Table of Contents

• Novelty-Seeking Multi-Agent SystemsSimo Linkola, Tapio Takala, Hannu Toivonen. 1-8 [doi]
• Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment MaximisationChristian Guckelsberger, Christoph Salge, Rob Saunders, Simon Colton. 9-16 [doi]
• Mere Generation: Essential Barometer or Dated Concept?Dan Ventura. 17-24 [doi]
• Searching for SurpriseGeorgios N. Yannakakis, Antonios Liapis. 25-32 [doi]
• Role of Simplicity in Creative Behaviour: The Case of the Poietic GeneratorAntoine Saillenfest, Jean-Louis Dessalles, Olivier Auber. 33-41 [doi]
• Investigating Listener Bias Against Musical MetacreativityPhilippe Pasquier, Adam Burnett, James B. Maxwell. 42-51 [doi]
• Preference Models for Creative Artifacts and SystemsDebarun Bhattacharjya. 52-59 [doi]
• Evaluating digital poetry: Insights from the CATCarolyn Lamb, Daniel G. Brown 0001, Charles L. A. Clarke. 60-67 [doi]
• Regent-Dependent Creativity: A Domain Independent Metric for the Assessment of Creative ArtifactsCelso França, Luís Fabrício Wanderley Góes, Alvaro Amorim, Rodrigo C. O. Rocha, Alysson Ribeiro Da Silva. 68-76 [doi]
• Modes for Creative Human-Computer Collaboration: Alternating and Task-Divided Co-CreativityAnna Kantosalo, Hannu Toivonen. 77-84 [doi]
• Experience Driven Design of Creative SystemsMatthew Yee-King, Mark d'Inverno. 85-92 [doi]
• Applying Core Interaction Design Principles to Computational CreativityOliver Bown, Liam Bray. 93-97 [doi]
• Designing Improvisational InterfacesJon McCormack, Mark d'Inverno. 98-106 [doi]
• Visual Hallucination For Computational CreationLeonid Berov, Kai-Uwe Kühnberger. 107-114 [doi]
• Crossing the horizon: exploring the adjacent possible in a cultural systemPietro Gravino, Bernardo Monechi, Vito D. P. Servedio, Francesca Tria, Vittorio Loreto. 115-122 [doi]
• Computational Creativity Conceptualisation Grounded on ICCC PapersSenja Pollak, Biljana Mileva-Boshkoska, Dragana Miljkovic, Geraint A. Wiggins, Nada Lavrac. 123-130 [doi]
• An institutional approach to computational social creativityJoseph Corneli. 131-138 [doi]
• Understanding Musical Practices as Agency NetworksAndrew R. Brown. 139-146 [doi]
• A History of Creativity for Future AI ResearchMark d'Inverno, Arthur Still. 147-155 [doi]
• Deep Convolutional Networks as Models of Generalization and Blending within Visual CreativityGraeme McCaig, Steve DiPaola, Liane Gabora. 156-163 [doi]
• X-Faces: The eXploit Is Out ThereJoão Correia, Tiago Martins, Pedro Martins, Penousal Machado. 164-171 [doi]
• Before A Computer Can Draw, It Must First Learn To SeeDerrall Heath, Dan Ventura. 172-179 [doi]
• Creative Generation of 3D Objects with Deep Learning and Innovation EnginesJoel Lehman, Sebastian Risi, Jeff Clune. 180-187 [doi]
• Digits that are not: Generating new types through deep neural netsAkin Kazakçi, Mehdi Cherti, Balázs Kégl. 188-196 [doi]
• Murder Mystery Generation from Open DataGabriella A. B. Barros, Antonios Liapis, Julian Togelius. 197-204 [doi]
• Framing Tension for Game GenerationPhilip L. Lopes, Antonios Liapis, Georgios N. Yannakakis. 205-212 [doi]
• What If A Fish Got Drunk? Exploring the Plausibility of Machine-Generated FictionsMaria Teresa Llano, Christian Guckelsberger, Rose Hepworth, Jeremy Gow, Joseph Corneli, Simon Colton. 213-221 [doi]
• Exploring the Role of Word Associations in the Construction of Rhetorical FiguresPaloma Galvan, Virginia Francisco, Raquel Hervás, Gonzalo Mandez, Pablo Gervás. 222-229 [doi]
• Meta4meaning: Automatic Metaphor Interpretation Using Corpus-Derived Word AssociationsPing Xiao, Khalid Al-Najjar, Mark Granroth-Wilding, Kathleen Agres, Hannu Toivonen. 230-237 [doi]
• One does not simply produce funny memes! - Explorations on the Automatic Generation of Internet humorHugo Gonçalo Oliveira, Diogo Costa, Alexandre Miguel Pinto. 238-245 [doi]
• Poetry from Concept Maps-Yet Another Adaptation of PoeTryMe's Flexible ArchitectureHugo Gonçalo Oliveira, Ana Oliveira Alves. 246-253 [doi]
• Analysis of the correlations between the knowledge structures of an automatic storyteller and its literary productionIván Guerrero Román, Rafael Pérez y Pérez. 254-263 [doi]
• Flexible Generation of Musical Form: Beyond Mere GenerationArne Eigenfeldt, Oliver Bown, Andrew R. Brown, Toby Gifford. 264-271 [doi]
• Generative Choreography using Deep LearningLuka Crnkovic-Friis, Louise Crnkovic-Friis. 272-277 [doi]
• Investigating the Musical Affordances of Continuous Time Recurrent Neural NetworksSteffan Ianigro, Oliver Bown. 278-285 [doi]
• How Blue Can You Get? Learning Structural Relationships for Microtones via Continuous Stochastic Transduction GrammarsDekai Wu. 286-293 [doi]
• A Music-generating System Based on Network TheoryShawn Bell, Liane Gabora. 294-302 [doi]
• Has computational creativity successfully made it "Beyond the Fence" in musical theatre?Anna Jordanous. 303-310 [doi]
• The "Beyond the Fence" Musical and "Computer Says Show" DocumentarySimon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd. 311-321 [doi]
• Free Jazz in the Land of Algebraic ImprovisationClaudia Elena Chirita, José Luiz Fiadeiro. 322-329 [doi]
• An Argument-based Creative Assistant for Harmonic BlendingMaximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos. 330-337 [doi]
• A Process Model for Concept InventionRoberto Confalonieri, Enric Plaza, Marco Schorlemmer. 338-345 [doi]
• Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All?Pedro Martins, Senja Pollak, Tanja Urbancic, Amílcar Cardoso. 346-353 [doi]
• Learning to Blend Computer Game LevelsMatthew Guzdial, Mark Riedl. 354-362 [doi]
• The FloWr Online Plat-form: Automated Programming and Computational Creativity as a ServiceJohn William Charnley, Simon Colton, Maria Teresa Llano, Joseph Corneli. 363-370 [doi]
• Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use CaseMartin Znidarsic, Amílcar Cardoso, Pablo Gervás, Pedro Martins, Raquel Hervás, Ana Oliveira Alves, Hugo Gonçalo Oliveira, Ping Xiao, Simo Linkola, Hannu Toivonen, Janez Kranjc, Nada Lavrac. 371-379 [doi]
• CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for ChoreographyKristin Carlson, Philippe Pasquier, Herbert H. Tsang, Jordon Phillips, Thecla Schiphorst, Tom Calvert. 380-387 [doi]
• ROBODANZA: Live Performances of a Creative Dancing HumanoidIgnazio Infantino, Agnese Augello, Adriano Manfré, Giovanni Pilato, Filippo Vella. 388-395 [doi]
• Interactive Augmented Reality for DanceTaylor Brockhoeft, Jennifer Petuch, James Bach, Emil Djerekarov, Margareta Ackerman, Gary Tyson. 396-403 [doi]