughmand Aarabi, Geoffroy Peeters. [doi]
- Tamaglitchi: A Pilot Study of Anthropomorphism and Non-Verbal SoundKaren Collins, Ruth Dockwray. [doi]
- Exploring the Creation of Useful Interfaces for Music TherapistsLeya Breanna Baltaxe-Admony, Tom Hope, Kentaro Watanabe, Mircea Teodorescu, Sri Kurniawan, Takuichi Nishimura. [doi]