Abstract is missing.
- KANSEI Informatics and Music Technology in AI EraShuji Hashimoto. 3-8 [doi]
- On Parallelism in Music and Language: A Perspective from Symbol Emergence Systems Based on Probabilistic Generative ModelsTadahiro Taniguchi. 9-25 [doi]
- WaVAEtable SynthesisJeremy Hyrkas. 26-31 [doi]
- Deep Learning-Based Music Instrument Recognition: Exploring Learned Feature RepresentationsMichael Taenzer, Stylianos I. Mimilakis, Jakob Abeßer. 32-46 [doi]
- Time-Span Tree Leveled by Duration of Time-SpanMasatoshi Hamanaka, Keiji Hirata 0001, Satoshi Tojo. 47-58 [doi]
- Evaluating AI as an Assisting Tool to Create Electronic Dance MusicNiklas Bohm, Christian M. Fischer, Manuel Richardt. 59-65 [doi]
- Suiview: A Web-Based Application that Enables Users to Practice Wind Instrument PerformanceMisato Watanabe, Yosuke Onoue, Aiko Uemura, Tetsuro Kitahara. 69-75 [doi]
- Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld TriangleMarcio Albano H. Ferreira, Tiago Fernandes Tavares. 76-93 [doi]
- Networked and Collaborative Musical Play Amongst Humans and Virtual Biological Agents in Locus DiffuseRory Hoy, Doug Van Nort. 94-110 [doi]
- Towards an Aesthetic of Hybrid Performance Practice - Incorporating Motion Tracking, Gestural and Telematic Techniques in Audiovisual PerformanceIannis Zannos, Haruka Hirayama. 111-121 [doi]
- Development of Audio Descriptors Inspired by Schaefferian Criteria: A Set of Tools for Interactive Exploration of Percussive SoundsSérgio Freire 0001, José Henrique Padovani, Caio Campos. 122-138 [doi]
- A Polytemporal Model for Musical SchedulingMartin Fouilleul, Jean Bresson, Jean-Louis Giavitto. 139-162 [doi]
- Interaction Strategies in Composition for Karlax and Acoustic InstrumentsBenjamin Lavastre, Marcelo M. Wanderley. 163-179 [doi]
- Modelling Moral Traits with Music Listening Preferences and DemographicsVjosa Preniqi, Kyriaki Kalimeri, Charalampos Saitis. 183-194 [doi]
- Classification of 1950 to 1960 Electronic Music Using the VGGish Neural Network and Random ForestMaurício do Vale Madeira da Costa, Florian Zwißler, Philip Schwarzbauer, Michael Oehler. 195-201 [doi]
- Knowledge Transfer from Neural Networks for Speech Music ClassificationChristian Kehling, Estefanía Cano. 202-213 [doi]
- Predominant Instrument Recognition in Polyphonic Music Using Convolutional Recurrent Neural NetworksLekshmi Chandrika Reghunath, Rajeev Rajan. 214-227 [doi]
- The Matrix Profile for Motif Discovery in Audio - An Example Application in Carnatic MusicThomas Nuttall, Genís Plaja-Roglans, Lara Pearson, Xavier Serra. 228-237 [doi]
- A Rule-Based Method for Implementing Implication-Realization ModelKaede Noto, Yoshinari Takegawa, Keiji Hirata 0001. 238-250 [doi]
- CROCUS: Dataset of Critique Documents of Musical PerformanceMasaki Matsubara, Rina Kagawa, Takeshi Hirano, Isao Tsuji. 253-266 [doi]
- A Psychoacoustic-Based Methodology for Sound Mass Music AnalysisMicael Antunes da Silva, Guilherme Feulo do Espirito Santo, Jônatas Manzolli 0001, Marcelo Queiroz. 267-281 [doi]
- Musical Structure Analysis and Generation Through Abstraction TreesFilippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Rodà, Geraint A. Wiggins. 282-300 [doi]
- Analysis of Musical Dynamics in Vocal PerformancesJyoti Narang, Marius Miron, Xavier Lizarraga-Seijas, Xavier Serra. 301-311 [doi]
- With Love: Electroacoustic, Audiovisual, and Telematic MusicPaulo C. Chagas, Cássia Carrascoza Bomfim. 312-330 [doi]