Abstract is missing.
- Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic ApproachesMitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet, Sølvi Ystad. 1-17 [doi]
- Perception of Harmonic and Inharmonic Sounds: Results from Ear ModelsAlbrecht Schneider, Klaus Frieler. 18-44 [doi]
- Semantic Contours in Tracks Based on Emotional TagsMichael Kai Petersen, Lars Kai Hansen, Andrius Butkus. 45-66 [doi]
- Chunking Sound for Musical AnalysisRolf Inge Godøy. 67-80 [doi]
- Towards a Model of Musical ChunksKristoffer Jensen, Ole Kühl. 81-92 [doi]
- Does Social Interaction Activate Music Listeners?Leen De Bruyn, Marc Leman, Dirk Moelants, Michiel Demey. 93-106 [doi]
- Musically Meaningful or Just Noise? An Analysis of On-line Artist NetworksKurt Jacobson, Mark Sandler. 107-118 [doi]
- The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music DescriptorsJosé Fornari, Tuomas Eerola. 119-133 [doi]
- Perception of Impacted Materials: Sound Retrieval and Synthesis Control PerspectivesMitsuko Aramaki, Loïc Brancheriau, Richard Kronland-Martinet, Sølvi Ystad. 134-146 [doi]
- Refinement Strategies for Music SynchronizationSebastian Ewert, Meinard Müller. 147-165 [doi]
- Labelling the Structural Parts of a Music Piece with Markov ModelsJouni Paulus, Anssi Klapuri. 166-176 [doi]
- Tree Representation in Combined Polyphonic Music ComparisonDavid Rizo, Kjell Lemström, José Manuel Iñesta Quereda. 177-195 [doi]
- Interval Distinction on Melody Perception for Music Information RetrievalCihan Isikhan, Adil Alpkocak, Yetkin Ozer. 196-206 [doi]
- A Learning-Based Model for Musical Data Representation Using HistogramsMehdi Naccache, Amel Borgi, Khaled Ghédira. 207-215 [doi]
- Ontological Substance and Meaning in Live Electroacoustic MusicJeffrey M. Morris. 216-226 [doi]
- Dynamic Mapping Strategies for Expressive Synthesis Performance and ImprovisationPalle Dahlstedt. 227-242 [doi]
- Amplified Breath - (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist IdentityJean Penny. 243-252 [doi]
- KSQuant - Complex Score Manipulation in PWGL through QuantizationKilian Sprotte, Mikael Laurson, Mika Kuuskankare. 253-261 [doi]
- Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENPMika Kuuskankare, Mikael Laurson. 262-271 [doi]
- An IEEE 1599-Based Interface for Score AnalysisAdriano Baratè, Luca A. Ludovico, Alberto Pinto. 272-282 [doi]
- New Music in the Atomic AgeElse Marie Pade. 283-284 [doi]