Abstract is missing.
- Investigation of the Harpist/Harp InteractionDelphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet. 3-19 [doi]
- Sonically Augmented Artifacts: Design Methodology Through Participatory WorkshopsOlivier Houix, Nicolas Misdariis, Patrick Susini, Frédéric Bevilacqua, Florestan Gutierrez. 20-40 [doi]
- Vibrotactile Feedback for an Open Air Music ControllerHåkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley. 41-57 [doi]
- Automatic Classification of Guitar Playing ModesRaphael Foulon, Pierre Roy, François Pachet. 58-71 [doi]
- Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music PerformanceJiuqiang Tang, Roger B. Dannenberg. 72-85 [doi]
- Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification TaskBob L. Sturm. 89-104 [doi]
- On the Perception of Affect in the Singing Voice: A Study of Acoustic CuesPauline Mouawad, Myriam Desainte-Catherine, Anne Gégout-Petit, Catherine Semal. 105-121 [doi]
- Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor FrameworkGyörgy Fazekas, Mathieu Barthet, Mark B. Sandler. 122-147 [doi]
- Making Data Sing: Embodied Approaches to SonificationAdam Parkinson, Atau Tanaka. 151-160 [doi]
- Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic SpaceBenjamin Holtzman, Jason Candler, Matthew Turk, Daniel Peter. 161-174 [doi]
- Music with Unconventional Computing: A System for Physarum Polycephalum Sound SynthesisEdward Braund, Eduardo Miranda. 175-189 [doi]
- Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble PerformanceBogdan Vera, Elaine Chew. 193-203 [doi]
- Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor TimingMatthew W. M. Rodger, Cathy M. Craig. 204-217 [doi]
- Learning Movement Kinematics with a Targeted SoundEric O. Boyer, Quentin Pyanet, Sylvain Hanneton, Frédéric Bevilacqua. 218-233 [doi]
- Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor FeaturesEtienne Thoret, Mitsuko Aramaki, Christophe Bourdin, Lionel Bringoux, Richard Kronland-Martinet, Sølvi Ystad. 234-245 [doi]
- Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor DisordersJérémy Danna, Vietminh Paz-Villagrán, Annabelle Capel, Céline Pétroz, Charles Gondre, Serge Pinto, Etienne Thoret, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet, Jean-Luc Velay. 246-255 [doi]
- MidiFind: Similarity Search and Popularity Mining in Large MIDI DatabasesGuangyu Xia, Tongbo Huang, Yifei Ma, Roger B. Dannenberg, Christos Faloutsos. 259-276 [doi]
- Finding Repeated Patterns in Music: State of Knowledge, Challenges, PerspectivesBerit Janssen, Bas de Haas, Anja Volk, Peter van Kranenburg. 277-297 [doi]
- Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation MatchingMathieu Giraud, Ken Déguernel, Emilios Cambouropoulos. 298-312 [doi]
- Predicting Agreement and Disagreement in the Perception of TempoGeoffroy Peeters, Ugo Marchand. 313-329 [doi]
- Music: Ars Bene MovandiJean-Claude Risset. 333-345 [doi]
- A Virtual Reality Platform for Musical Creation: GENESIS-RTJames Leonard, Claude Cadoz, Nicolas Castagné, Jean-Loup Florens, Annie Luciani. 346-371 [doi]
- Interactive Sound Texture Synthesis Through Semi-Automatic User AnnotationsDiemo Schwarz, Baptiste Caramiaux. 372-392 [doi]
- Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in SoundMailis G. Rodrigues, Marcelo M. Wanderley, Paulo F. Lopes. 393-415 [doi]
- The Large Time-Frequency Analysis Toolbox 2.0Zdenek Prusa, Peter L. Søndergaard, Nicki Holighaus, Christoph Wiesmeyr, Péter Balázs. 419-442 [doi]
- Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture SoundMonika Dörfler, Ewa Matusiak. 443-462 [doi]
- Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise RejectionYang Zhao, David Gerhard. 463-480 [doi]
- Sound and GestureDaniel Deshays. 483-493 [doi]
- Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual ImagesFernando Bravo. 494-508 [doi]
- The Perception of Sound Movements as Expressive GesturesAmalia de Götzen, Erik Sikström, Dannie Korsgaard, Stefania Serafin, Francesco Grani. 509-517 [doi]
- Musical Sonification of Avatar Physiologies, Virtual Flight and GestureRobert Hamilton. 518-532 [doi]
- Understanding Coarticulation in Musical ExperienceRolf Inge Godøy. 535-547 [doi]
- Symbolic Segmentation: A Corpus-Based Analysis of Melodic PhrasesMarcelo Enrique Rodriguez Lopez, Anja Volk. 548-557 [doi]
- Non-Verbal Imitations as a Sketching Tool for Sound DesignGuillaume Lemaitre, Patrick Susini, Davide Rocchesso, Christophe Lambourg, Patrick Boussard. 558-574 [doi]
- Influence of Rehearsal in an Auditory Memory Model for Audio Feature EstimationKristoffer Jensen. 575-585 [doi]
- Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300eKeiji Hirata, Satoshi Tojo, Masatoshi Hamanaka. 589-605 [doi]
- Group Delay Function from All-Pole Models for Musical Instrument RecognitionAleksandr Diment, Padmanabhan Rajan, Toni Heittola, Tuomas Virtanen. 606-618 [doi]
- A Multiple-Expert Framework for Instrument RecognitionMikus Grasis, Jakob Abeßer, Christian Dittmar, Hanna M. Lukashevich. 619-634 [doi]
- Syncopation as TransformationGeorge Sioros, Carlos Guedes. 635-658 [doi]
- Cent Filter-Banks and its Relevance to Identifying the Main Song in Carnatic MusicPadi Sarala, Hema A. Murthy. 659-681 [doi]