Table of Contents

• A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion RecognitionYu Hong, Chuck-jee Chau, Andrew Horner. [doi]
• MyoSpat: A hand-gesture controlled system for sound and light projections manipulationBalandino Di Donato, James Dooley, Jason Hockman, Jamie Bullock, Simon Hall. [doi]
• Expansion Through the Machine: A Composition for Harmonica and WearableOliver Hickman, Tae Hong Park. [doi]
• SoZen - Improving Productivity with a Soundscape Generating Zen GardenJiajun Yang, Thomas Hermann 0001. [doi]
• Exploring sonic landscapes through the use of spatial and temporal sampling techniquesFelipe Otondo. [doi]
• Mediating a Comprovisation Performance: the Comprovisador's Control InterfacePedro Louzeiro. [doi]
• LISP in Max: Exploratory Computer-Aided Composition in Real-TimeJulien Vincenot. [doi]
• Siren: Hierarchical Composition InterfaceCan Ince, Mert Toka. [doi]
• Biomimicry: Analysis Of A Corpus-Based Interactive Improvisational SystemJames Bradbury. [doi]
• Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart"Jiayue Cecilia Wu, Julius O. Smith III, Yijun Zhou, Matthew James Wright. [doi]
• Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling PlatformSiddharth Narayanan, Ivica Ico Bukvic. [doi]
• Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME ProceedingsEmma Frid. [doi]
• Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicJean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia. [doi]
• A Method for Subjective Analysis of Audiovisual WorksMarko Ciciliani. [doi]
• The Effects of Convolution Reverberation on the Emotional CharacteristicsRonald K. Mo, Andrew Horner. [doi]
• Proposal of Score-Following Reflecting Gaze Information on Cost of DP matchingShiori Terasaki, Yoshinari Takegawa, Keiji Hirata 0001. [doi]
• Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake dataPerMagnus Lindborg. [doi]
• Interactive computer-aided composition with constraintsPierre Talbot, Carlos Agón, Philippe Esling. [doi]
• Interactive Composition and Performance Framework with Evolutionary ComputingInsook Choi. [doi]
• CalmusWaves: Where Dancers Compose Music in Real-TimeKjartan Ólafsson. [doi]
• Appropriate Isomorphic Layout Determination Using 3-D Helix LatticesHanlin Hu, David Gerhard. [doi]
• FrameLib: Audio DSP using Frames of Arbitrary Length and TimingAlex Harker. [doi]
• Interaction Models for Real-time Participatory Musical Performance using Mobile DevicesDanyi Liu, Edwin van der Heide. [doi]
• Human Excess: Aesthetics of Post-Internet Electronic MusicAnders Bach Pedersen. [doi]
• Update-caching Technique for Unit-generator-based Sound SynthesisHiroki Nishino. [doi]
• Musical control of Granular Textures generated by Iterated Function SystemsOliver Hancock. [doi]
• Folk Song Notation Transcription Using Spectrogram - A Case Study of Yao Ethnic Group Folk Song from Guangxi Ling-Yun, Southwest ChinaShing-Kwei Tzeng, Chih-Fang Huang. [doi]
• SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and ImprovisationShu-Cheng Allen Wu. [doi]
• Sonic Explorations of Gumowski-Mira MapsTimothy S. Tan, PerMagnus Lindborg. [doi]
• MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language - Application to Bell ModelingRomain Michon, Sara R. Martin, Julius O. Smith III. [doi]
• Granular Synthesis as Fractal MicropolyphonyPaul Rhys. [doi]
• FormSound: A Particle Formation-Based Audiovisual InterfaceSihwa Park, Woohun Joo. [doi]
• Time, Timelines and Temporal Scopes in the Antescofo DLS v1.0Jean-Louis Giavitto, José Echeveste, Arshia Cont, Philippe Cuvillier. [doi]
• A Real-Time Music Emotion Modulation System for SoundtracksBing Yen Chang, Andrew Horner. [doi]
• INScore Time ModelDominique Fober, Yann Orlarey, Stéphane Letz. [doi]
• DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigmsJérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag. [doi]
• Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback SystemsJason Long, Neill Skelly, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur. [doi]
• How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics?Ronald K. Mo, Richard H. Y. So, Andrew Horner. [doi]
• Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applicationsCarlos Guedes. [doi]
• Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer MusicHirano Saburo, Ochi Akiko. [doi]
• Evaluation of Positioning Learning Support System using True information and False Information and Vague Information for Violin BeginnerMarimo Kumaki, Yoshinari Takegawa, Keiji Hirata 0001. [doi]
• The Hyper Drumhead: Making Music with a Massive Real-time Physical ModelVictor Zappi, Andrew Allen, Sidney S. Fels. [doi]
• Investigating Guqin Left Hand Modulation TechniquesJingyin He, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur. [doi]
• A Topo-Phonic Table for Tangible Sonic InteractionDiemo Schwarz, Grégoire Lorieux, Emmanuelle Lizère, Ariadna Alsina Tarrès, Frédéric Bevilacqua. [doi]
• Portable C++ Framework for Low-Latency Musical Touch Interaction with Geometrical ShapesGwendal Le Vaillant, Guillaume Villée, Thierry Dutoit. [doi]
• The Machine Lab: A Modern Classroom to Teach Mechatronic MusicNathan Villicaña-Shaw, Spencer Salazar, Ajay Kapur. [doi]
• Mode and Register Categorizations for Predicting Mood in Classical Piano Music2Yu Hong, Chuck-jee Chau, Andrew Horner. [doi]
• madBPM: A Modular Multimodal Environment for Data-Driven Composition And SonificationK. Michael Fox, Jeremy Stewart, Rob Hamilton. [doi]
• Performance-Installation: Four ProjectsJuraj Kojs, Alex Lough. [doi]
• Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST PluginsChristine Steinmeier, Dominic Becking. [doi]
• Redesigning Music Education Through Laptop EnsemblesJuan Pablo Yépez, Jordan Hochenbaum, Spencer Salazar, Ajay Kapur. [doi]
• A Sep2Tree Model for Recognizing Synthetic Bach ChoralesXiuyan Ni, Weicheng Ma, Zhaoheng Ni, Robert M. Haralick. [doi]
• Exploring concatenative synthesis units in VRMax Neupert. [doi]
• Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motionBridget Johnson, Ajay Kapur. [doi]
• fcremap'dB: Audiovisual Re-mapping, Animated Notation, and Embodied ElectronicsAlexander Sigman. [doi]
• Chuck-Racks: Text-Based Music Programming for the Digital Audio WorkstationJordan Hochenbaum, Spencer Salazar, Rodrigo Sena. [doi]
• Token of Enunciation in Multimedia PerformanceMarko Ciciliani. [doi]
• Hands where we can see them! Investigating the impact of gesture size on audience perceptionS. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson. [doi]
• Music Style Analysis among Haydn, Mozart, and Beethoven: an Unsupervised Machine Learning ApproachRu Wen, Zheng Xie, Kai Chen, Ruoxuan Guo, Kuan Xu, Wenmin Huang, Jiyuan Tian, Jiang Wu. [doi]
• Multimedia Performance Installation with Virtual RealityCheng Lee. [doi]
• Recursive Generation of Rhythmic Structures with PTGGsBrian Heim, Donya Quick. [doi]
• Speculative Designs: Towards a Social MusicGascia Ouzounian, Christopher Haworth, Peter D. Bennett. [doi]
• A Novel approach to Timbre Morphology: Audio-rate control of Additive SynthesisStuart James. [doi]
• Cross-cultural aspects of perceptual features in K-Pop: A pilot study comparing Chinese and Swedish listenersAnders Friberg, Ragnar Schön, Anders Elowsson, Kahyun Choi, J. Stephen Downie. [doi]
• MetaFlute: A Wearable Interface for Gesture DetectionDiana Siwiak, Dale A. Carnegie, Jim W. Murphy, Ajay Kapur. [doi]
• Keyboard Interface with Shape-Distortion Expression for Interactive PerformanceMasa Ogata, Masataka Goto. [doi]
• Macrostructure and Transition in an Algorithmic Composition EnvironmentKen Paoli. [doi]
• A New Method for Objective Measurement of Perceived Audio QualityHsiao-Yen Wang, Jin-Huang Huang, Yu-Chung Tseng. [doi]
• The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and PulseJonas Jurkunas. [doi]
• Performing a Performer: human performers instead of electric sound generatorsKoka Nikoladze. [doi]
• Composition by ConversationDonya Quick, Clayton T. Morrison. [doi]
• Time-Flow Concepts and Architectures For Music and Media SynchronizationRoger B. Dannenberg. [doi]
• "This hardware is now obsolete." Marc-André Dalbavie's DiadèmesMiriam Akkermann. [doi]
• Musical Sonification of Super High Frequency LightingÖ. Cem Çakmak, Rob Hamilton. [doi]
• Typing heterogeneous dataflow graphs for static buffering and schedulingPierre Donat-Bouillud, Jean-Louis Giavitto. [doi]
• VisualSoundtrack: An Approach to Style Transfer in the Context of Soundtrack PrototypingIshwarya Ananthabhotla, Joseph A. Paradiso. [doi]
• Interactive Music and Media at Rensselaer: Studio Report 2017Rob Hamilton, Curtis Bahn. [doi]
• From Harmonization to Recolorization: Ant Foraging Inspired Auditory-Visual Synesthetic Pattern TransformationChenyu Zheng. [doi]
• Callas as Violetta: A Computer-Assisted Study on Her Recorded Performances of La TraviataJian Yang, Ying Huang, William Everett. [doi]
• Extending dataflows with temporal graphsJean-Michaël Celerier, Myriam Desainte-Catherine, Jean-Michel Couturier. [doi]
• Understanding Interaction in Musical Multi-Touch SurfacesMarie Carmen González Inostroza, Alvaro Sylleros, Rodrigo F. Cádiz. [doi]
• Performance Practice of Electroacoustic Music. Towards a practice-based exchange between musicology and performanceGermán Toro Pérez, Lucas Bennett. [doi]
• Tuning to Trust: System Calibration as Creative EnablerPierre-Alexandre Tremblay. [doi]
• Machine Listening in Interactive Music Systems: Current State and Future DirectionsArtemi-Maria Gioti. [doi]
• The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic ContextMarc Estibeiro. [doi]
• The CCM Center for Computer Music 2017Mara Helmuth, Michael Lukaszuk, Marissa DiPronio. [doi]
• A Melody Composer for both Tonal and Non-Tonal LanguagesColeman Yu, Raymond Chi-Wing Wong. [doi]
• Aural Simulation of Tactile DefensivenessKevin Schlei, Rebecca Yoshikane. [doi]