Abstract is missing.
- The Deep Learning Revolution in MIR: The Pros and Cons, the Needs and the ChallengesGeoffroy Peeters. 3-30 [doi]
- Methods and Datasets for DJ-Mix Reverse EngineeringDiemo Schwarz, Dominique Fourer. 31-47 [doi]
- Towards Deep Learning Strategies for Transcribing Electroacoustic MusicMatthias Nowakowski, Christof Weiß, Jakob Abeßer. 48-59 [doi]
- Ensemble Size Classification in Colombian Andean String Music RecordingsSascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil. 60-74 [doi]
- Tapping Along to the Difficult Ones: Leveraging User-Input for Beat Tracking in Highly Expressive Musical ContentAntónio Sá Pinto, Matthew E. P. Davies. 75-90 [doi]
- Drum Fills Detection and GenerationFrédéric Tamagnan, Yi-Hsuan Yang. 91-99 [doi]
- End-to-End Classification of Ballroom Dancing Music Using Machine LearningNoémie Voss, Phong Nguyen. 100-109 [doi]
- Modal Logic for Tonal MusicSatoshi Tojo. 113-128 [doi]
- John Cage's Number Pieces, a Geometric Interpretation of "Time Brackets" NotationBenny Sluchin, Mikhail Malt. 129-141 [doi]
- Modelling 4-Dimensional Tonal Pitch Spaces with Hopf FibrationHanlin Hu, David Gerhard. 142-156 [doi]
- Automatic Dastgah Recognition Using Markov ModelsLuciano Ciamarone, Baris Bozkurt, Xavier Serra. 157-165 [doi]
- Chord Function Identification with Modulation Detection Based on HMMYui Uehara, Eita Nakamura, Satoshi Tojo. 166-178 [doi]
- Deploying Prerecorded Audio Description for Musical Theater Using Live Performance TrackingDirk Vander Wilt, Morwaread Mary Farbood. 181-189 [doi]
- MUSICNTWRK: Data Tools for Music Theory, Analysis and CompositionMarco Buongiorno Nardelli. 190-215 [doi]
- Feasibility Study of Deep Frequency Modulation SynthesisKeiji Hirata 0001, Masatoshi Hamanaka, Satoshi Tojo. 216-224 [doi]
- Musical Note Attacks Description in Reverberant EnvironmentsThiago de Almeida Magalhães Campolina, Mauricio Alves Loureiro. 225-247 [doi]
- Generating Walking Bass Lines with HMMAyumi Shiga, Tetsuro Kitahara. 248-256 [doi]
- Programming in Style with bachAndrea Agostini, Daniele Ghisi, Jean-Louis Giavitto. 257-278 [doi]
- Generative Grammar Based on Arithmetic Operations for Realtime CompositionGuido Kramann. 279-303 [doi]
- Mobile Music with the Faust Programming LanguageRomain Michon, Yann Orlarey, Stéphane Letz, Dominique Fober, Catinca Dumitrascu. 307-318 [doi]
- COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web BrowserDaniel McKemie. 319-328 [doi]
- Distributed Scores and Audio on Mobile Devices in the Music for a Multidisciplinary PerformancePedro Louzeiro. 329-344 [doi]
- The BabelBox: An Embedded System for Score Distribution on Raspberry Pi with INScore, SmartVox and BabelScoresJonathan Bell, Dominique Fober, Daniel Fígols-Cuevas, Pedro Garcia-Velasquez. 345-359 [doi]
- Modeling Human Experts' Identification of Orchestral Blends Using Symbolic InformationAurélien Antoine, Philippe Depalle, Philippe Macnab-Séguin, Stephen McAdams. 363-378 [doi]
- The Effect of Auditory Pulse Clarity on Sensorimotor SynchronizationPrithvi Kantan, Rares Stefan Alecu, Sofia Dahl. 379-395 [doi]
- A Proposal of Emotion Evocative Sound Compositions for Therapeutic PurposesGabriela Salim Spagnol, Li Hui Ling, Li-Min Li, Jônatas Manzolli. 396-408 [doi]
- Why People with a Cochlear Implant Listen to MusicJérémy Marozeau. 409-421 [doi]
- The Deaf Musical Experience - Bodily and Visual Specificities: Corpaurality and VusicalitySylvain Brétéché. 422-448 [doi]
- How Would You Reproduce a Synthetic Sound of an Ellipse in Water? A Phenomenological Investigation of Pre-reflexive Contents of ConsciousnessJean Vion-Dury, Marie Degrandi, Gaëlle Mougin, Thomas Bordonné, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki. 449-461 [doi]
- Exploring Design Cognition in Voice-Driven Sound Sketching and SynthesisStefano Delle Monache, Davide Rocchesso. 465-480 [doi]
- Morphing Musical Instrument Sounds with the Sinusoidal Model in the Sound Morphing ToolboxMarcelo Caetano. 481-503 [doi]
- Mapping Sound Properties and Oenological Characters by a Collaborative Sound Design Approach - Towards an Augmented ExperienceNicolas Misdariis, Patrick Susini, Olivier Houix, Roque Rivas, Clément Cerles, Eric Lebel, Alice Tetienne, Aliette Duquesne. 504-516 [doi]
- Kinetic Design - From Sound Spatialisation to Kinetic MusicRoland Cahen. 517-530 [doi]
- Designing Soundscapes for Alzheimer's Disease Care, with Preliminary Clinical ObservationsFrédéric Voisin, Arnaud Bidotti, France Mourey. 533-553 [doi]
- ARLooper: A Mobile AR Application for Collaborative Sound Recording and PerformanceSihwa Park. 554-562 [doi]
- Singing in Virtual Reality with the Danish National Children's ChoirStefania Serafin, Ali Adjorlu, Lars Andersen, Nicklas Andersen. 563-574 [doi]
- Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical InstrumentsLia Mice, Andrew P. McPherson. 577-590 [doi]
- Augmentation of Sonic Meditation Practices: Resonance, Feedback and Interaction Through an Ecosystemic ApproachRory Hoy, Doug Van Nort. 591-599 [doi]
- Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative SynthesisMichael Zbyszynski, Balandino Di Donato, Federico Ghelli Visi, Atau Tanaka. 600-622 [doi]
- Developing a Method for Identifying Improvisation Strategies in Jazz DuosTorbjörn Gulz, Andre Holzapfel, Anders Friberg. 623-635 [doi]
- Instruments and Sounds as Objects of Improvisation in Collective Computer Music PracticeJérôme Villeneuve, James Leonard, Olivier Tache. 636-654 [doi]
- Jean-Claude Risset's Paradoxical Practice of Interdisciplinarity: Making Inseparable Both Activities of Scientist and Musician, While Resolutely Distinguishing the Two FieldsVincent Tiffon. 657-664 [doi]
- Machine Learning for Computer Music Multidisciplinary Research: A Practical Case StudyHugo Scurto, Axel Chemla-Romeu-Santos. 665-680 [doi]
- Iterative Phase Functions on the Circle and Their Projections: Connecting Circle Maps, Waveshaping, and Phase ModulationGeorg Essl. 681-698 [doi]
- Mathematics and Music: Loves and FightsThierry Paul. 699-708 [doi]
- Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset GlissandoSébastien Denjean, Richard Kronland-Martinet, Vincent Roussarie, Sølvi Ystad. 709-724 [doi]