Abstract is missing.
- Finite Difference Schemes on Hexagonal Grids for Thin Linear Plates with Finite Volume BoundariesBrian Hamilton, Alberto Torin. 5-12 [doi]
- Prioritized Computation for Numerical Sound PropagationJohn Drake, Maxim Likhachev, Alla Safonova. 13-18 [doi]
- Sinusoidal Synthesis Method using a Force-based AlgorithmRyoho Kobayashi. 19-22 [doi]
- A Method of Morphing Spectral Envelopes of the Singing Voice for Use with Backing VocalsMatthew Roddy, Jacqueline Walker. 23-28 [doi]
- Short-Time Time-Reversal on Audio SignalsHyung-Suk Kim, Julius O. Smith III. 29-33 [doi]
- A Statistical Approach to Automated Offline Dynamic Processing in the Audio Mastering ProcessMarcel Hilsamer, Stephan Herzog. 35-40 [doi]
- Revisiting Implicit Finite Difference Schemes for Three-Dimensional Room Acoustics Simulations on GPUBrian Hamilton, Stefan Bilbao, Craig J. Webb. 41-48 [doi]
- A Preliminary Model for the Synthesis of Source SpaciousnessDarragh Pigott, Jacqueline Walker. 49-55 [doi]
- Low Frequency Group Delay Equalization of Vented Boxes using Digital Correction FiltersStephan Herzog, Marcel Hilsamer. 57-64 [doi]
- Exploring the Vectored Time Variant Comb FilterVesa Norilo. 65-68 [doi]
- Time-Varying Filters for Musical ApplicationsAaron Wishnick. 69-76 [doi]
- Perceptual Linear Filters: Low-Order ARMA Approximation for Sound SynthesisRémi Mignot, Vesa Välimäki. 77-83 [doi]
- Approximations for Online Computation of Redressed Frequency Warped VocodersGianpaolo Evangelista. 85-91 [doi]
- Hybrid Reverberation Processor with Perceptual ControlThibaut Carpentier, Markus Noisternig, Olivier Warusfel. 93-100 [doi]
- Examining the Oscillator Waveform Animation EffectJoseph Timoney, Victor Lazzarini, Jari Kleimola, Vesa Välimäki. 101-107 [doi]
- Multi-Player Microtiming Humanisation using a Multivariate Markov ModelRyan Stables, Satoshi Endo, Alan Wing. 109-114 [doi]
- Streaming Spectral Processing with Consumer-Level Graphics Processing UnitsVictor Lazzarini, John ffitch, Joseph Timoney, Russell J. Bradford. 115-122 [doi]
- A Two Level Montage Approach to Sound Texture Synthesis with Treatment of Unique EventsSean O'Leary, Axel Röbel. 123-128 [doi]
- Fast Signal Reconstruction from Magnitude Spectrogram of Continuous Wavelet Transform Based on Spectrogram ConsistencyTomohiko Nakamura, Hirokazu Kameoka. 129-135 [doi]
- Numerical Simulation of String/Barrier Collisions: The FretboardStefan Bilbao, Alberto Torin. 137-144 [doi]
- An Energy Conserving Finite Difference Scheme for the Simulation of Collisions in Snare DrumsAlberto Torin, Brian Hamilton, Stefan Bilbao. 145-152 [doi]
- Physical Modeling of the MXR Phase 90 Guitar Effect PedalFelix Eichas, Marco Fink, Martin Holters, Udo Zölzer. 153-158 [doi]
- A Physically-Informed, Circuit-Bendable, Digital Model of the Roland TR-808 Bass Drum CircuitKurt James Werner, Jonathan S. Abel, Julius O. Smith III. 159-166 [doi]
- The Modulation Scale Spectrum and its Application to Rhythm-Content DescriptionUgo Marchand, Geoffroy Peeters. 167-172 [doi]
- Quad-Based Audio Fingerprinting Robust to Time and Frequency ScalingReinhard Sonnleitner, Gerhard Widmer. 173-180 [doi]
- Score-Informed Tracking and Contextual Analysis of Fundamental Frequency Contours in Trumpet and Saxophone Jazz SolosJakob Abeßer, Martin Pfleiderer, Klaus Frieler, Wolf-Georg Zaddach. 181-186 [doi]
- Real-Time Transcription and Separation of Drum Recordings Based on NMF DecompositionChristian Dittmar, Daniel Gärtner. 187-194 [doi]
- A Pitch Salience Function Derived from Harmonic Frequency Deviations for Polyphonic Music AnalysisAlessio Degani, Riccardo Leonardi, Pierangelo Migliorati, Geoffroy Peeters. 195-201 [doi]
- A Comparison of Extended Source-Filter Models for Musical Signal ReconstructionTian Cheng 0001, Simon Dixon, Matthias Mauch. 203-209 [doi]
- Onset Time Estimation for the Analysis of Percussive Sounds using Exponentially Damped SinusoidsBertrand Scherrer, Philippe Depalle. 211-217 [doi]
- Automatic Tablature Transcription of Electric Guitar Recordings by Estimation of Score- and Instrument-Related ParametersChristian Kehling, Jakob Abeßer, Christian Dittmar, Gerald Schuller. 219-226 [doi]
- Improving Singing Language Identification through i-Vector ExtractionAnna M. Kruspe. 227-233 [doi]
- Unison Source SeparationFabian-Robert Stöter, Stefan Bayer, Bernd Edler. 235-241 [doi]
- A Very Low Latency Pitch Tracker for Audio to MIDI ConversionOlivier Derrien. 243-248 [doi]
- TSM Toolbox: MATLAB Implementations of Time-Scale Modification AlgorithmsJonathan Driedger, Meinard Müller. 249-256 [doi]
- FreeDSP: A Low-Budget Open-Source Audio-DSP ModuleSebastian Merchel, Ludwig Kormann. 257-261 [doi]
- Declaratively Programmable Ultra Low-Latency Audio Effects Processing on FPGAMath Verstraelen, Jan Kuper, Gerard J. M. Smit. 263-270 [doi]
- Polyphonic Pitch Detection by Iterative Analysis of the Autocorrelation FunctionSebastian Kraft, Udo Zölzer. 271-278 [doi]
- Music-Content-Adaptive Robust Principal Component Analysis for a Semantically Consistent Separation of Foreground and Background in Music Audio SignalsHélène Papadopoulos, Daniel P. W. Ellis. 279-286 [doi]
- Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching PursuitDimitri Zantalis, Jeremy Wells. 287-294 [doi]
- Finite Volume Perspectives on Finite Difference Schemes and Boundary Formulations for Wave SimulationBrian Hamilton. 295-302 [doi]
- A Cross-Adaptive Dynamic Spectral Panning TechniquePedro D. Pestana, Joshua D. Reiss. 303-307 [doi]
- Low-Delay Error Concealment with Low Computational Overhead for Audio over IP ApplicationsMarco Fink, Udo Zölzer. 309-316 [doi]
- Categorisation of Distortion Profiles in Relation to Audio QualityAlex Wilson, Bruno Fazenda. 317-324 [doi]