Abstract is missing.
- Art documentation quality in function of 3D scanning resolution and precisionEryk Bunsch, Robert Sitnik, Jakub Michonski. [doi]
- Boosting multi-feature visual texture classiffiers for the authentication of Jackson Pollock's drip paintingsMahmoud Al-Ayyoub, Mohammad T. Irfan, David G. Stork. [doi]
- Automatic multispectral ultraviolet, visible and near-infrared capturing system for the study of artworkJorge Herrera, Meritxell Vilaseca, Jaume Pujol. [doi]
- Automation of digital historical map analysesTenzing Shaw, Peter Bajcsy. [doi]
- After digital cleaning: visualization of the dirt layerCherry May T. Palomero, Maricor N. Soriano. [doi]
- Investigation of the degradation mechanism and discoloration of traditional Japanese pigments by multispectral imagingJay Arre Toque, Ari Ide-Ektessabi. [doi]
- Towards automatic registration of technical images of works of artDamon M. Conover, John K. Delaney, Paola Ricciardi, Murray H. Loew. [doi]
- Polarized light scanning for cultural heritage investigationJay Arre Toque, Yusuke Murayama, Yohei Matsumoto, Ari Ide-Ektessabi. [doi]
- Did Caravaggio employ optical projections? An image analysis of the parity in the artist's paintingsDavid G. Stork. [doi]
- Improved curvature-based inpainting applied to fine art: recovering van Gogh's partially hidden brush strokesYubin Kuang, David G. Stork, Fredrik Kahl. [doi]
- Improved methods for dewarping images in convex mirrors in fine art: applications to van Eyck and ParmigianinoYumi Usami, David G. Stork, Jun Fujiki, Hideitsu Hino, Shotaro Akaho, Noboru Murata. [doi]
- X-ray image analysis of Lorenzo Lotto's Husband and wifeDavid G. Stork, Alexander J. Kossolapov. [doi]
- Automated classification of quilt photographs into crazy and non-crazyAlhaad Gokhale, Peter Bajcsy. [doi]
- A computer graphics reconstruction and optical analysis of scale anomalies in Caravaggio's Supper at EmmausDavid G. Stork, Yasuo Furuichi. [doi]
- Time and order estimation of paintings based on visual features and expert priorsRicardo Silveira Cabral, João Paulo Costeira, Fernando De la Torre, Alexandre Bernardino, Gustavo Carneiro 0001. [doi]
- Front Matter: Volume 7869786901 [doi]
- Computer analysis of lighting style in fine art: steps towards inter-artist studiesDavid G. Stork. 786903 [doi]
- The automatic annotation and retrieval of digital images of prints and tile panels using network link analysis algorithmsGustavo Carneiro 0001, João Paulo Costeira. 786904 [doi]
- Explaining scene composition using kinematic chains of humans: application to Portuguese tiles historyNuno Pinho da Silva, Manuel Marques, Gustavo Carneiro 0001, João Paulo Costeira. 786905 [doi]
- Top-down analysis of low-level object relatedness leading to semantic understanding of medieval image collectionsPradeep Yarlagadda, Antonio Monroy, Bernd Carqué, Björn Ommer. 786906 [doi]
- A framework for analysis of large database of old art paintingsJérôme Da Rugna, Gaël Chareyron, Ruven Pillay, Morwena Joly. 786907 [doi]
- Image fusion for art analysisBarbara Zitová, Miroslav Benes, Jan Blazek. 786908 [doi]
- Recovery of handwritten text from the diaries and papers of David LivingstoneKeith T. Knox, Roger L. Easton Jr., William A. Christens-Barry, Kenneth Boydston. 786909 [doi]