Abstract is missing.
- a Band is Born: a digital learning game for Max/MSPOliver Hancock. [doi]
- Extending the Piano through Spatial Transformation of Motion Capture DataMartin Ritter, Alyssa Aska. [doi]
- Kronos Meta-Sequencer - From Ugens to Orchestra, Score and BeyondVesa Norilo. [doi]
- SCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and AnalysisDavid Su. [doi]
- A cross-genres (ec)static perspective on contemporary experimental musicRiccardo Wanke. [doi]
- General Characteristics Analysis of Chinese Folk Songs based on Layered Stabilities Detection(LSD) Audio Segmentation AlgorithmJuan Li, Yinrui Wang, Xinyu Yang. [doi]
- Composing for an Orchestra of Sonic Objects: The Shake-ousmonium ProjectOtso Lähdeoja. [doi]
- Detecting Pianist Hand Posture Mistakes for Virtual Piano TutoringDavid Johnson, Isabelle Dufour, Daniela Damian, George Tzanetakis. [doi]
- Music Poet: A Performance-Driven Composing SystemRongfeng Liu, Xinyun Zhang, Minghui Bi. [doi]
- Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch ContourHsin-Ming Lin, Shlomo Dubnov. [doi]
- O2: Rethinking Open Sound ControlRoger B. Dannenberg, Zhang Chi. [doi]
- Big Tent: A Portable Immersive Intermedia EnvironmentBenjamin D. Smith, Robin Cox. [doi]
- Frequency Domain Spatial Mapping with the LEAP Motion ControllerDavid Kim-Boyle. [doi]
- Approaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion CaptureAlyssa Aska, Martin Ritter. [doi]
- Granular Wall: Approaches to sonifying fluid motionJonathon Kirk, Lee Weisert. [doi]
- Hand Gestures in Music ProductionAxel Berndt, Simon Waloschek, Aristotelis Hadjakos. [doi]
- Continuous Order PolygonalWaveform SynthesisChristoph Hohnerlein, Maximilian Rest, Julius O. Smith III. [doi]
- Short overview in parametric loudspeakers array technology and its implications in spatialization in electronicJaime Reis. [doi]
- Bio-Sensing and Bio-Feedback Instruments - DoubleMyo, MuseOSC and MRTI2015 -Yoichi Nagashima. [doi]
- Wavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular WaveformsDr Edward Kelly. [doi]
- Sound vest for dance performanceFelipe Otondo, Rodrigo Torres. [doi]
- The GiantSteps Project: A Second-Year Intermediate ReportPeter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Andrés Bucci, Wulf Gaebele, Roman Kaurson. [doi]
- The problem of musical gesture continuation and a baseline systemCharles Bascou, Valentin Emiya, Mathieu Laurière. [doi]
- The Effect of DJs' Social Network on Music PopularityHyeongseok Wi, Kyung Hoon Hyun, Jongpil Lee, Wonjae Lee. [doi]
- The Sound Analysis Toolbox (SATB)Tae Hong Park, Sumanth Srinivasan. [doi]
- Fluid control - Media Evolution in waterChristoph Theiler, Renate Pittroff. [doi]
- Multiple Single-Dimension Mappings of the Henon Attractor as a Compositional AlgorithmAlexandra Kurepa, Rodney Waschka II. [doi]
- Exploiting Mimetic Theory for Instrument DesignPhilip Wigham, Carola Boehm. [doi]
- Grab-and-Play Mapping: Creative Machine Learning Approaches for Musical Inclusion and ExplorationHugo Scurto, Rebecca Fiebrink. [doi]
- Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control DataKristina Warren. [doi]
- Motivic Through-Composition Applied to a Network of Intelligent AgentsJuan-Carlos Vasquez, Koray Tahiroglu, Johan Kildal. [doi]
- Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free ImproviserRitwik Banerji. [doi]
- InMuSIC: an Interactive Multimodal System for Electroacoustic ImprovisationGiacomo Lepri. [doi]
- Computer Music as Born-Digital HeritageHannah Bosma. [doi]
- Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast ModelCorentin Louboutin, Frédéric Bimbot. [doi]
- The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet HardnessChuck-jee Chau, Andrew Horner. [doi]
- CREATE Studio Report 2016Curtis Roads, Andrés Cabrera, JoAnn Kuchera-Morin, Clarence Barlow. [doi]
- Concatenative synthesis via Chord-based Segmentation for an Experiment with TimeDaniele Ghisi, Mattia Bergomi. [doi]
- Tectonic: a Networked, Generative and Interactive, Conducting Environment for iPadLindsay Vickery, Stuart James. [doi]
- Performing Computer Network Music. Well-known challenges and new possibilitiesMiriam Akkermann. [doi]
- Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning's Stria, a case study from the TaCEM projectMichael Clarke, Frédéric Dufeu, Peter D. Manning. [doi]
- Sound, Electronics and Music: an evaluation of early embodied educationLauren Hayes. [doi]
- Reconstructing AnthèMES 2: Addressing the Performability of Live-Electronic MusicLaurens van der Wee MMus, Roel van Doorn MA, Jos Zwaanenburg. [doi]
- Recreating Gerard Grisey's Vortex Temporum with cageDaniele Ghisi, Andrea Agostini, Eric Maestri. [doi]
- Graphical Temporal Structured Programming for Interactive MusicJean-Michael Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier. [doi]
- The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String InstrumentsSamuel J. M. Gilburt, Chuck-jee Chau, Andrew Horner. [doi]
- How To Play the PianoRichard Hoadley. [doi]
- Effects of Test Duration in Subjective Listening TestsDiemo Schwarz, Guillaume Lemaitre, Mitsuko Aramaki, Richard Kronland-Martinet. [doi]
- The Ear Tone Toolbox for Auditory Distortion Product SynthesisAlex Chechile. [doi]
- WebHexIso: A CustomizableWeb-based Hexagonal Isomorphic Musical Keyboard InterfaceHanlin Hu, David Gerhard. [doi]
- A Permissive Graphical Patcher for SuperCollider SynthsFrédéric Dufeu. [doi]
- The Computer Realization of John Cage's Williams MixTom Erbe. [doi]
- MusicBox: creating a musical space with mobile devicesJan-Torsten Milde. [doi]
- Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithmAaron Einbond, Diemo Schwarz, Riccardo Borghesi, Norbert Schnell. [doi]
- Granular Spatialisation, a new method for sound diffusion in high-density arrays of speakers and its application at the Spatial Audio Workshops residency at Virginia Tech (August 2015) for the composition of the acousmatic piece Spatial Grains - Soundscape No 1, for 138 speakersJavier Alejandro Garavaglia. [doi]
- Designing a Digital GamelanAdrien L' Honoré Naber. [doi]
- Synchronization of van der Pol Oscillators with Delayed CouplingAndreas Henrici, Martin Neukom. [doi]
- Spectrorhythmic evolutions: towards semantically enhanced algorave systemsAlo Allik. [doi]
- Design Considerations of HKBU's Laboratory for Immersive Arts and Technology: a Studio ReportChristopher J. Keyes, Christopher Coleman, Vanissa L. A. W. Wing Lun. [doi]
- Computer Music Interpretation in PracticeSerge Lemouton. [doi]
- Spatiotemporal GranulationMuhammad Hafiz Wan Rosli, Curtis Roads. [doi]
- Sonification of Optically-Ordered Brownian MotionChad McKell. [doi]
- The Things of Shapes: Waveform Generation using 3D Vertex DataKevin Schlei, Rebecca Yoshikane. [doi]
- Emphasizing Form in Virtual Reality-Based Music PerformanceZachary Berkowitz, Edgar Berdahl, Stephen David Beck. [doi]
- AIIS: An Intelligent Improvisational SystemSteven Leffue, Grady Kestler. [doi]
- Opensemble: A framework for collaborative algorithmic musicMatías Zabaljáuregui, Diego Dorado. [doi]
- Extended Convolution Techniques for Cross-SynthesisChris Donahue, Tom Erbe, Miller S. Puckette. [doi]
- Music Industry, Academia and the Public)Carola Boehm. [doi]
- Embedding native audio-processing in a score following system with quasi sample accuracyPierre Donat-Bouillud, Jean-Louis Giavitto, Arshia Cont, Nicolas Schmidt, Yann Orlarey. [doi]
- Gesture-based Collaborative Virtual Reality Performance in CarillonRob Hamilton 0001, Chris Platz. [doi]
- A Web-based System for Designing Interactive Virtual SoundscapesAnil Çamci, Paul Murray, Angus G. Forbes. [doi]
- A Supervised Approach for Rhythm Transcription Based on Tree Series EnumerationAdrien Ycart, Florent Jacquemard, Jean Bresson, Slawek Staworko. [doi]
- New Roles for Computer Musicians in S.T.E.A.MJeremy C. Baguyos. [doi]
- Stride: A Declarative and Reactive Language for Sound Synthesis and BeyondJoseph Tilbian, Andrés Cabrera. [doi]
- Textual and Sonic Feedback Loops: Simultaneous conversations as a collaborative process in cmetqChristopher Jette, Nathan Krueger. [doi]
- LR.step, an Algorithmic Drum SequencerMorgan Jenks. [doi]
- A Review of Interactive Conducting Systems: 1970-2015Kyungho Lee, Michael J. Junokas, Guy E. Garnett. [doi]
- Zirkonium 3.1 - a toolkit for spatial composition and performanceChikashi Miyama, Götz Dipper, Ludger Brümmer. [doi]
- Roulette: A Customized Circular Sequencer for Generative MusicDaniel McNamara, Ajay Kapur. [doi]
- Diegetic Affordances and Affect in Electronic MusicAnil Çamci, Vincent Meelberg. [doi]
- A Differential Equation Based Approach to Sound Synthesis and SequencingB. A. Jacobs. [doi]
- Markov Networks for Free ImprovisersStefano Kalonaris. [doi]
- The Sky's the Limit: Composition with Massive Replication and Time-shiftingChristopher Coleman. [doi]
- The Effects of Reverberation Time and Amount on the Emotional CharacteristicsRonald Mo, Bin Wu, Andrew Horner. [doi]
- A 3D Future for Loudspeaker Orchestras Emulated in Higher-Order AmbisonicsNatasha Barrett. [doi]
- The Effects of MP3 Compression on Emotional CharacteristicsRonald Mo, Ga Lam Choi, Chung Lee, Andrew Horner. [doi]
- Do Nested Dichotomies Help in Automatic Music Genre Classification? An Empirical StudyTom Arjannikov, John Z. Zhang. [doi]
- workshop SMARTER MUSICArthur Wagenaar. [doi]
- Introducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of MusicDavid M. Hofmann. [doi]
- RackFX: A Cloud-Based Solution for Analog Signal ProcessingSean Peuquet, David Jones. [doi]
- Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016Trevor Baca, Jeffrey Treviño, Josiah Oberholtzer. [doi]
- Electro Contra: Innovation for TraditionBenjamin D. Smith. [doi]
- Noise in the CloudsEva Sjuve. [doi]
- Improvements of iSuperColliderKit and its ApplicationsAkinori Ito, Kengo Watanabe, Genki Kuroda, Ken'ichiro Ito. [doi]
- Computer-Based Tutoring for Conducting StudentsAndrea Salgian, David Vickerman. [doi]
- Nodewebba: Software for Composing with Networked Iterated MapsBret Battey. [doi]
- Composing in Bohlen-Pierce and Carlos Alpha scales for solo clarinetTodd Harrop, Nora-Louise Muller. [doi]
- A Fluid Chord Voicing GeneratorDaniel Scanteianu, Errick Jackson, Robert M. Keller. [doi]
- Relative Sound Localization for Sources in a Haphazard Speaker ArrayNeal Andersen, Benjamin D. Smith. [doi]
- From live to interactive electronics. Symbiosis: a study on sonic human-computer synergyArtemi-Maria Gioti. [doi]
- Viewing the Wrong Side of the Screen in Experimental Electronica PerformancesSonya Hofer. [doi]
- Karlax Performance Techniques: It Feels Like..D. Andrew Stewart. [doi]
- Towards an Aesthetic of Instrumental Plausibility for Mixed Electronic MusicRichard Dudas, Pete Furniss. [doi]
- Panoramix: 3D mixing and post-production workstationThibaut Carpentier. [doi]
- Multi-Point Nonlinear Spatial Distribution of Effects across the SoundfieldStuart James. [doi]
- The Paradox of Random OrderJeyong Jung, Peter Pabon, Graham Flett. [doi]
- Composition as an Evolving Entity an Experiment in progressSever Tipei. [doi]
- Recorderology - development of a web based instrumentation tool concerning recorder instrumentsUlrike Mayer-Spohn, Keitaro Takahashi. [doi]
- Molecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound CreationFalk Morawitz. [doi]
- Cybernetic Principles and Sonic EcosystemsDaren Pickles, Adam Collis. [doi]
- Musical Style Modification as an Optimization ProblemFrank Zalkow, Stephan Brand, Bejamin Graf. [doi]
- Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker ArraysIvica Ico Bukvic. [doi]
- Evaluation of a Sketching Interface to control a concatenative synthesiserAugoustinos Tsiros, Grégory Leplâtre. [doi]
- Computer Music Studio and Sonic Lab at Anton Bruckner University Studio ReportAndreas Weixler, Se-Lien Chuang. [doi]
- AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and AnalysisLuwei Yang, Khalid Z. Rajab, Elaine Chew. [doi]
- Additive Synthesis with Band-Limited Oscillator SectionsPeter Pabon, So Oishi. [doi]