Table of Contents

• Casual Poetry Creators: A Design Pattern and Internal Evaluation MeasuresMichele Boggia, Sardana Ivanova, Simo Linkola, Hannu Toivonen, Anna Kantosalo. 2-6 [doi]
• One Line at a Time - Generation and Internal Evaluation of Interactive PoetryMichele Boggia, Sardana Ivanova, Simo Linkola, Anna Kantosalo, Hannu Toivonen. 7-11 [doi]
• Modern French Poetry Generation with RoBERTa and GPT-2Mika Hämäläinen, Khalid Alnajjar, Thierry Poibeau. 12-16 [doi]
• Adapting Transformer Language Models for Application in Computational Creativity: Generating German Theater Plays with Varied TopicsLukas Wertz, Jonas Kuhn. 17-25 [doi]
• Extraction of Typical Story Plot Patterns from Genres within Japanese Popular Entertainment Works FukumotoHajime Murai, Shuuhei Toyosawa, Takayuki Shiratori, Takumi Yoshida, Shougo Nakamura, Yuuri Saito, Kazuki Ishikawa, Sakura Nemoto, Junya Iwasaki, Shoki Ohta, Arisa Ohba, Takaki Fukumoto. 26-33 [doi]
• Training GPT-2 to represent two Romantic-era authors: challenges, evaluations and pitfallsPiotr Sawicki, Marek Grzes, Anna Jordanous, Daniel Brown, Max Peeperkorn. 34-43 [doi]
• Spinning Coherent Interactive Fiction through Foundation Model PromptsAlex Calderwood, Noah Wardrip-Fruin, Michael Mateas. 44-53 [doi]
• Witscript 2: A System for Generating Improvised Jokes Without WordplayJoe Toplyn. 54-58 [doi]
• Two-Fisted Comics Generation: Comics as a Medium and as a Representation for Creative MeaningsTony Veale. 59-66 [doi]
• Generating Plotlines about Attempting to Avert DisastersPablo Gervás. 67-71 [doi]
• CHASING THE WHITE RABBIT - A case study of predicting design phases of architects by training a deep neural network with sketch recognition through a digital drawing boardJessica Bielski, Burak Mete, Viktor Eisenstadt, Christoph Langenhan, Frank Petzold, Klaus-Dieter Althoff. 73-77 [doi]
• The (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of CreativityCaterina Moruzzi. 78-86 [doi]
• From Social Robots to Creative Humans and BackAlla Gubenko, Todd Lubart, Claude Houssemand. 87-95 [doi]
• Towards Co-Creative Drawing Based on Contrastive Language-Image ModelsFrancisco Ibarrola, Oliver Brown 0001, Kazjon Grace. 96-100 [doi]
• D-Graph: AI-Assisted Design Concept Exploration GraphShin Sano, Seiji Yamada. 101-105 [doi]
• Implementation of an Anti-Plagiarism Constraint Model for Sequence Generation SystemsJanita Aamir, Paul M. Bodily. 106-110 [doi]
• Open Computational Creativity Problems in Computational TheoryPaul M. Bodily, Dan Ventura. 112-120 [doi]
• Toward Life-Long Creative Problem Solving: Using World Models for Increased Performance in Novelty ResolutionEvana Gizzi, Wo Wei Lin, Mateo Guaman Castro, Ethan Harvey, Jivko Sinapov. 121-125 [doi]
• Bayesian Modelling of the Well-Made SurprisePatrick Chieppe, Penny Sweetser, Eryn Newman. 126-135 [doi]
• Ranking Creative Language Characteristics in Small Data ScenariosJulia Siekiera, Marius Köppel, Edwin Simpson, Kevin Stowe, Iryna Gurevych, Stefan Kramer 0001. 136-140 [doi]
• BIPLEX: Creative Problem-Solving by Planning for ExperimentationVasanth Sarathy, Matthias Scheutz. 141-149 [doi]
• Ethics, Aesthetics and Computational CreativityDaniel Brown, Dan Ventura. 150-158 [doi]
• Should we pursue SOTA in Computational Creativity?Anna Jordanous. 159-163 [doi]
• Putting GPT-3's Creativity to the (Alternative Uses) TestClaire Stevenson, Iris Smal, Matthijs Baas, Raoul P. P. P. Grasman, Han L. J. van der Maas. 164-168 [doi]
• Artistic Autonomy in AI ArtAlayt Issak, Lav R. Varshney. 170-174 [doi]
• The @artbhot Text-To-Image Twitter BotAmy Smith, Simon Colton. 175-179 [doi]
• Toward Modeling Creative Processes for Algorithmic PaintingAaron Hertzmann. 180-189 [doi]
• CLIP-CLOP: CLIP-Guided Collage and PhotomontagePiotr Mirowski, Dylan Banarse, Mateusz Malinowski, Simon Osindero, Chrisantha Fernando. 190-194 [doi]
• Creative Walk Adversarial Networks: Novel Art Generation with Probabilistic Random Walk Deviation from Style NormsDivyansh Jha, Kai Yi, Ivan Skorokhodov, Mohamed Elhoseiny. 195-204 [doi]
• Semantic AI models for guiding ideation in architectural design coursesEmmanouil Vermisso. 205-209 [doi]
• Seeding Diversity into AI ArtMarvin Zammit, Antonios Liapis, Georgios N. Yannakakis. 210-219 [doi]
• Is style reproduction a computational creativity task?Daniel Brown, Anna Jordanous. 220-229 [doi]
• Neo-Riemannian Theory for Generative Film and Videogame MusicSara Cardinale, Simon Colton. 231-235 [doi]
• Connecting Audio and Graphic Score Using Self-supervised Representation Learning - A Case Study with György Ligeti's ArtikulationBerker Banar, Simon Colton. 236-240 [doi]
• Co-creation and ownership for AI radioSkylar Gordon, Robert Mahari, Manaswi Mishra, Ziv Epstein. 241-245 [doi]
• Conversational AI as Improvisational Co-Creation - A Dialogic PerspectiveNancy Fulda, Chaz Gundry. 246-250 [doi]
• Calliope: An Online Generative Music System for Symbolic MultiTrack CompositionRenaud Bougueng Tchemeube, Jeff Ens, Philippe Pasquier. 251-255 [doi]
• Intergestura: a gestural agent based on sonic meditation practicesKieran Maraj, Doug Van Nort. 256-260 [doi]
• A Roadmap for Therapeutic Computational CreativityAlison Pease, Margareta Ackerman, Nic Pease, Bernadette McFadden. 261-270 [doi]
• Interpretable Relational Representations for Food Ingredient Recommendation SystemsKana Maruyama, Michael Spranger. 271-275 [doi]
• Novelty Assurance by a Cognitively Inspired Analogy Approach to Uncover Hidden SimilarityDiarmuid P. O'Donoghue, Conor Brady, Shane Smullen, Gary Crowe. 277-281 [doi]
• Word Embedding for Analogy MakingMei Si. 282-286 [doi]
• Mechanising Conceptual Spaces using Variational AutoencodersMax Peeperkorn, Rob Saunders, Oliver Bown 0001, Anna Jordanous. 287-290 [doi]
• Competitive Language Games as Creative Tasks with Well-Defined GoalsBrad Spendlove, Dan Ventura. 291-299 [doi]
• A Game of Essence and Serendipity: Superb Owls vs. Cooking-WoodpeckersGuendalina Righetti, Oliver Kutz, Daniele Porello, Nicolas Troquard. 300-309 [doi]
• The Word-Weaving Clock: Time Constraints in Word AssociationsAlessandro Valitutti. 310-313 [doi]
• Generation and Evaluation of Creative Images from Limited Data: A Class-to-Class VAE ApproachXiaomeng Ye, Ziwei Zhao, David Leake, David Crandall. 314-323 [doi]
• Simultaneous Multiple-Prompt Guided Generation Using Differentiable Optimal TransportYingtao Tian, Marco Cuturi, David Ha. 324-332 [doi]
• When happy accidents spark creativity: Bringing collaborative speculation to life with generative AIZiv Epstein, Hope Schroeder, Dava Newman. 334-338 [doi]
• A Data-Driven Architecture for Social Behavior in Creator NetworksBerkeley Andrus, Nancy Fulda. 339-348 [doi]
• Noise as a Key Factor in Realizing a Creative SocietyGuanhong Li, Xiaoyun Guo, Takashi Hashimoto. 349-353 [doi]
• Bias and CreativityRóisín Loughran. 354-358 [doi]
• Algorithmic Censorship of Art: A Proposed Research AgendaPiera Riccio, José Luis Oliver, Francisco Escolano, Nuria Oliver. 359-363 [doi]
• Evaluation of Curriculum Learning Algorithms using Computational Creativity Inspired MetricsBenjamin Fele, Jan Babic, Senja Pollak, Martin Znidarsic. 364-373 [doi]
• How to Report the Contributions of a CC System?Anna Kantosalo, Simo Linkola, Tomi Männistö. 374-378 [doi]