Abstract is missing.
- Strings: A Haptic InterfaceMyrto Karanika. [doi]
- The Secret GardenJeehee Lee. [doi]
- The Interface behind the FaceGordana Novakovic. [doi]
- Recording Prehistoric Rock-art: A Three Dimensional ApproachPaul Bryan. [doi]
- A Re-Painted AmazonGraeme Earl, Gareth Beale, Jassim Happa, Mark A. Williams, Glen A. Turley, Kirk Martinez, Alan Chalmers. [doi]
- Isles of GrainFrank Watson, Dave Lawrence. [doi]
- New constructs in Art: Structure, Time, Correspondences and InteractionErnest Edmonds. [doi]
- Deconstruction-reconstruction of Computer Game and Immersive Environment SemioticsColin B. Price, June S. Moore, Joanne Kuzma. [doi]
- Open Access to Digital Culture for Non-Professional CreativesVioletta Dajanev. [doi]
- Visual Arts and 2D - 3D Motion Typo.graphic DesignAnastasios Maragiannis. [doi]
- The Fortieth Anniversary of Event One at the Royal College of ArtCatherine Mason. [doi]
- Paspahegh: Visualizing a Seventeenth-Century Algonquian Indian Village in the Virginia ChesapeakeCrandall Shifflett. [doi]
- Considerations Regarding the use of the Biologically Inspired Retinex Algorithm in Art Conservation-RestorationOana Mara Gui, Ioan Petrescu, Theo Muresan, Oana Mara Gui, Radu Solovastru, Paul Valentin Borza, Dan Dumitrescu. [doi]
- Aristotle's OfficeTom Keene, Kypros Kyprianou. [doi]
- Mediated SituationismStefan Zedlacher, Michael Stadler. [doi]
- Tagged: Digital Photography and ArchaeologistsHugh Corley. [doi]
- The Tomb-Chapel of Nebamun at the British Museum: The Digital, the Spectacular, and the Inconspicuous Under One Limestone RoofFrancesca Monti. [doi]
- The Domesday Book: Visualization Tools to Explore Identity at the start of the Second MillenniumMartyn Jessop. [doi]
- Fugue and Variations on some Themes in Art and ScienceGordana Novakovic. [doi]
- Designing a Haptically Extended Interface for Digitally Animating 3D Articulated CharactersMariza Dima, John Lee, Mark Wright, Abi Ullattil, Xiaoqing Cao. [doi]
- Using Virtual Reality Modelling in Cultural Management, Archiving and ResearchJoanne Tompkins, Matt Delbridge. [doi]
- Panohaptic Interface for Architectural Filmic ImprovisationAmir Soltani. [doi]
- Online Exhibitions and Archives: A Collaborative Project for Teaching and Learning in DesignJane Devine Mejia. [doi]
- Pompeii in the Crystal Palace: Comparing Victorian and Modern Virtual, Immersive EnvironmentsNic Earle, Shelley Hales. [doi]
- Our Space: The Convergance of Cultural Interactive Experiences and Distributed Innovation in MuseumsAngelina Russo. [doi]
- Plundermatics: Real-time Interactive Media Segmentation for Audiovisual Analysis, Composition and PerformanceMick Grierson. [doi]
- The Creative Uses of Facebook as a Tool for Artistic CollaborationSophy Smith. [doi]
- The Unit of Construction + the Multiple Point of View = the Evolution of FormCarl Smith. [doi]
- Narrative Space Architecture and Digital MediaThomas Duncan, Noel McCauley. [doi]
- Digital TudorMathias Fuchs. [doi]
- A Picture is Worth 1, 000 Pasts: How 3D Virtual Reconstructions Can Bridge the Gap Between Visitor Interest and Scholarly DebateJames Coltrain. [doi]
- Relating Tradition to Innovation within Chinese ArtLijia Ke. [doi]
- Light Years: Jurassic Coast an Immersive 3D Landscape ProjectJeremy Gardiner. [doi]