Table of Contents

• The man behind the curtain: Overcoming skepticism about creative computersMartin Mumford, Dan Ventura. 1-7 [doi]
• Generating Code For Expressing Simple Preferences: Moving On From Hardcoding And RandomnessMichael Cook, Simon Colton. 8-16 [doi]
• Attributing Creative Agency: Are we doing it right?Oliver Bown. 17-22 [doi]
• Using Human Computation to Acquire Novel Methods for Addressing Visual Analogy Problems on Intelligence TestsDavid A. Joyner, Darren Bedwell, Chris Graham, Warren Lemmon, Óscar Martínez, Ashok K. Goel. 23-30 [doi]
• Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCIDavid Norton, Derrall Heath, Dan Ventura. 31-38 [doi]
• Quantifying Creativity in Art NetworksAhmed M. Elgammal, Babak Saleh. 39-46 [doi]
• Is Biologically Inspired Invention Different?Ashok K. Goel. 47-54 [doi]
• The role of blending in mathematical inventionFélix Bou, Marco Schorlemmer, Joseph Corneli, Danny Gómez-Ramírez, Ewen Maclean, Alan Smaill, Alison Pease. 55-62 [doi]
• Unweaving The Lexical Rainbow: Grounding Linguistic Creativity in Perceptual SemanticsTony Veale, Khalid Al-Najjar. 63-70 [doi]
• FIGURE8: A Novel System for Generating and Evaluating Figurative LanguageSarah Harmon. 71-77 [doi]
• Game of Tropes: Exploring the Placebo Effect in Computational CreativityTony Veale. 78-85 [doi]
• OMG UR Funny! Computer-Aided Humor with an Application to ChatMiaomiao Wen, Nancy Baym, Omer Tamuz, Jaime Teevan, Susan T. Dumais, Adam Kalai. 86-93 [doi]
• A Semantic Map for Evaluating CreativityFrank van der Velde, Roger A. Wolf, Martin Schmettow, Deniece S. Nazareth. 94-101 [doi]
• Human Competence in Creativity EvaluationCarolyn Lamb, Daniel G. Brown 0001, Charles L. A. Clarke. 102-109 [doi]
• Measuring cultural value using social network analysis: A case study on valuing electronic musiciansAnna Jordanous, Daniel Allington, Byron Dueck. 110-117 [doi]
• Conceptualizing Creativity: From Distributional Semantics to Conceptual SpacesKat Agres, Stephen McGregor, Matthew Purver, Geraint A. Wiggins. 118-125 [doi]
• Player Responses to a Live Algorithm: Conceptualising computational creativity without recourse to human comparisons?Oliver Bown. 126-133 [doi]
• Collaborative Composition with Creative Systems: Reflections on the First Musebot EnsembleArne Eigenfeldt, Oliver Bown, Benjamin Casey. 134-141 [doi]
• Generative Music for Live Musicians: An Unnatural SelectionArne Eigenfeldt. 142-149 [doi]
• Generalize and Blend: Concept Blending Based on Generalization, Analogy, and AmalgamsTarek Richard Besold, Enric Plaza. 150-157 [doi]
• Vismantic: Meaning-making with ImagesPing Xiao, Simo Linkola. 158-165 [doi]
• The Good, the Bad, and the AHA! BlendsPedro Martins, Tanja Urbancic, Senja Pollak, Nada Lavrac, Amílcar Cardoso. 166-173 [doi]
• Using Argumentation to Evaluate Concept Blends in Combinatorial CreativityRoberto Confalonieri, Joseph Corneli, Alison Pease, Enric Plaza, Marco Schorlemmer. 174-181 [doi]
• Visual Information Vases: Towards a Framework for Transmedia Creative InspirationBritton Horn, Gillian Smith, Rania Masri, Janos Stone. 182-188 [doi]
• The Painting Fool Sees! New Projects with the Automated PainterSimon Colton, Jakob Halskov, Dan Ventura, Ian Gouldstone, Michael Cook, Blanca Pérez Ferrer. 189-196 [doi]
• Make Something That Makes Something: A Report On The First Procedural Generation JamMichael Cook. 197-203 [doi]
• SMUG: Scientific Music GeneratorMarco Scirea, Gabriella A. B. Barros, Noor Shaker, Julian Togelius. 204-211 [doi]
• Generative Mixology: An Engine for Creating CocktailsJohnathan Pagnutti, Jim Whitehead. 212-219 [doi]
• Stimulating and Simulating Creativity with Dr InventorDiarmuid O'Donoghue, Yalemisew M. Abgaz, Donny Hurley, Francesco Ronzano, Horacio Saggion. 220-227 [doi]
• Casual CreatorsKate Compton, Michael Mateas. 228-235 [doi]
• Interaction-based Authoring for Scalable Co-creative AgentsMikhail Jacob, Brian Magerko. 236-243 [doi]
• Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space ModelsDerrall Heath, Aaron W. Dennis, Dan Ventura. 244-251 [doi]
• Preconceptual CreativityTapio Takala. 252-259 [doi]
• Specific curiosity as a cause and consequence of transformational creativityKazjon Grace, Mary Lou Maher. 260-267 [doi]
• Computational Poetry Workshop: Making Sense of Work in ProgressJoseph Corneli, Anna Jordanous, Rosie Shepperd, Maria Teresa Llano, Joanna Misztal, Simon Colton, Christian Guckelsberger. 268-275 [doi]
• Interaction Evaluation for Human-Computer Co-creativity: A Case StudyAnna Kantosalo, Jukka M. Toivanen, Hannu Toivonen. 276-283 [doi]
• Impact of a Creativity Support Tool on Student Learning about Scientific Discovery ProcessAshok K. Goel, David A. Joyner. 284-291 [doi]
• Intentionally Generating Choices in Interactive NarrativesMichael Mateas, Peter A. Mawhorter, Noah Wardrip-Fruin. 292-299 [doi]
• In reality there are as many religions as there are papers - First Steps Towards the Generation of Internet MemesDiogo Costa, Hugo Gonçalo Oliveira, Alexandre Miguel Pinto. 300-307 [doi]
• A chart generation system for topical metrical poetryBerty Chrismartin Lumban Tobing, Ruli Manurung. 308-314 [doi]
• TheRiddlerBot: A next step on the ladder towards creative Twitter botsIvan Guerrero, Ben Verhoeven, Francesco Barbieri, Pedro Martins, Rafael Pérez y Pérez. 315-322 [doi]