Table of Contents

• Digital Art, Culture and Heritage: New constructs and consciousnessJonathan P. Bowen, Tula Giannini, Rachel Ara, Andy Lomas, Judith Siefring. 1-9 [doi]
• Digital Generative Tools for Restitution and Mediation for Cultural HeritageRenato Saleri. 10-17 [doi]
• Participatory Innovation and Prototyping in the Cultural Sector: A case studyStefania Boiano, Ann Borda, Guiliano Gaia. 18-26 [doi]
• Art and Activism at Museums in a Post-digital WorldTula Giannini, Jonathan P. Bowen. 27-35 [doi]
• Narrative Interfaces: Temporality and spatiality in art museums' online resourcesMaría Isabel Hidalgo Urbaneja. 36-41 [doi]
• Sensory Drawing DataEsther Rolinson, Sean M. Clark. 42-44 [doi]
• Creative Reverse Engineering: From remote sensuality to haptic metrologyNaomi Dines, Dom Biddulph. 45-52 [doi]
• Climate Change: Outcomes of being bystanders in a global windstormAshley St. Aubin. 53-56 [doi]
• Feeling TexturesEmma Dutton. 57-58 [doi]
• 3D Modelling and Virtual Reality as a Cataloguing Alternative of Light Environments and their Application in MuseumsLeticia Crespillo Marí. 59-61 [doi]
• What is the Neurodivergent Aesthetic?Kazimir Bielecki, Lennie Varvarides. 62-63 [doi]
• Experimenting with the Physicality of Digital MaterialityChrissy Pretious-Cooney. 64-65 [doi]
• Re-imagining the Familiar: Data visualisation in environmental artLydia Smolin. 66-67 [doi]
• 'Rice Bunnies' - #MeToo in China: A hashtag movement and women's empowerment through social mediaHan Bao. 68-70 [doi]
• Awe, Wonderment and the Ominous: The crossroad of art, science, technology and the spiritualBlair Zaye. 71-72 [doi]
• A 21st Century 'Victorian' Family AlbumGraham Diprose, Amalia Toyas. 73-79 [doi]
• The CAS50 Exhibition and CollectionSean M. Clark. 80-83 [doi]
• Photon Painter: A robotic device that transfers drawings onto a large surface area using laser beam on photomechanical reaction materialsParis Xyntarianos-Tsiropinas, Konstantinos Bailas, Thomas Spyrou. 84-88 [doi]
• A Robot That Draws and Shades with Tactile Force Feedback Sensed Through a PencilPaul J. O'Dowd. 89-96 [doi]
• Robotic Etching: The creation of digital etching using roboticsVerity Winslow, Paul J. O'Dowd, Ian Chamberlain, Carinna Parraman. 97-102 [doi]
• Near Chaos in Graphic Drawings from Analogue MachinesJack Tait. 103-111 [doi]
• Artificial Intelligence and Problems in Generative Art TheoryPhilip Galanter. 112-118 [doi]
• Emergence in the Expressive MachineLaura Dekker. 119-120 [doi]
• Listening to the UrbanChris A. Wright. 121-126 [doi]
• Tackling the Issue of Student Debt Through Data Sonification and Musical ScoresZach Buckley. 127-132 [doi]
• Multiple Means of Expression Made Available by Digital MediaKaren Bosy, Cristina Portugal. 133-136 [doi]
• What Do Audiences Want from a Public Art Gallery in the Digital Age?Clare Harding, Susan Liggett, Adrian Gradinar, Mark Lochrie. 137-143 [doi]
• This is Not a Pixel: Building trust in digital art through the blockchainIan Truelove. 144-147 [doi]
• Making the Absent Object Present: Towards a holographic museum of modern art (hMoMA)Terence Quinn. 148-154 [doi]
• Tombs and Reels of Consciousness: The aesthetics that interlink ancient ritualistic artefacts and digital, augmented and virtual realityLila Moore. 155-161 [doi]
• The Descent of Inanna: The technology of mythSarah Janes. 162-163 [doi]
• Towards Game-Guided Exploration Systems for Self-Facilitated ExhibitionsRameshnath Krishnasamy. 164-171 [doi]
• Art in Flux at Event TwoAphra Shemza, Maria Almena, Oliver Gingrich. 172-173 [doi]
• New RTI Technology for PalæographyLindsay MacDonald, Taylor Bennett, Christopher Ramsey, Charles Crowther. 174-181 [doi]
• KIMA - The Voice: Participatory art as means for social connectednessOliver Gingrich, Urszula Tymoszuk, Evgenia Emets, Alain Renaud, David Negrao. 182-189 [doi]
• COGITO in SpaceDaniela De Paulis. 190-192 [doi]
• How We Harnessed the Potential of UAV Imagery in the Classroom through VR and Other TechnologiesChris Strasbaugh. 193-197 [doi]
• Visual Democratisation: AR and the Underpass FestivalChristian Tilt, Stephanie Moran, Alexander Hogan. 198-205 [doi]
• Augmenting the Power of Artwork Through a Virtual Reality Partnered PieceJoseph Robson, Felix Dodd. 206-211 [doi]
• Virtual Heritage Expo: Joint presentation of research work and historic artefactsJohanna Leissner, Martin Papirowski, Ralf Schäfer, Oliver Schreer, Christian Weissig. 212-217 [doi]
• XR for XR - Context Craft: An extended reality platform that transforms local environments through playCarl H. Smith, Jay F. Cousins. 218-225 [doi]
• Being-with Media: Encountering the moving image in physical spaceKenneth Feinstein. 226-230 [doi]
• Innovative Strategies for 3D Visualisation Using Photogrammetry and 3D Scanning for Mobile PhonesVerda Munir, Euan W. Dempster, David Lyons. 231-236 [doi]
• FOVO: A flexible real-time computer graphics rendering processRobert Pepperell, Alistair Burleigh, Nicole Ruta, Tony Langford. 237-238 [doi]
• Future Applications of Digital Clothing for Historical Costume: The past, present and future of fashionRoz McNulty. 239-242 [doi]
• Developing Empathy for People with Bipolar Disorder Through Interactive PerformanceKyungho Lee. 243-246 [doi]
• Room to Play: Tinderbox CollectiveJack Nissan, Luci Holland, Yann Seznec. 247-249 [doi]
• Ghost in the Virtual Reality: Translating the human essence with motion captured danceEugenia S. Kim. 250-255 [doi]
• Bringing the Tangible into the Virtual: Preserving human-silkworm collaborationEugenia S. Kim, Feixuan Xu. 256-263 [doi]
• A Interactive Display Form for Chinese Ink and Wash Painting Using Optical Laser TechniqueYisi Xue, Yarong Deng, Junming Liang. 264-269 [doi]
• YUE Virtual Park: Multi-sensory experience creative cultural products based on AR technologyTing Liang, Xiaoying Tang. 270-273 [doi]
• The New "Theatricality" in Performance and Media ArtsHuan Fan. 274-275 [doi]
• East Meets West: UK/China creative collaborationsSean Clark, Yi Ji, Xiaoying Tang, Hai Fang. 276-277 [doi]
• How Artists Can Develop Their Artwork, Its Market and Deliver Their Creative Content for Virtual Reality Environments?Maureen Kendal, Mehmet Mulla, Elaine Thomazi Freitas. 278-283 [doi]
• Hyperacusis Hacks: Media design ethnographic processingLuca M. Damiani. 284-287 [doi]
• Art, Law and Unstable Corporate IdentitiesJeremy Pilcher. 288-292 [doi]
• Virtual Hallucinations: Projects in VJing, virtual reality and cybercultureJonathan Weinel. 293-301 [doi]
• Interactive Visual MusicJulie Watkins. 302-309 [doi]
• A Framework for Future PaintingsStuart Faromarz Batchelor. 310-317 [doi]
• Structural Harmony Method in the Context of Deep Learning on Example of Music by Valentyn Sylvestrov and Philipp GlassAnna Shvets. 318-320 [doi]
• Can Her Voice Crack? I am not sure I understandDanae lo. 321-329 [doi]
• Visualisation for Digital Multi-Shot PhotographyRehan Zia. 330-335 [doi]
• Communicating Auditory Impairments Using Electroacoustic CompositionStuart Cunningham 0004. 336-341 [doi]
• Sound and the Feeling of PresenceMark Grimshaw-Aagaard. 342-343 [doi]
• Physical to Digital to Physical: Capturing human performances for multidisciplinary theatre visualisationJames Simpson. 344-350 [doi]
• Øresund Space Collective - Kybalion: A cyber-dimensional way to experience musicBatuhan Bintas. 351-352 [doi]
• The Use of Human Brain Activity (Electroencephalogram) in the Making of ArtChristopher E. G. Moore. 353-359 [doi]
• Towards a New Paradigm for Intuitive Theatrical Lighting ControlDavid Schwarz, Stuart Cunningham 0004, Rebecca Woodford Smith. 360-367 [doi]
• A Cybernetic Clarion Call to the Arts' CommunityTerry Trickett. 368-375 [doi]
• Poetry Based 3D Printed SculptureAndrei Budescu, Diana Dragan Chirila, Oana Gui, Corneliu Dascalu, Miklos Uszkai, Mihai Simu. 376-380 [doi]
• Riding Through Walls: A journey of physical computing through Google Street ViewMegan L. Smith, John Desnoyers-Stewart. 381-388 [doi]
• Creation of an Integrated Multisensory Wearable Story: Costume embedded haptics-VR using a considered eco-ethical design approachBushra Burge. 389-393 [doi]
• Return to Nature: How media art heals?Tony Langford. 394-401 [doi]
• At the Helm of the Burning ShipClaude Heiland-Allen. 402-408 [doi]
• Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiencesHans-Peter Gasselseder, Maria Kallionpää. 409-416 [doi]
• Guangdong University of Technology Graduate Education SystemYi Ji. 417 [doi]
• University of the Arts London London College of CommunicationJohn Fass, Nicolas Maréchal, Henrietta Ross. 418-424 [doi]