Table of Contents

• Accessible AI in Museums: An exploration of AI digital guides supporting blind and low vision communitiesStefania Boiano, Ann Borda, Giuliano Gaia, Sonali Rai. [doi]
• Bio-Responsive Visual Design: Sensory environments as physiological modulatorsAna Sofia Calixto. [doi]
• Living Resonance: Instrumenting a ritual sound offering in the Bolivian Amazon for ecoacoustic and electrophysiological visualisationCarl Hayden Smith, Caz Coronel, Michelle Narciso, Jarvis Smith. [doi]
• Hollywood is Streaming: Digital platforms merge real and virtual lifeTula Giannini, Jonathan P. Bowen. [doi]
• Ekphrasis of the Lucid Void: Floating verses in Post-Lingnan School of PaintingRacelar Ho, Emily J. Huang, Xiaolong Zheng. [doi]
• Procedural Linguistics: A theory of real-time interactions as a languageJed Gjerek. [doi]
• Fixing Chicago Neighbourhood and New Nature: Simulation with Paper and Digital PrintingJiaqi Li, Wenru Xu, Elke E. Reinhuber. [doi]
• Exploring AI as Environmental MediaRichard A. Carter. [doi]
• The Landscape as a Challenge in Visualising UncertaintyDominik Lengyel, Catherine Toulouse. [doi]
• Digital Dunhuang and the Mogao Caves: Archive, preservation, and conservationJonathan P. Bowen, Han Bao. [doi]
• Music-Driven Worldbuilding: Audio-reactive VR environments using multimodal generative AIAnna Shvets, Qi Li, Huilai Zhao. [doi]
• From Control to Consciousness: Oppression through the lens of colour and Chiaroscuro in animationGrace Ko. [doi]
• Unleashing the Power of Art on Climate ChangeTerry Trickett. [doi]
• 50 Years of Informatrix: Revisiting artificial creativity and collective intelligence as envisioned by Edvard ZajecZiva Ljubec, Jae C. Oh. [doi]
• Chromatic DriftJon Malis. [doi]
• Exploring Patterns Within the Depictions of Gods in AnimationMarley Adams. [doi]
• Trans-Posing MediaSawyer Reid. [doi]
• The Sanctuary Earth Foundation: A resonant home - sound sculpture as neuro-acoustic transition infrastructure for the public realmMonica van der Meulen, Lasse Mosegard, Carl Hayden Smith. [doi]
• Mapping Noise Levels in Immersive EnvironmentsOliver Gingrich, Julie Watkins, Samanta Vargas de la Llata, Ryan Flynn, Ian Thompson. [doi]
• Digital Repair in the Historic Museum: Masks, contemporary art, and memoryAna Avelar, Tania Sulzbacher. [doi]
• Pyramid Tracks: Composing with the Archaeoacoustics of the Great PyramidCarl Hayden Smith, Scott Beibin, Savej. [doi]
• Preservation of Digital Visual CultureStephen Littman. [doi]
• Toward the Third Space: Exploring the risks in AI-generated art and the potential of human interventionYijun Liu, Hans-Martin Rall. [doi]
• Beyond Lossy Compression: A critical examination of audio fidelity in wellbeing applications and streaming servicesHelen Madden, Gavin Lawson, Jeff Bova. [doi]
• Transit: Being here and thereVeronika Ahlborn. [doi]
• Algorithmic Biennials: AI, digital infrastructure and the hybrid exhibition ecologyXinming Xia. [doi]
• Goodbrey Caught in the Web: An examination of solo webcomic production from 2015 to 2025Daniel Merlin. [doi]
• Ambient Canvas: A gesture-driven synesthetic music systemRaghav Poddar, Benjamin-Lee Bromley, Joshua Holmes, Ching Tsang. [doi]
• The Centre for Human Agency (CFHA): A Cultural-Research Workshop for Defending Cognitive Sovereignty in the Age of AICarl Hayden Smith, Josh Dugdale. [doi]
• Colour Calibration as Digital Heritage: Analogue - screen pixel simulationCali D. Kurlan. [doi]
• From Spectacle to System Immersive Art Emergence in Behavioural InfrastructureCaitríona McAllister. [doi]
• Text and People: A hybrid 2D/3D pipeline for spatial and cinematic representationBrian L. Pytlik Zillig. [doi]
• Synthetic Citrasūtra: Posthuman Anukṛti and the New South Asian image ecologiesMayank Dutt Kaushik. [doi]
• REGENERA(TE)Carl Hayden Smith, Antonio Cervantes. [doi]
• Timeliness Over Perfection: "Good enough" XR using lightweight methods for rapid, decentralized documentation of at-risk or overlooked heritage sitesElke E. Reinhuber, Benjamin Seide. [doi]
• Full STEAM Ahead: Merging the Arts with STEM in the age of AIJonathan P. Bowen, Sean Clark 0001, Tula Giannini, Susan Hazan, Andrew Robinson, Stephen Wolfram. [doi]
• As If. Towards a new "Artist-Critic" and some questions on the use of AI in, for, and as artBrian Reffin Smith. [doi]
• Critical Media Art Meets A.I. Part 2Jonah Brucker-Cohen. [doi]
• Painting, Programming and Process: Comparing observational painting and object-oriented programming (OOP)Minnie Xie, Corey Ford 0002. [doi]
• Computational Constructs: Reconstructivism and recoverability in systems-based computer artSean Clark 0001. [doi]
• VR Interaction Design for Tanka Cultural Heritage Based on Embodied CognitionKuo Liu. [doi]
• Fabulating Realities: Artistic explorations of large language models' hallucinationsRegula Valérie Burri, Clara Lena Langenbach, Laura Sigrüner. [doi]
• Digital Place-Making of the Mogao GrottoesXi Chen. [doi]
• Can an AI Be Fooled by Its Own Archives? Auditing art authentication models using The Next RembrandtDaniel F. Fonner. [doi]
• Resonant Chambers: Comparative impulse-response study inside the Great Pyramid of KhufuCarl Hayden Smith, Scott Beibin. [doi]
• An Interactive Teaching System for Cardiac Surgery Based on Mixed Reality and the Miller PyramidZimo Zeng. [doi]
• Affective Computing Within Virtual Marmot EcologiesFranco Ortega-Ghio. [doi]
• Analysis of Pose Estimation of West Mexican Ceramic Figures Using Machine LearningNouman Ahmed, Jacob Hart, John Hale, Cheryl Smallwood Roberts, Robert Pickering. [doi]
• RICO: Real-time Integration Control OperationsMaya Khalil. [doi]
• Panel: New Directions in Chinese Art and Design EducationSean Clark 0001, Yi Ji, Chen Chen. [doi]
• Exploring the AIGC-driven Co-creation Model in Art and Design EducationXiuhong Li. [doi]
• Animations for Creative HealthOliver Gingrich, Julie Watkins. [doi]
• Embracing the Specular: Visualising shiny surfacesLindsay W. MacDonald, Hannah Clare Corcoran, Mojtaba A. Khanesar, Stuart Robson, Samanta Piano. [doi]
• Exploring Digital Imperfections in Glitch ArtDuo Bao. [doi]
• Art or Illustration: The AI questionStuart Smith. [doi]
• The Second Law of Cultural-dynamicsJonathan P. Bowen, Sarah Hazan. [doi]
• Rethinking Culture, Life, and Tech in ChinaHuan Fan 0001, Jonathan P. Bowen. [doi]
• A Study on Art Heritage Experience Models in Cross-Cultural ContextsYitong Yi. [doi]
• Encoded Cognition: Perception, non-conscious cognition, and technological augmentationNalini Singh. [doi]
• Patterns in Perception of a Simulated Message from SpaceDaniela De Paulis, Mary Lee Jensvold, Nathalie Cabrol. [doi]
• The Portraits of Thomas Young: From Thomas Lawrence to AIJonathan P. Bowen. [doi]
• AI-mediated Interpretation of Cultural Heritage: A framing for Chinese collections in European museumsYifan Zhang, Elisavet Christou, Louise Mullagh. [doi]
• The Instrument for Outer ReasoningFred Pipkin. [doi]
• Printmaking Sensibility in the Age of Artificial Intelligence: Integrating traditional craft knowledge with generative image technologiesXiaoqiao Li. [doi]
• Digitally-Shared War-SensingKseniia Fedorova. [doi]
• Staying With Stones: Counter-data, counter-archivingTan Wang-Ward. [doi]
• The Artist in the System: Reflections on computational painting and Systems ArtLaura Traver. [doi]
• When AI Claims to Know Us Too ClearlyYun Nee Tey. [doi]
• Simulating a Moonbase: Aesthetic and ethical challenges of using GenAI in documentary filmAnna Broinowski. [doi]
• Temporary Preservation as Practice: How media artists sustain works without assured institutional custodyQinyue Liu. [doi]
• The Art of Disclosure: When transparency becomes an aesthetic questionGreta Sparzynski, Tarmio Frei. [doi]
• Sonic Resurrection: Participatory strategies for the digital preservation of Benjamin Fondane's lost cinemaVictoria Baltag. [doi]
• Ornament: Labour, memory, and exhaustion in a behavioural environmentAngela Ferraiolo. [doi]
• (Horomox) OArt: Quantum exo-AI shelters for the aesthetics of strategic emptinessSerge Aa. [doi]
• Contingent: From light image to network image and back againJames Bloom. [doi]