Abstract is missing.
- The value of research in creativity and the artsCeline Latulipe. 1-10 [doi]
- The challenge of interdisciplinary researchKen Friedman. 11 [doi]
- Toward a cognitive theory of creativity supportNicholas M. Davis, Holger Winnemöller, Mira Dontcheva, Ellen Yi-Luen Do. 13-22 [doi]
- Improvising consciousnessJosephine Anstey, Neil Coletta, Dave Pape, Courtney Hatten, Min-Young Kim, Debra T. Burhans, Devin Wilson. 24-31 [doi]
- Cultivating creativity in diverse teamsJulia Katherine Haines. 32-41 [doi]
- A classification of argument types for product aestheticsAnders Haug, Mia Borch Münster. 42-52 [doi]
- Promoting reflection and interpretation in education: curating rich bookmarks as information compositionAndrew M. Webb, Rhema Linder, Andruid Kerne, Nic Lupfer, Yin Qu, Bryant Poffenberger, Colton Revia. 53-62 [doi]
- Paperbox: a toolkit for exploring tangible interaction on interactive surfacesAlexander Wiethoff, Hanna Schneider, Julia Küfner, Michael Rohs, Andreas Butz, Saul Greenberg. 64-73 [doi]
- Indirect control and making actions explicit in 3D drawingBaris Serim. 74-82 [doi]
- on-action in designMoushumi Sharmin, Brian P. Bailey. 83-92 [doi]
- The effects of physicality on the child's imaginationSharon Lynn Chu, Francis K. H. Quek, Luke Gusukuma, Joshua Tanenbaum. 93-102 [doi]
- What motivates children to become creators of digital enriched artifacts?Michail N. Giannakos, Letizia Jaccheri. 104-113 [doi]
- Participatory design with older adults: an analysis of creativity in the design of mobile healthcare applicationsJennifer L. Davidson, Carlos Jensen. 114-123 [doi]
- A software app to support creativity in dementia careKonstantinos Zachos, Neil A. M. Maiden, Kristine Pitts, Sara Jones, Ian Turner, Malcolm Rose, Kevin Pudney, Julie MacManus. 124-133 [doi]
- Not what we think: sensate machines for rewiringDagmar Reinhardt, Lian Loke. 135-144 [doi]
- Priming creativity through improvisation on an adaptive musical instrumentGarth Griffin, Robert Jacob. 146-155 [doi]
- Performing with a system's intention: embodied cues in performer-system interactionGreg Corness, Thecla Schiphorst. 156-164 [doi]
- Expressing technological metaphors in dance using structural illusion from embodied motionDiego S. Maranan, Thecla Schiphorst, Lyn Bartram, Albert Hwang. 165-174 [doi]
- Indexicality and visualization: exploring analogies with art, cinema and photographyTom Schofield, Marian Dörk, Martyn Dade-Robertson. 175-184 [doi]
- Unwrapping virtual space through the myth of total cinemaStephen Guynup, Elizabeth Graff. 186-192 [doi]
- Facilitating TV production using StoryCrateTom Bartindale, Elizabeth Valentine, Maxine Glancy, David Kirk, Peter C. Wright, Patrick Olivier. 193-202 [doi]
- Trigger shift: participatory design of an augmented theatrical performance with young peopleTom Schofield, John Vines, Tom Higham, Ed Carter, Memo Atken, Amy Golding. 203-212 [doi]
- Community engagements with living sensing systemsStacey Kuznetsov, Will Harrigan-Anderson, Haakon Faste, Scott E. Hudson, Eric Paulos. 213-222 [doi]
- Tweetris: a study of whole-body interaction during a public art eventDustin Freeman, Nathan Lapierre, Fanny Chevalier, Derek Reilly. 224-233 [doi]
- Designing collaborative musical experiences for broad audiencesBen Bengler, Nick Bryan-Kinns. 234-242 [doi]
- Medium-specific properties of urban screens: towards an ontological framework for digital public displaysClaude Fortin, Steve DiPaola, Kate Hennessy, Jim Bizzocchi, Carman Neustaedter. 243-252 [doi]
- Manifestations of everyday design: guiding goals and motivationsAudrey Desjardins, Ron Wakkary. 253-262 [doi]
- An integrative theory of visual mentation and spontaneous creativityBenjamin D. R. Bogart, Philippe Pasquier, Steven J. Barnes. 264-273 [doi]
- Creative search using pataphysicsFania Raczinski, Hongji Yang, Andrew Hugill. 274-280 [doi]
- Touch style: creativity in tangible experience designShad Gross, Jeffrey Bardzell, Shaowen Bardzell. 281-290 [doi]
- Empowering cognitive fixednessYukari Nagai, Deny W. Junaidy. 291-294 [doi]
- Factors affecting audience perceptions of agency in human computer musical partnershipsAndrew R. Brown, Toby Gifford, Bradley Voltz. 296-299 [doi]
- Designing interaction for designers: defamiliarization in user's creative decision-makingKristin Carlson, Thecla Schiphorst. 300-303 [doi]
- Using data visualization in creativity workshops: a new tool in the designer's kitGraham Dove, Sara Jones, Jason Dykes, Amanda Brown, Alison Duffy. 304-307 [doi]
- The creative personality: composers of music, their inspirations and working methodsSandra Garrido, Sean Bernard, Jane Davidson. 308-311 [doi]
- Novelty makes sense: a social semiotic based model of idea generationHakim Hachour. 312-315 [doi]
- Design constraints in fashion store design processesAnders Haug, Mia Borch Münster. 316-319 [doi]
- Sketch master: a sketch game for collecting exploratory dataChih-Pin Hsiao, Nicholas M. Davis, Shuangxin Chen, Binjie Sun, Rui Chen, Ellen Yi-Luen Do. 320-323 [doi]
- Co-creation model for traditional artisans in the current creative environmentDeny W. Junaidy, Yukari Nagai. 324-327 [doi]
- The creative assessment of rich ideasRicardo Sosa, Andy Dong. 328-331 [doi]
- The role of instrumental emotion regulation in the emotions-creativity link: how worries render neurotic individuals more creativeAngela Ka-yee Leung, Letty Kwan, Shyhnan Liou, Chi-Yue Chiu, Lin Qiu, Jose C. Yong. 332-336 [doi]
- I contain multitudes: creativity and emergent narrativeRuth Aylett, Sandy Louchart. 337-340 [doi]
- Utilizing music technology as a model for creativity development in K-12 educationDavid Rosen, Erik M. Schmidt, Youngmoo E. Kim. 341-344 [doi]
- Designing for interactive and collective mobile creativityJu-Hyun Lee, Mi-Jeong Kim, Mary Lou Maher. 345-348 [doi]
- Creativity support in a serious game for dementia careAnja Sisarica, Neil A. M. Maiden, Dalia Morosini, Lucia Panesse, Kevin Pudney, Malcolm Rose. 349-352 [doi]
- Enhancing orientation and mobility skills in learners who are blind through video gamingJaime Sánchez, Matías Espinoza, Márcia de Borba Campos, Lotfi B. Merabet. 353-356 [doi]
- Creating reflections in public emotion visualization: prototype exploration on traffic themeJiayu Wu, Zhiyong Fu, Zhiyuan Liu, Xu Lin, Jiayu Tang, Jiajia Pan, Chen Zhao. 357-361 [doi]
- Mood and creativity: an appraisal tendency perspectiveAlwin de Rooij, Sara Jones. 362-365 [doi]
- Closing the gaps: toward unifying and deepening the study of creativityScott Dexter, Aaron Kozbelt. 366-369 [doi]
- Interactivated physical rehabilitation modulesBert Bongers, Stuart Smith, Michelle Pickrell, Rebecca Hall, Victor Donker. 371-372 [doi]
- f*¢&|# cake: the innocent, the vulgar, and the scaryDaniel Cermak-Sassenrath, Jenna Gavin, Matthew Martin. 374-375 [doi]
- Shadow ShowdownJenna Gavin, Matthew Martin, Daniel Cermak-Sassenrath. 376-377 [doi]
- Recall that moment an evaluation tool for collaborative narrative interfaceDamian Hills. 378-379 [doi]
- Filtering the WDaniel Cermak-Sassenrath, Clinton Watkins. 380-381 [doi]
- Drawing in the lamposcopeViveka Weiley, Matt Adcock. 382-383 [doi]
- Folded sensitive surfaceIngrid Maria Pohl. 384-385 [doi]
- The agent designer toolkitAengus Martin, Oliver Bown. 386-387 [doi]
- Backgammon: process-based musical explorations using the agent designerOliver Bown, Aengus Martin. 390-391 [doi]
- A live coding improvisationRenick Bell. 392-393 [doi]
- 'I & I, ' a new piece for the AirSticks: a new interface for electronic percussionistsAlon Ilsar, Mark Havryliv, Andrew Johnston. 394-395 [doi]
- Generating electronica: a virtual producer and virtual DJArne Eigenfeldt. 396 [doi]
- Flow formsBill Hsu. 397-398 [doi]
- Sound streamAndrew Johnston, Linda Walsh. 399-400 [doi]
- Audio arc: an audio-spatial game using mobile phone ringtonesJennifer Lade, Jonathan Duckworth. 401-402 [doi]
- Alignment: improvised gestural performanceMary Mainsbridge, Robbie Mudrazija. 403 [doi]
- HOSTPatricia Adams. 404-405 [doi]
- Improvising consciousness: the Davian TurnJosephine Anstey, Dave Pape, Devin Wilson. 406-407 [doi]
- Dreaming machine #3 (prototype 2)Benjamin David Robert Bogart, Philippe Pasquier. 408-409 [doi]
- Fold #1Chris Bowman. 410 [doi]
- _derivations: improvisation for tenor saxophone and interactive performance systemBenjamin Carey. 411-412 [doi]
- Dropsketch installationSean Clark. 413-414 [doi]
- Translations 2.2013João dos Santos. 415-416 [doi]
- cc13.assimilate.net explorations in creativityDamian Hills. 417 [doi]
- Site Weave: revealing interconnections through musicShannon Novak. 418-419 [doi]
- Emotional creativityBarbara Rauch. 420-421 [doi]
- EXODUSMartin Rieser. 422-423 [doi]
- Iterative intersectionsJennifer Seevinck. 425-426 [doi]
- The worry ballThomas Marcusson, Stephanie Rajalingam, Livia Giacomini, Ernesto Sumarkho. 427-428 [doi]
- Beautiful dance moves: mapping movement, technology & computationThecla Schiphorst, Renata M. Sheppard, Lian Loke, Chyi-Cheng Lin. 429-433 [doi]