Abstract is missing.
- Subjective and Objective Evaluation of Procedurally-Generated Audio for Soft-Body InteractionsFeng Su, Chris Joslin. 1-8 [doi]
- Manipulating Causal Uncertainty in Sound ObjectsTal Boger, Ishwarya Ananthabhotla, Joseph A. Paradiso. 9-15 [doi]
- Run, Beep, Breathe: Exploring the Effects on Adherence and User Experience of 5 Breathing Instruction Sounds while RunningVincent van Rheden, Eric Harbour, Thomas Finkenzeller, Lisa Anneke Burr, Alexander Meschtscherjakov, Manfred Tscheligi. 16-23 [doi]
- Exploring Audio Game design with Visually Impaired players: A Mexican Case StudyFermin Chavez-Sanchez, Gloria Angelica Martínez de la Peña, Gloria Adriana Mendoza Franco, Erick Iroel Heredia Carrillo. 24-31 [doi]
- Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short term memoryJosefine Hölling, Maria Svahn, Sandra Pauletto. 32-39 [doi]
- The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music ProductionGlenn McGarry, Alan Chamberlain, Andy Crabtree, Christopher Greenhalgh. 40-47 [doi]
- Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installationsAnne Despond, Nicolas Reeves, Vincent Cusson. 48-55 [doi]
- Sonification for Conveying Data and EmotionNiklas Rönnberg. 56-63 [doi]
- It's about Time: Adopting Theoretical Constructs from Visualization for SonificationKajetan Enge, Alexander Rind, Michael Iber, Robert Höldrich, Wolfgang Aigner. 64-71 [doi]
- Sonification of Planetary Orbits in Asteroid BeltsMichael Quinton, Iain McGregor, David Benyon. 72-80 [doi]
- The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictionsKonstantinos Bakogiannis, Areti Andreopoulou, Anastasia Georgaki. 81-88 [doi]
- Zugzwang: Chess Representation Combining Sonification and Interactive PerformanceFrancesco Ardan Dal Rì, Raul Masu. 89-92 [doi]
- Designing Privacy for Collaborative Music Making in Virtual RealityLiang Men, Danqi Zhao. 93-100 [doi]
- Similarity Analysis of Visual Sketch-based Search for SoundsLars Engeln, Nhat Long Le, Matthew McGinity, Rainer Groh. 101-108 [doi]
- Technology-Mediated Musical Connections: The Ecology of a Screen-Score PerformanceRaul Masu, Nuno N. Correia, Teresa Romão. 109-116 [doi]
- The Singing Gallery: Combining Music and Static Visual ArtworksOliver Bramah, Xiaoling Cheng, Fabio Morreale. 117-120 [doi]
- Neuro-curation: A case study on the use of sonic enhancement of virtual museum exhibitsDuncan Williams, Ian Daly. 121-125 [doi]
- A 3D Graphic Score Space and the Creative Techniques and Performance Practices that Emerge From ItLauren McCall, Jason Freeman. 126-129 [doi]
- Visualyre: Multimodal visualization of lyricsGamar Azuaje, Kongmeng Liew, Elena Epure, Shuntaro Yada, Shoko Wakamiya, Eiji Aramaki. 130-134 [doi]
- Synaesthetic Audio-Visual Sound Toys in Virtual RealityJonathan Weinel. 135-138 [doi]
- Mind the Steps: Towards Auditory Feedback in Tele-Rehabilitation Based on Automated Gait ClassificationMichael Iber, Bernhard Dumphart, Victor Adriel de Jesus Oliveira, Stefan Ferstl, Joschua M. Reis, Djordje Slijepcevic, Mario Heller, Anna-Maria Raberger, Brian Horsak. 139-146 [doi]
- Energy Efficiency is Not Enough: Towards a Batteryless Internet of SoundsVincent Lostanlen, Antoine Bernabeu, Jean-Luc Béchennec, Mikaël Briday, Sébastien Faucou, Mathieu Lagrange. 147-155 [doi]
- Automatic acoustic classification of feline sexMaksim Kukushkin, Stavros Ntalampiras. 156-160 [doi]
- Streaaam: A fully automated experimental audio streaming serverFlorian Hollerweger. 161-168 [doi]
- A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance ContextsRory Hoy, Doug Van Nort. 169-174 [doi]
- Sunflower: an environment for standardized communication of IoMusTRômulo Vieira, Flávio Luiz Schiavoni. 175-181 [doi]
- SOURCE: a Freesound Community Music SamplerFrederic Font. 182-187 [doi]
- Telematic Wearable Music: Remote Ensembles and Inclusive Embodied EducationSeth Thorn. 188-195 [doi]
- Composing the Network with StreamsIan Clester, Jason Freeman. 196-199 [doi]
- Comparing Chat Methods for Remote Collaborative Live-Coding MusicChad Bullard, Ananya Kansal, Jason Freeman. 200-203 [doi]
- Ubiquitous Music-Making Systems: A Critical Overview of Current PracticesWei Zhao. 204-207 [doi]
- sc3nb: a Python-SuperCollider Interface for Auditory Data ScienceThomas Hermann, Dennis Reinsch. 208-215 [doi]
- Taming the Chaos: Exploring Graphical Input Vector Manipulation User Interfaces for GANs in a Musical ContextRuben Schlagowski, Silvan Mertes, Elisabeth André. 216-223 [doi]
- A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapesNiccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza. 224-231 [doi]
- The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio conceptsMarcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson. 232-239 [doi]
- A Concept of a Wavetable Oscillator Based on a Neural AutoencoderUwe Andresen. 240-243 [doi]
- Fish migration monitoring from audio detection with CNNsPatrice Guyot, Fanny Alix, Thomas Guerin, Elie Lambeaux, Alexis Rotureau. 244-247 [doi]
- Leveraging Compatibility and Diversity in Computational Music Mashup CreationGonçalo Bernardo, Gilberto Bernardes. 248-255 [doi]
- A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric GuitarAdan L. Benito Temprano, Andrew McPherson. 256-263 [doi]
- A New Corpus for Computational Music Research andA Novel Method for Musical Structure AnalysisFilippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, Geraint A. Wiggins. 264-267 [doi]
- Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual studyPaul Cambourian, Oscar Gal, Arthur Paté, Simon Benacchio, Jérôme Vasseur. 268-271 [doi]
- Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational ApproachCláudio Lemos, Diogo Cocharro, Gilberto Bernardes. 272-275 [doi]
- PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal TractGiorgio Presti, Daniele Adriano, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico. 276-279 [doi]
- Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical InstrumentNicola Davanzo, Federico Avanzini. 280-283 [doi]