Table of Contents

• FLUX Events: Current trends in contemporary media artsAphra Shemza, Oliver Gingrich, Maria Almena. [doi]
• The Virtual (Reality) Museum of Immersive ExperiencesVolker Kuchelmeister. [doi]
• Collaborative Practices and Decolonial Media Production for MuseumsKate Hennessy. [doi]
• Revisiting the Cloud/s: Interfacing open weather data for live audio-visual performanceJulian Stadon. [doi]
• Temporary Techno-social Gatherings? A (hacked) discussion about open practicesLuca M. Damiani, Kat Braybrooke, John Philip Sage. [doi]
• Internet Art, Google and Artistic PracticeElisavet Christou. [doi]
• Cosmetic SpaceHanna Haaslahti, Tyler Henry. [doi]
• (De)generative Art: Rules-transgressing algorithmsDario Srbic. [doi]
• Physicalizing Time Through Orientational Metaphors for Generating Rhythmic GesturesGreg Corness, Kristin Carlson. [doi]
• Towards a Transdisciplinary Method: Teaching and research practices in immersive spaces and mixed realitiesJulian Stadon. [doi]
• Using Design to Support the Creation of Street Art: A three-phase experiment supported by the DDArtS systemParis Xyntarianos-Tsiropinas, Thomas Spyrou, Konstantinos Bailas. [doi]
• La Dispersion du Fils: Into regions of incomprehensibilityMatthew McGinity. [doi]
• Of Museums and Digital Culture: A landscape viewTula Giannini, Jonathan P. Bowen. [doi]
• Goldsmiths, University of London, MA/MFA in Computational ArtsTheodoros Papatheodorou. [doi]
• The Virtual Recreation of a Ming Dynasty Pailou GateYi Ji, Sean Clark. [doi]
• University of Hertfordshire, Postraduate Media, School of Creative ArtsIan Willcock. [doi]
• Creating Affective Visual MusicJulie Watkins. [doi]
• London South Bank University, School of Arts and Creative IndustriesLizzie Jackson. [doi]
• University of Greenwich, BSc (Hons) Games Design and DevelopmentDamon Daylamani Zad, Darrenlloyd Gent. [doi]
• Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers?Ágnes Karolina Bakk. [doi]
• Robot Poetics: Toward a materially sensitive drawing robotPaul O'Dowd. [doi]
• Transmedia Digital InclusionOtniel Altamirano, Cristina Portugal, Monica Moura. [doi]
• The Seventh Ray: A Mixed Reality initiation experienceCarl H. Smith, Sarah James. [doi]
• Constructing a Dance Pathography: Integrating the performing arts, multimedia and digital medical humanitiesEugenia S. Kim. [doi]
• Moving Data: Artistic tendencies in visualising human and non-human movementMichele Barker, Anna Munster. [doi]
• Royal College of Art, MA Digital Direction, MA Information Experience DesignEleanor Dare, Libby Heaney. [doi]
• Affect and Place Representation in Immersive Media: The Parragirls Past, Present projectVolker Kuchelmeister, Lily Hibberd, Alex Davies. [doi]
• University of the Arts London, London College of Communication. MA Interaction Design CommunicationTobias Revell. [doi]
• 3D Visual ThinkingPhil Shepherd. [doi]
• Senster 2.0: Cultural context of media art curatorshipAnna Olszewska. [doi]
• Virtual Exhibitions: What do we win and what do we lose?Katrin Wolf 0001, Jens Reinhardt, Markus Funk. [doi]
• KIMA: Noise: A visual sound installation on urban noiseOliver Gingrich, Evgenia Emets, Alain Renaud, Stephen Stansfeld. [doi]
• Imaginary FriendsJairo Zaldua, Nicola Green. [doi]
• Fractured PerspectivesGareth Proskourine-Barnett. [doi]
• Geo-locating Ruskin's Mornings in Florence and Jeanneret's Sketches and Watercolours from his 1907 VoyageJ. Kirk Irwin. [doi]
• Chatbots and New Audience Opportunities for Museums and Heritage OrganisationsStefania Boiano, Ann Borda, Guiliano Gaia, Stefania Rossi, Pietro Cuomo. [doi]
• ARTificial Intelligence: From Frankenstein to FRANKCecilie Waagner Falkenstrøm. [doi]
• AIA: Artificial intelligence for artRobert B. Lisek. [doi]
• Aura: A holographic brainwave interfaceOliver Gingrich, Evgenia Emets, Alain Renaud. [doi]
• 3D Technology as an Effective Tool for Reflection Simulation: The Beagle 2 Lander on MarsTeodora Kuzmanova, Nick Higgett, Mark Sims, Jim Clemmet, Eric Tatham. [doi]
• CAS: 50 years of digital artSean Clark, Nick Lambert. [doi]
• Movies for the Ears to ComeMassimiliano Tonelli. [doi]
• Emotion Recognition from Speech Signals by Using Evolutionary Algorithm and Empirical Mode DecompositionShing-Tai Pan, Chih-Hung Wu, Chen-Sen Ouyang, Ying-Wei Lee. [doi]
• HoloDash: A holographic interface for autonomous vehiclesNick Lambert, Mehmet Mulla, Seungyeon Ryu. [doi]
• New Immersive Media to Broaden Attention and AwarenessTony Langford, Alistair Burleigh, Nicole Ruta, Robert Pepperell. [doi]
• Brainwaves and Sound Synchronisation in Dance PerformanceFrancesco Soave, Raffaella Folgieri. [doi]
• An Architecture for an Expressive Responsive MachineLaura Dekker. [doi]
• Rehan's Zone SystemRehan Zia. [doi]
• Kingston Schools of Art: Departments of Graphic Design, Illustration Animation, Film & Photography and Cultural IndustriesJonathan Gander, Andrew Haslam, Julián Rodríguez. [doi]
• Review of Chinese Social Media Platforms Focusing on WeChat and Weibo: Digital curating and cultural promotionsHan Bao. [doi]
• Cyber Rabbit: Adventures in CyberlandBatudan Bintas. [doi]
• Digital Structures and Light MovementsEsther Rolinson, Sean M. Clark. [doi]
• How do you know when you have created a bad production?James Simpson. [doi]
• Reaping the Benefits of Digitisation: Pilot study exploring revenue generation from digitised collections through technological innovationFoteini Valeonti, Andrew Hudson-Smith, Melissa Terras, Chrysanthi Zarkali. [doi]
• Electronic Medical Records: Provotype visualisation maximises clinical usabilityDavid Pao, John Stevens, Dan Lockton, Netta Weinstein. [doi]
• The Invisible ArpDavid Upton. [doi]
• Architecture as Music, A personal journey, through time and spaceTerry Trickett. [doi]
• Turing's Genius - Defining an apt microcosmJonathan P. Bowen, Terry Trickett, Jeremy B. A. Green, Andy Lomas. [doi]
• Search Engine Art: Internet Imperialism and the image in contextGretchen Andrew. [doi]
• 3D Reconstruction in an Illumination DomeLindsay W. MacDonald, Erica Nocerino, Stuart Robson, Mona Hess. [doi]
• Transcendence: Can live performance art in combination with interactive technology induce altered states of consciousness?Maria Almena. [doi]
• States of Being: Art and identity in digital space and timeJonathan P. Bowen, Tula Giannini, Gareth Polmeer, Carla Gannis, Jeremy Gardiner, Jonathan Kearney, Bruce Wands, Jon Weinel. [doi]
• Digital Futures: Exhibits at EVA London 2018Irini Papadimitriou, Jonathan P. Bowen. [doi]
• Grumari: Digital storytellingCristina Portugal. [doi]
• Fear Filter: Visualising the UK terror threat levelRod Dickinson. [doi]
• The New Spectacle: How effective is mobile Augmented Reality as tool for the manifestation of dissent?Liam Noah Jefferies. [doi]
• Ultra-infra: Becoming skinIan Truelove. [doi]
• Airbourne Inscription: writing with dronesRichard Carter. [doi]
• Not Merely PhysicalMalcolm Garrett. [doi]
• Costume Embedded Haptics with Virtual Reality for Immersive StorytellingBushra Burge. [doi]
• An Alternative Method of Very Long-term Conservation of Digital Images and their Historical Context for The Archive, University College, OxfordGraham Diprose, Michael George, Robin Darwall-Smith. [doi]
• Who's Watching? A feminist urban video installationLydia Smolin, Katrin Wolf 0001. [doi]
• The Scale of Immersion: Different audio-visual experiences exemplified by the 360º video Secret DetoursElke E. Reinhuber, Ross Williams, Benjamin Seide. [doi]
• Entrelacé: How technology, movement and visuals are interlaced in the film design for The Royal Ballet's Woolf WorksJohn Hillman, Ravi Deepres. [doi]
• 25 Years of Curating Digital Art: 1993-2018Bruce Wands. [doi]
• Mixed Reality Game Using Bluetooth Beacons for ExhibitionsRameshnath Krishnasamy, Sara Khan, Claudio Germak. [doi]
• It Starts with the Artist: Solutions for a sustainable media arts practiceAphra Shemza. [doi]
• Ravensbourne University London: MA and MSc CoursesNick Lambert, Brigitta Zics. [doi]
• On Cognitive Primitives and Trick PhotographyDerek J. Smith. [doi]
• The Riddle of the Crosses: The Crusaders in the Holy SepulchreMoshe Caine, Doron Altaratz, Lindsay MacDonald, Amit Reem. [doi]