Table of Contents

• PrefaceGabriele Guidi 0001, Roberto Scopigno. [doi]
• The Venice "Archivio Di Stato": innovating digitization with x-ray tomographyFauzia Albertin, Eva Peccenini, Yeukuang Hwu, Tsung-Tse Lee, Edwin B. L. Ong, Jung Ho Je, Frédéric Kaplan, Giorgio Margaritondo. 5-10 [doi]
• Robust segmentation of historical parchment XMT images for virtual unrollingChang Liu 0009, Paul L. Rosin, Yu-Kun Lai, Weiduo Hu. 11-18 [doi]
• 3D and challenging materialsAurore Mathys, Jonathan Brecko, Didier van den Spiegel, Patrick Semal. 19-26 [doi]
• One man's trash: Using XRF to recreate ancient narratives from metallurgical waste heaps in Southern JordanBrady Liss, Thomas E. Levy. 27-34 [doi]
• Customised OCR correction for historical medical textPaul Thompson 0002, John McNaught, Sophia Ananiadou. 35-42 [doi]
• 3D reconstruction for museums and scattered collections applied research for the Alexandre Lenoir's museum of French monumentCamille Autran, François Guéna. 47-50 [doi]
• Reflected infrared imaging revisiting the fundamentalsE. Keats Webb. 51-54 [doi]
• The virtual reconstruction of an ancient musical instrument: The aulos of SelinusAngela Bellia. 55-58 [doi]
• A new way to enrich museum experience through X-ray tomography the diagnostic study of a wax anatomical model of the 18th century made by Anna Morandi ManzoliniEva Peccenini, Matteo Bettuzzi, Rosa Brancaccio, Franco Casali, Maria Pia Morigi, Viviana Lanzarini, Antonio Todero, Luisa Leonardi, Laura Piro, Elios Sequi. 59-62 [doi]
• Reconstruction of the woodblock using three-dimensional scanning and computer numerical control machiningJoo-Pyo Hong, Zongming Zhang, Jiho Han. 63-66 [doi]
• Documentation and preservation of an iron age site through photogrammetry the case of Monte BernorioDavid Vacas Madrid, Elina Rodriguez Millán, Jesús F. Torres Martínez. 67-70 [doi]
• Remote sensing applied to the study of the cultural and natural heritage in the Mesoamerican CorridorJuan Gregorio Rejas-Ayuga, Javier Bonatti, Francisco Burillo, Rubén Martínez-Marín, Miguel Marchamalo-Sacristán, Maria Cristina Pineda de Carias. 71-74 [doi]
• Three modes of a monument's 3D virtual reconstruction the case of Giali Tzamissi in Chania, CretePanagiotis Parthenios, Alexandros Peteinarelis, Sofia Lousa, Nicky Efraimidou. 75-78 [doi]
• Battery Aachen using landscape reconstruction for on-site exploration of a World War one military unitDries Nollet, Carlotta Capurro, Daniel Pletinckx. 79-82 [doi]
• Fusion of 3D data from different image-based and range-based sources for efficient heritage recordingEstibaliz Muñumer, José Luis Lerma. 83-86 [doi]
• Virtual 3D reconstruction of Plan-Relief from historical document analysis for valorisation applicationsChristine Chevrier, Kévin Jacquot, Pascal Humbert, Senda Ben Bouheni, Gilles Halin. 87-90 [doi]
• GIS-based mapping of archaeological sites with low-altitude aerial photography and structure from Motion: A case study from Southern JordanMatthew Howland, Brady Liss, Mohammad Najjar, Thomas E. Levy. 91-94 [doi]
• Integrative 3D recording methods of historic architecture Burg Hohenecken castle from southwest GermanyAaron Charles Pattee, Bernhard Höfle, Christian Seitz. 95-98 [doi]
• Application of 3D technology for the documentation of late medieval wall paintings in the church of St. George in Lovran, CroatiaZlatan Novak, Kristina Krulic. 99-102 [doi]
• The recording of two late Roman towers, Archaeological Museum, Milan 3D documentation and study using image-based modellingPaul Blockley, Simona Morandi. 103-106 [doi]
• Bridging monuments through digital repository and graphic reconstruction methodologies the Digital Enhancement project of Argolid, Arcadia and Corinthia castles, GreeceDemetrios Athanasoulis, Antonios Georgiou, Xeni Simou, Anna Sfika, Vasiliki Klotsa, Theodora Zirogianni, Chrysostomos Theodoropoulos, Eleni-Olga Deligianni. 107-110 [doi]
• Crowd-sourced mobile phone images for heritage conservation monitoringWensen Ma, Marc Walton, Oliver Cossairt, Gregory H. Bearman, Eric Doehne. 111-114 [doi]
• Photogrammetric surveying and stereotomy the East hall of the Palace of Charles V in GranadaMacarena Salcedo Galera, José Calvo López, Anand Shah Kalpeshbhai. 115-118 [doi]
• A light carbon crane as an alternative approach for vertical structures and facade surveyingRenato Saleri, Hervé Lequay, Livio De Luca. 119-122 [doi]
• 3D reconstruction with fisheye images strategies to survey complex heritage buildingsJoão Covas, Victor Ferreira, Luís Mateus 0002. 123-126 [doi]
• Comparison of normalized transfer functions for fast blending-based color correction of scans acquired under natural conditionsArnaud Schenkel, Olivier Debeir. 127-130 [doi]
• The virtual reconstruction of the minaret of Mansourah mosque (Algeria)Sara Morena. 131-134 [doi]
• Representation of the Santander Cathedral by combination of different smart techniquesOscar Cosido, Leticia Teran Vega, Massimiliano Campi, Raffaele Catuogno, Oscar Ruiz Lopez, Jesus M. Sendino Posada, Jose Pereda Llamas, Pedro Sarabia Rogina, Andrés Iglesias Prieto. 135-138 [doi]
• Geometry to web Jaen's CathedralGregorio Soria Tirado, Lidia Ortega Alvarado, Francisco R. Feito. 139-142 [doi]
• A new approach to digitalization and data management of cultural heritage sitesVittorio Amos Ziparo, Fabio Cottefoglie, Daniele Calisi, Francesca Giannone, Giorgio Grisetti, Bastian Leibe, Marc Proesmans, Paolo Salonia, Luc Van Gool, Claudia Ventura, Cyrill Stachniss. 143-146 [doi]
• A comparison of digital modelling techniques analyzing a section of Qhapaq ÑanSaúl Retamozo, Diego Arce, Rafael Aguilar, Fernando Zvietcovich, Matias Quintana, Benjamín Castañeda, Sergio Ángeles. 147-150 [doi]
• Optimizing UAV systems for rapid survey and reconstruction of large scale cultural heritage sitesDominique Meyer, Elioth Fraijo, Eric Lo 0002, Dominique Rissolo, Falko Kuester. 151-154 [doi]
• Bringing collections to the digital era three examples of integrated high resolution digitisation projectsAurore Mathys, Jonathan Brecko, Didier van den Spiegel, Laurence Cammaert, Patrick Semal. 155-158 [doi]
• Application of georeferenced Archaeological Information Systems for archaeological digital heritage - the auxiliary fortress of carnuntum (Lower Austria)Mario Wallner, Matthias Kucera, Wolfgang Neubauer, Juan Torrejon Valdelomar, Joachim Brandtner, Vlad Sandici. 159-162 [doi]
• Recovering the history of Bergen Belsen using an interactive 3D reconstruction in a mixed reality space the role of pre-knowledge on memory recollectionLaura Serra Oliva, Anna Mura, Alberto Betella, Daniel Pacheco, Enrique Martínez Bueno, Paul F. M. J. Verschure. 163-165 [doi]
• Digitizing the culture of Beijing - an introduction of the memories of Beijing projectJihong Liang, Linqing Ma, Yunpeng Wu. 169-170 [doi]
• Crowd-sourcing the 3D digital reconstructions of lost cultural heritageMatthew L. Vincent, Mariano Flores Gutiérrez, Chance Coughenour, Víctor Manuel López-Menchero Bendicho, Fabio Remondino, Dieter Fritsch. 171-172 [doi]
• PATRINAT: The drawings in Buffon's Histoire naturelle, towards a digitized heritageThierry Laugée. 173-174 [doi]
• Ochre a powerful tool for culture Historical Research a chronological model for historical roads and pathsWillem F. Vletter, Sandra R. Schloen. 175-176 [doi]
• The Chimu offerings integration of applied science and new media in the preservation and dissemination of prehispanic heritageLuis Enrique Castillo, Cecilia Vilca, Gladys Ocharan Velásquez, Marco Sarmento. 177-178 [doi]
• Minor harbours of the east coast of IrelandElizabeth Shotton, William Spratt-Murphy. 179-180 [doi]
• Novel application of 3D documentation techniques at a submerged Late Pleistocene cave site in Quintana Roo, MexicoDominique Rissolo, Alberto Nava Blank, Vid Petrovic, Roberto Chávez Arce, Corey Jaskolski, Pilar Luna Erreguerena, James C. Chatters. 181-182 [doi]
• Nuragic sacred well of Santa Cristina in Sardinia from the 3D survey analysis to labour investmentLola Vico, Sorin Hermon. 183-185 [doi]
• Illumination compensation for high-resolution multispectral image mosaicing of heritage paintingsAlexandru Duliu, Jakob Vogel, Claudia Dorina Samoilescu, Tobias Lasser, Nassir Navab. 191-198 [doi]
• Color and hyperspectral image segmentation for historical documentsIrina Ciortan, Hilda Deborah, Sony George, Jon Yngve Hardeberg. 199-206 [doi]
• The WAVEcam: Ultra-high resolution imaging of paintingsSamantha Stout, James Strawson, Eric Lo 0002, Falko Kuester. 207-214 [doi]
• Near light correction for image relighting and 3D shape recoveryXiang Huang 0006, Marc Walton, Gregory H. Bearman, Oliver Cossairt. 215-222 [doi]
• Alchemy in 3D: A digitization for a journey through matterMarco Callieri, Paolo Pingi, Marco Potenziani, Matteo Dellepiane, Gaia Pavoni, Aurelia Lureau, Roberto Scopigno. 223-230 [doi]
• The Etruscans and the Afterlife an engaging exhibition with accurate scientific, technological and communicative requirementsAntonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori, Luigi Verri, Giovanni Bellavia, Alfonsina Russo, Rita Cosentino, Maria Anna De Lucia. 231-238 [doi]
• Digital study and web-based documentation of the colour and gilding on ancient marble artworksEliana Siotto, Gianpaolo Palma, Marco Potenziani, Roberto Scopigno. 239-246 [doi]
• The Palmieri hypogeum in Lecce from the integrated survey to the dissemination of contentsFrancesco Gabellone, Ivan Ferrari, Francesco Giuri, Maria Chiffi. 247-254 [doi]
• Improved appearance rendering for photogrammetrically acquired 3D modelsSeth Berrier, Michael Tetzlaff, Michael Ludwig, Gary W. Meyer. 255-262 [doi]
• Engaging and shared gesture-based interaction for museums the case study of K2R international expo in RomeBruno Fanini, Enzo d'Annibale, Emanuel Demetrescu, Daniele Ferdani, Alfonsina Pagano. 263-270 [doi]
• Tangible interfaces for digital museum applicationsCarlotta Capurro, Dries Nollet, Daniel Pletinckx. 271-276 [doi]
• Exploring the past with Google CardboardAdeola Fabola, Alan Miller, Richard Fawcett. 277-284 [doi]
• Heritage move a natural & lightweight navigation schema for low-cost, non-stationary immersive virtual environmentsManuel Olbrich, Jens Keil, Thomas Makiela. 289-292 [doi]
• Parallax Occlusion Mapping in augmented reality case study on facade of Sino Portuguese Architecture Phuket, ThailandKosin Kalarat. 293-296 [doi]
• Smartphone-based remote 3D interaction for digital heritage applicationsAlejandro Rodríguez, Alejandro León. 297-300 [doi]
• Mobile onsite exploration of parallel realities with Oculus RiftC. J. Davies, Alan Miller, Richard Fawcett. 301-304 [doi]
• An immersive visualization kit for online 3D objects databasesViolette Abergel, Renato Saleri, Hervé Lequay, Livio De Luca. 305-308 [doi]
• VirtualTour: A system for exploring Cultural Heritage sites in an immersive wayLuigi Malomo, Francesco Banterle, Paolo Pingi, Francesco Gabellone, Roberto Scopigno. 309-312 [doi]
• A hand-held 3D-printed box projector study for a souvenir from a mixed-reality experienceDaniele Rossi 0004. 313-316 [doi]
• Augmented Reality and Storytelling in heritage application in public gardens: Caloust Gulbenkian Foundation GardenFrancisco Guimarães, Mauro J. G. Figueiredo, José I. Rodrigues. 317-320 [doi]
• Engaging community members with digitally curated social media content at an arts festivalPatrick C. Shih, Kyungsik Han, John M. Carroll. 321-324 [doi]
• INSIDDE AR application: Bringing art closer to citizens by promoting the use of smartphones and tabletsJosé Antonio Sánchez del Rivero, María José García-Pumarino Pérez, Marcos Fernández Díaz, Javier Gutiérrez Meana, Marta Flórez Igual, Alfonso Palacio Álvarez. 325-328 [doi]
• The application of service orientation on a mobile AR platform - a museum scenarioSasithorn Rattanarungrot, Martin White, Ben Jackson. 329-332 [doi]
• Smart devices for Intangible Cultural Heritage fruitionAlessandro Pozzebon, Silvia Calamai. 333-336 [doi]
• A contextualized educational museum experience connecting objects, places and themes through mobile virtual museumsHolger Graf, Jens Keil, Alfonsina Pagano, Sofia Pescarin. 337-340 [doi]
• Resolving the conflict between High visual quality and high performance in Virtual reality applications keys to Rome project as case studyMohamed Khalil, Sameh Oransa, Karim Omar. 341-344 [doi]
• Enabling social interaction in the museum through the Social Display EnvironmentPaloma Díaz, Andrea Bellucci, Ignacio Aedo. 345-348 [doi]
• Innovative systems for the enjoyment of pictorial works the experience of Gallerie dell'Accademia Museum in VeniceRoberto Frasca, Antonio Mazzeo, Davide Pantile, Matteo Ventrella, Giovanni Verreschi. 349-352 [doi]
• Interactive experiences in the Stedelijk Museum a living lab experiment with the CHESS frameworkMaria Vayanou, Vivi Katifori, Vassilis Kourtis, Manos Karvounis, Yannis E. Ioannidis, Erna Bomers, Niels de Jong. 353-356 [doi]
• The Lion's Gate and the Persian Wall in Byblos opening the doors of digital representation to the cultural heritage of a resilient city in LebanonSimone Garagnani, Luisa Bravo, José Manuel Pagés Madrigal. 357-360 [doi]
• Digital PanoramaDavide Borra. 361-364 [doi]
• Sarcophagus of the Spouses installation intersection across archaeology, 3D video mapping, holographic techniques combined with immersive narrative environments and scenographyFranz Fischnaller, Antonella Guidazzoli, Silvano Imboden, Daniele De Luca, Maria Chiara Liguori, Alfonsina Russo, Rita Cosentino, Maria Anna De Lucia. 365-368 [doi]
• High-quality point-based rendering using fast single-pass interpolationMarkus Schütz, Michael Wimmer 0001. 369-372 [doi]
• Virtual museums and audience studies: the case of "Keys To Rome" exhibitionAlfonsina Pagano, Giulia Armone, Elisabetta De Sanctis. 373-376 [doi]
• A realistic Gamification attempt for the Ancient Agora of AthensGeorgia Kontogianni, Andreas Georgopoulos. 377-380 [doi]
• The digital archimusic patterns in AlhambraOsama Elrawi. 381-384 [doi]
• Environment map based lighting for reflectance transformation imagesMichael Ludwig, Gary W. Meyer. 385-388 [doi]
• VR multiple channel authoring with immersive displayMohamed Farouk, Mohamed Ismail, Karam Mustafa. 389-392 [doi]
• A location-based Augmented Reality system for the spatial interaction with historical datasetsDaniel Pacheco, Sytse Wierenga, Pedro Omedas, Laura Serra Oliva, Stefan Wilbricht, Stephanie Billib, Habbo Knoch, Paul F. M. J. Verschure. 393-396 [doi]
• A radicalized phenomenological transformation of Greek/Unani humoral theory into a virtual reality based game engineMuqeem Khan. 397-400 [doi]
• User experiences in three approaches to a visit to a 3D Labyrinthe of VersaillesCopper Frances Giloth, Jonathan Tanant. 403-404 [doi]
• Using a gaming software for historical road and path researchWillem F. Vletter, James H. Wesolowski. 405-406 [doi]
• Travelling through space and time in Lisbon's religious buildingsJoão Gouveia, Fernando Branco, Armanda Rodrigues, Nuno Correia 0001. 407-408 [doi]
• A virtual reality platform for the 3D representation of Seokguram TemplePark Jinho, Tufail Muhammad, Jisoo Kim, Ji-Hyun Lee. 409-410 [doi]
• Leicester Castle tells its story beacon-based mobile interpretation for historic buildingsGiasemi N. Vavoula, Maria-Anna Tseliou, Rheinallt Ffoster-Jones, Sally Coleman, Paul Long, Esther Simpson. 411-412 [doi]
• A fulldome interactive visitor experience a novel approach to delivering interactive virtual heritage experiences to group audiences in fulldome projection spaces, evaluated through spatial awareness and emotional responseJohn Tredinnick, Paul Richens. 413-414 [doi]
• StoryTECH 4 ever storytelling technologies for European values and heritageSara Monaci, Andrea Sanna, Domenico Morreale, Gianluca Cuniberti, Mariano Equizzi. 415-416 [doi]
• New memory spaces for cultural historySusanne Haake, Wolfgang Müller 0004. 417-418 [doi]
• A MetaViewer for sharing multiple media by WebGL-based interfacesLaurent Bergerot. 419-420 [doi]
• Development of a low-cost application of virtual reality for the promotion of cultural heritageJavier Esclapés, Daniel Tejerina, Alejandro Martín, Laia Fabregat. 421-422 [doi]
• X-Top: An interactive exhibition for building experience with mini-components of stone pagodaKyung-Kyu Kang, Jihyung Lee, Chang-Joon Park, Jae-Woo Kim, Man-Hee Lee. 423-424 [doi]