Abstract is missing.
- Segmentation, Transcription, Analysis and Visualisation of the Norwegian Folk Music ArchiveOlivier Lartillot, Anders Elowsson, Mats Johansson, Hans-Hinrich Thedens, Lars Monstad, Lars Monstad. 1-9 [doi]
- A model for annotating musical versions and arrangements across multiple documents and mediaDavid Lewis, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Andrew Hankinson, Christine Siegert, Kevin Page. 10-18 [doi]
- Digitization of Choirbooks in GuatemalaMartha E. Thomae, Julie E. Cumming, Ichiro Fujinaga. 19-26 [doi]
- A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic SymphoniesDinh-Viet-Toan Le, Mathieu Giraud, Florence Levé, Francesco Maccarini. 27-35 [doi]
- The Vienna Philharmonic Orchestra's New Year's Concerts: Building a FAIR Data Corpus for MusicologyDavid M. Weigl, Chanda VanderHart, Matthäus Pescoller, Delilah Rammler, Markus Grassl, Fritz Trümpi, Werner Goebl. 36-40 [doi]
- FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology ResourcesAlan J. Dix, Charlotte Armstrong, Rachel Cowgill, Michael B. Twidale, Christina Bashford, J. Stephen Downie, Rupert Ridgewell, Maureen Reagan. 41-49 [doi]
- The Alignment of Open Access with FAIR Principles in Musicological Publishing and TeachingAnne Shelley, Rachel E. Scott. 50-54 [doi]
- MeRIT: An interactive annotation tool for mensural rhythmsAnna Plaksin, David Lewis. 55-59 [doi]
- Phantom Curves: Scientific Discovery through Interactive Music VisualizationFabian C. Moss, Giovanni Affatato, Daniel Harasim. 60-64 [doi]
- Polyrhythm Analysis Using the composite ToolÈve Poudrier, Craig Stuart Sapp. 65-73 [doi]