Abstract is missing.
- Automatic Recognition of Sound Categories from Their Vocal Imitation Using Audio Primitives Automatically Found by SI-PLCA and HMMEnrico Marchetto, Geoffroy Peeters. 3-22 [doi]
- Automatic Estimation of Harmonic Tension by Distributed Representation of ChordsAli Nikrang, David R. W. Sears, Gerhard Widmer. 23-34 [doi]
- Automatic Music Genre Classification in Small and Ethnic DatasetsTiago Fernandes Tavares, Juliano Henrique Foleiss. 35-48 [doi]
- Music Genre Classification Revisited: An In-Depth Examination Guided by Music ExpertsHaukur Pálmason, Björn Þór Jónsson 0001, Markus Schedl, Peter Knees. 49-62 [doi]
- Exploring Trends in Trinidad Steelband Music Through Computational EthnomusicologyElio Quinton, Florabelle Spielmann, Bob L. Sturm. 63-75 [doi]
- k-Best Unit Selection Strategies for Musical Concatenative SynthesisCárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà. 76-97 [doi]
- Groove on the BrainPeter Vuust. 101-110 [doi]
- Finding Drum Breaks in Digital Music RecordingsPatricio López-Serrano, Christian Dittmar, Meinard Müller. 111-122 [doi]
- Drum Rhythm Spaces: From Global Models to Style-Specific MapsDaniel Gómez-Marín, Sergi Jordà, Perfecto Herrera. 123-134 [doi]
- Modulated Swing: Dynamic Rhythm Synthesis by Means of Frequency ModulationCarl Haakon Waadeland, Sigurd Saue. 135-150 [doi]
- A Hierarchical Harmonic Mixing MethodGilberto Bernardes, Matthew E. P. Davies, Carlos Guedes. 151-170 [doi]
- Games Without Frontiers: Audio Games for Music Production and PerformanceJason Hockman, Joseph Thibodeau. 171-183 [doi]
- Autonomous Composition as Search in a Conceptual Space: A Computational Creativity ViewF. Amílcar Cardoso. 187-198 [doi]
- On Linear Algebraic Representation of Time-span and Prolongational TreesSatoshi Tojo, Alan Marsden, Keiji Hirata. 199-212 [doi]
- Four-Part Harmonization: Comparison of a Bayesian Network and a Recurrent Neural NetworkTatsuro Yamada, Tetsuro Kitahara, Hiroaki Arie, Tetsuya Ogata. 213-225 [doi]
- On Hierarchical Clustering of SpectrogramShun Sawada, Yoshinari Takegawa, Keiji Hirata. 226-237 [doi]
- deepGTTM-III: Multi-task Learning with Grouping and Metrical StructuresMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 238-251 [doi]
- Analyzing Music to Music Perceptual Contagion of Emotion in Clusters of Survey-Takers, Using a Novel Contagion Interface: A Case Study of Hindustani Classical MusicSanga Chaki, Sourangshu Bhattacharya, Raju Mullick, Priyadarshi Patnaik. 252-269 [doi]
- Inscribing Bodies: Notating GestureEmily Beattie, Margaret Schedel. 273-283 [doi]
- Auditory Modulation of Multisensory RepresentationsAlfred O. Effenberg, Tong-Hun Hwang, Shashank Ghai, Gerd Schmitz 0002. 284-311 [doi]
- Music and Musical Sonification for the Rehabilitation of Parkinsonian Dysgraphia: Conceptual FrameworkLauriane Véron-Delor, Serge Pinto, Alexandre Eusebio, Jean-Luc Velay, Jérémy Danna. 312-326 [doi]
- Investigating the Role of Auditory Feedback in a Multimodal Biking ExperienceJon Ram Bruun-Pedersen, Stefania Serafin, Francesco Grani. 327-337 [doi]
- Considerations for Developing Sound in Golf Putting ExperimentsBenjamin O'Brien, Brett Juhas, Marta Bienkiewicz, Laurent Pruvost, Frank Buloup, Lionel Bringoux, Christophe Bourdin. 338-358 [doi]
- Feel It in My Bones: Composing Multimodal Experience Through Tissue ConductionPeter Lennox, Ian McKenzie, Michael Brown. 361-386 [doi]
- Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable FrictionFarzan Kalantari, Florent Berthaut, Laurent Grisoni. 387-401 [doi]
- Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and MaterialsThomas Bordonné, Manuel Dias-Alves, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet. 402-412 [doi]
- Exploration of Sonification Strategies for Guidance in a Blind Driving GameGaëtan Parseihian, Mitsuko Aramaki, Sølvi Ystad, Richard Kronland-Martinet. 413-428 [doi]
- DIGIT: A Digital Foley System to Generate Footstep SoundsLuis Aly, Rui Penha, Gilberto Bernardes. 429-441 [doi]
- Composing and Improvising. In Real TimeCarlos Guedes. 445-453 [doi]
- bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital OrchestrasLuke Dahl, Florent Berthaut, Antoine Nau, Patricia Plénacoste. 454-467 [doi]
- Visual Representations for Music Understanding ImprovementLeandro Cruz, Vitor Rolla, Juliano Kestenberg, Luiz Velho. 468-476 [doi]
- Melody Transformation with Semiotic PatternsIzaro Goienetxea, Darrell Conklin. 477-488 [doi]
- The Comprovisador's Real-Time Notation Interface (Extended Version)Pedro Louzeiro. 489-508 [doi]
- JamSketch: Improvisation Support System with GA-Based Melody Creation from User's DrawingTetsuro Kitahara, Sergio I. Giraldo, Rafael Ramírez 0001. 509-521 [doi]
- Mobile Devices as Musical Instruments - State of the Art and Future ProspectsGeorg Essl, Sang-Won Lee 0002. 525-539 [doi]
- Augmenting Virtuality with a Synchronized Dynamic Musical Instrument: A User Evaluation of a Mixed Reality MIDI KeyboardJohn Desnoyers-Stewart, David Gerhard, Megan L. Smith. 540-557 [doi]
- Toward Augmented Familiarity of the Audience with Digital Musical InstrumentsOlivier Capra, Florent Berthaut, Laurent Grisoni. 558-573 [doi]
- Use the Force: Incorporating Touch Force Sensors into Mobile Music InteractionEdward Jangwon Lee, Sangeon Yong, Soonbeom Choi, Liwei Chan, Roshan Lalintha Peiris, Juhan Nam. 574-585 [doi]
- Sonifying Twitter's Emotions Through MusicMariana Seiça, Rui (Buga) Lopes, Pedro Martins, F. Amílcar Cardoso. 586-608 [doi]
- Reflections on the Use of Musical Software in Compositional Processes for Light ArtCharlotte Beaufort. 611-624 [doi]
- SELFHOOD: An Evolutionary and Interactive Experience Synthesizing Images and SoundsJônatas Manzolli, Artemis Moroni, Guilherme A. Valarini. 625-636 [doi]
- Music(s), Musicology and Science: Towards an Interscience Network - The Example of the Deaf Musical ExperienceSylvain Brétéché, Christine Esclapez. 637-657 [doi]
- Reading Early Music Today: Between Reenactment and New TechnologiesJulien Ferrando. 658-665 [doi]
- ArtDoc - An Experimental Archive and a Tool for Artistic ResearchHenrik Frisk. 666-676 [doi]