Table of Contents

• Museums in the Information AgeKatherine Jones-Garmil. 1-12
• The Micro Gallery - Observations From Three Projects: London; San Diego; Washington D.C.Alex Morrison. 13-20
• The Library of Congress s National Digital Library ProgramSuzanne E. Thorin. 21-25
• The Catalogue of Canadian Art on CD-ROM at the National Gallery of CanadaPierre B. Landry. 26-32
• Multimedia in Russian MuseumsLev Y. Noll. 33-38
• A Multimedial Database System - Managing a Virtual Collection of Art and Architectural WorksAlicia M. Musalem. 39-56
• The Methodology of Creating a Hypermedia System - A Case Study of an Interactive Dictionary and Illustrated Guide to IchthyologyRyoichi Nakano. 53-59
• Evaluating Scientific VisualizationsRobert Garfinkle, Vivian Johnson. 79-86
• Cleopatra: An Interactive Guide to Art of the Ancient WorldAlan Newman, Ian B. Wardropper. 93-106
• The Amparo Museum ExperienceAngeles Expinosa Yglesias, Lucina Moreno Valle. 96-102
• Is Anybody Out There? (Museums, Audiences and the World Wide Web)Sue Gordon. 115-122
• The Challenges of Developing a Collection of Primary Information, Media Sources and a Virtual Collection of Architectural and Artistic Works: An Experience at the Universidad Catolica de ChileCarmen Rioseco Perry. 141-149
• Specifics of Imaging PracticeMichael Ester. 147-158
• One Common Database System for 150 Small Social History MuseumsPer Vestbstad, Espen Ore. 150-156
• Beyond the Visible - Infrared Imaging for MuseumsGregory H. Bearman, Sheila I. Spiro. 159-169
• Cinematic Imaging of Works of Art - Exploring the Advantages of Computer Simulated Camera TechniquesScott Sayre. 177-186
• Digital Imaging and Preservation - Oversize Color IllustrationsJanet Gertz. 187-197
• Teamwork & the Museum Interactive: First Experience with the Hybrid Model at the San Francisco Museum of Modern ArtPeter Samis. 187-200
• New Media and Emerging Technologies - Staying Interactive in the High Tech Environment, a White Paper and Licensor Oriented Content License AgreementChristine Steiner, Jeffrey D. Neuburger. 219-248
• Multipublication and the Design of Hypermedia DocumentsGunnar Liestol. 235-247
• Ceci n est pas une pipe - Indexing of ImagesJan H. E. van der Starre. 267-277
• Low Light Photography of PaintingsBenoy K. Behl. 279-280
• Beyond WWW and HTML - Standards for Cultural Heritage Information: The RAMA PerspectiveDominique Delouis. 281-282
• Digital Fidelity in an Age of Immaculate and Pernicious ReproductionSteve Dietz. 283
• Museums and Art on the InternetSusan Hazan. 284-285
• Index Access Points in a Study of Intellectual Access to Digitized Art ImagesSamantha Kelly Hastings. 299-309
• Material Culture in the Computer Age - An Assessment of the Parks Canada Terminology Record as a Means of Storing Conceptual DataRaymond Pepermans. 310-321
• Getting a Handle on Exhibition Catalogues - the Project CHIO DTDRichard Light. 368-381