Table of Contents

• The Murmurator: a Flocking Simulation-driven Multi-channel Software Instrument for Collaborative ImprovisationEli Stine, Kevin Davis. [doi]
• Locustream Open Microphone ProjectPeter Sinclair. [doi]
• Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones?Jonghwa Park, Sungeun Lee. [doi]
• OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic CompositionLuc Döbereiner. [doi]
• The Aesthetics of Robot Opera: Human-centric or Mechanized Eccentric?Alexander Sigman. [doi]
• The Emotional Characteristics of Section String Instruments with Different Pitch and DynamicsHiu Ting Chan, Ronald K. Mo, Chuck-jee Chau, Andrew Horner. [doi]
• Music Making Mobile Application Using GeometryGuillaume Villée, Gwendal Le Vaillant. [doi]
• Audioworklet: the Future of Web AudioHongchan Choi. [doi]
• Displaced Light: a Composition for Six Instruments and Electronics Mediated Through the Application of MicrosoundMarc Estibeiro. [doi]
• Live 4 Life - A Spatial Performance Tool Focused On Rhythm And Parameter LoopsChristophe Lengelé. [doi]
• Populous Oscillation: Variety in Interactive Evolutionary Computation for Music ImprovisationAnders Bach Pedersen. [doi]
• Investigating How Convolution Reverberation Effects the Space of Instrument Emotional CharacteristicsRonald K. Mo, Richard H. Y. So, Andrew Horner. [doi]
• Sonode; a Collaborative Sound Map of Mexico CityHugo Solis Garcia. [doi]
• The Emotional Characteristics of Rain Sound EffectsWing Lam Sin, Xiaojuan Ma, Andrew Horner. [doi]
• Spatial Organization in Musical FormBraxton Boren, Michael Musick. [doi]
• The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord ProgressionsYu Hong, Ronald K. Mo, Andrew Horner. [doi]
• UGG: a Unit Generator GeneratorRoger B. Dannenberg. [doi]
• Philosophical Underpinnings of Environmental MusicTate Carson. [doi]
• "Chorale" Violin Harmonization: A Practical, Compositionally-based System for Generating Live HarmoniesChristopher Tignor. [doi]
• Mugeetion: Musical Interface Using Facial Gesture and EmotionEunjeong Stella Koh, Shahrokh Yadegari. [doi]
• Imaginary Miles: Modeling Musebots After MusiciansArne Eigenfeldt. [doi]
• Music Recombination Using a Genetic AlgorithmSanjay Majumder, Benjamin D. Smith. [doi]
• LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation ToolVincent Caers. [doi]
• Sustainability of Compositions Involving Electronic Technology: Part I - in Conversation With Alcides LanzaBrian Garbet. [doi]
• ENOBIO2OSC: Brain-computer Interface for Musical CreationConstanza Levicán, Vernon Belaúnde, Alberto Vega, Andrés Aparicio, Rodrigo F. Cádiz. [doi]
• Topographic Synthesis: Parameter Distribution in Spatial TextureErik Nyström. [doi]
• Digital Ensemble Skills in a Laptop OrchestraCheng Lee. [doi]
• (Re)discovering Sounds of CCRMA - Towards Computer Music PreservationKevin Dahan. [doi]
• Coding With a Piano: the First Phase of the Codeklavier's DevelopmentAnne Veinberg, Felipe Ignacio Noriega. [doi]
• SPATGRIS/SERVERGRIS, Creative Tools for 2D and 3D Sound SpatializationRobert Normandeau, Olivier Bélanger, Christophe Lengelé, David Ledoux. [doi]
• Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker ArraysIan Rios, Rob Hamilton. [doi]
• A Study on the Audiovisual Art of Nam June Paik in the Context of Multimodality and SynesthesiaJi Won Yoon, Woon Seung Yeo. [doi]
• Compel: a Crowdsourced Community-building Repository for Reproducible Computer MusicIvica Ico Bukvic, Andrea L. Ogier. [doi]
• Deep Neural Network Based Music Source Conducting SystemMyungin Lee. [doi]
• The Tuning and Synthesis Issue of the Ancient Chinese Chime-bells Instrument From the Tomb of Marquis Yi of the Zeng StateTsung-Ching Liu, Wan Tin Lin. [doi]
• Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC ConferencesEmma Frid. [doi]
• Voice in Electronic Music: Handling Limitations in Stockhausen's Gesang Der Jünglinge and Lansky's Six FantasiesMark Volker. [doi]
• An Expressive Brain-computer Music Interface for Musical NeurofeedbackRafael Ramírez 0001, Sergio I. Giraldo, Zacharias Vamvakousis. [doi]
• Center for Arts and Technologies at Seoul National UniversitySangbong Nam, Gang Seong Lee, Pyoung Ryang Ko, Byongoh Ko, Jinok Cho, Donoung Lee. [doi]
• The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano VoiceBing Yen Chang, Andrew Horner. [doi]
• Tangible Virtual Patch CordsStefano Fasciani, Habibur Rahman. [doi]
• Urban Soundscape: Analyzing Spatiotemporal Patterns of Acoustic Events and Soundscape Components, and Its Influence on the Socioeconomic Status of New York City NeighborhoodsShuraifa Asmah Shad Saleem Faruqi, Tae Hong Park. [doi]
• Is This How It Sounded? The Idea of 'Historic Informed Performance Practice' in Early Mixed MusicMiriam Akkermann. [doi]
• Phil Winsor's Myst: Research and Art - a Technical and Aesthetic ConsiderationKen Paoli. [doi]
• Harvestworks Digital Media Arts CenterCarol Parkinson. [doi]
• Dipole Instruments for Sketching in Hardware with Embedded AcousticsEdgar Berdahl. [doi]
• Vocal Distortion and Real-Time Processing of RoughnessMarta Gentilucci, Luc Ardaillon, Marco Liuni. [doi]
• Music Production Mobile App with Voice-to-MIDI FeatureChun-Ming Au, Andrew Horner. [doi]
• Data Visualization and Analysis for Stage Monitoring SystemsAustin Stillwell, Tae Hong Park. [doi]
• Spectral Granular SynthesisStefano Fasciani. [doi]
• The Lure Towards the Performative in Nonlinear Audiovisual InstallationsTeresa Marie Connors. [doi]
• Gestural Envelopes: Aesthetic Considerations for Mapping Physical Gestures Using Wireless Motion SensorsAlex Lough, Mark Micchelli, Mari Kimura. [doi]
• Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic MusicMichael Blandino. [doi]
• Using Recurrent Neural Networks to Dream Sequences of AudioAndrew Pfalz, Edgar Berdahl, Jesse T. Allison. [doi]
• Chordscanner: Browsing Chord Progressions Based on Musical Typicality and Intra-composer ConsistencyHiromi Nakamura, Tomoyasu Nakano, Satoru Fukayama, Masataka Goto. [doi]
• University of Oregon - Future Music Oregon 2018 Studio ReportJeffrey Stolet. [doi]
• A Physically-distinct, Multi-agent, Sonic Space EcosystemMichael Musick. [doi]
• AMAI: Adaptive Music for Affect ImprovementDavid Su, Rosalind W. Picard, Yan Liu. [doi]
• The Contributions of Computer Music Pioneer Knut WiggenJøran Rudi. [doi]
• Citygram One: Seven Years LaterTae Hong Park, Minjoon Yoo. [doi]
• Behave: a Heatmap-based Audiovisual Representation of Personal DataSihwa Park. [doi]
• The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic MusicTae Hong Park, Kent Underwood. [doi]
• Electronic Music Documentations, Practices and ModelsSerge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier. [doi]
• Rainbow Blob: Augmented Handpan Using Leap Motion and Oculus RiftChristine Steinmeier, Dominic Becking. [doi]
• Structured Cell: a Work in SpaceDavid Rafferty. [doi]
• Studio Report: KEAMSJinok Cho, Donoung Lee. [doi]