Table of Contents

• Explainability and Real-Time in Music Information Retrieval: Motivations and Possible ScenariosMichele Rossi, Giovanni Iacca, Luca Turchet. 1-9 [doi]
• Theoretical Quantum Modeling of Improvisation in Networked Music Performances to Regulate the Behaviour of Artificial MusiciansMaria Mannone, Luca Turchet. 1-7 [doi]
• Joint Detection and Active Cancellation of Snoring Signals in Real-TimeLuca Serafini, Valeria Bruschi, Stefano Nobili, Emanuele Principi, Stefania Cecchi, Stefano Squartini. 1-9 [doi]
• Collection of Design Directions for the Realization of a Visual Interface with Haptic Feedback to Convey the Notion of Sonic Grain to DHH StudentsMatteo Sacchetto, Maria Sangüesa, Piera Bagnus, Chiara Nicora, Cristina Rottondi. 1-7 [doi]
• Just a Sounding Object Notation: Sharing Objects for Sonic Interaction Design with JSON and OSCMarco Tiraboschi, Stefano Papetti, Federico Avanzini. 1-4 [doi]
• Musicological Interpretability in Generative TransformersNicole Cosme-Clifford, James Symons, Kavi Kapoor, Christopher Wm. White. 1-9 [doi]
• Live Coding in the MetaverseDamian T. Dziwis, Henrik von Coler, Christoph Pörschmann. 1-8 [doi]
• Edge-Enabled Spatial Audio Service: Implementation and Performance Analysis on a MEC 5G InfrastructureFederico Martusciello, Carlo Centofanti, Claudia Rinaldi, Andrea Marotta. 1-8 [doi]
• Assessing a Private 5G SA and a Public 5G NSA Architecture for Networked Music PerformancesLuca Turchet, Paolo Casari. 1-6 [doi]
• Réaltacht: Creating Immersive and Accessible Experiences of Irish Traditional Music in Virtual RealityCárthach Ó Nuanáin, Kevin O'Mahony, Kevin Maye, Andrew De Juan, Joseph Clarke, Hugh McCarthy, Mike Griew, Sara Morrissey Tucker. 1-5 [doi]
• Listeners' Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and RegisterÈve Poudrier, Bryan Jacob Bell, Jason Yin Hei Lee, Craig Stuart Sapp. 1-9 [doi]
• FPGA-based Low-Latency Audio Coprocessor for Networked Music PerformanceDiego Bert, Nicola Domini, Riccardo Peloso, Leonardo Severi, Matteo Sacchetto, Andrea Bianco, Cristina Rottondi. 1-8 [doi]
• An AI-IoT Platform for Psycho-Acoustic Annoyance Assessment on the EdgeJesús López Ballester, Jaume Segura 0002, Santiago Felici-Castell, Maximo Cobos. 1-7 [doi]
• Visualisation of Multi-scale Formal Diagrams for Music AnalysisJoséphine Calandra, Jean-Marc Chouvel, Myriam Desainte-Catherine, Erwan Michel. 1-9 [doi]
• Collaborative Playalong Practices in Online Music Lessons: the MusiCoLab ToolsetChrisoula Alexandraki, Neoklis Mimidis, Yannis Viglis, Alexandros Nousias, Dimitris Milios, Konstantinos Tsioutas. 1-10 [doi]
• Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 DraftAdriano Baratè, Goffredo Haus, Luca A. Ludovico, Davide A. Mauro. 1-10 [doi]
• Rapid Prototyping of Distributed Musical Things using Web TechnologiesMatuszewski Benjamin, Golvet Aliénor. 1-5 [doi]
• The potential of high-performance computing for the Internet of SoundsLuca Turchet, Flavio Vella, Sandro Luigi. 1-7 [doi]
• Application of Computational Methods for Comparative Music AnalysisMatej Istvanek, Stepán Miklánek, Klára Hedvika Mühlová, Lubomir Spurny, Zdenek Smékal. 1-6 [doi]
• HandMonizer: a case study for personalized digital musical instrument designDavide Lionetti, Antonios Pappas, Luca Comanducci, Alberto Bernardini, Massimiliano Zanoni, Augusto Sarti, Matthew Yee-King, Mark d'Inverno. 1-8 [doi]
• A Score-aware Generative Approach for Music Signals InpaintingCarlo Aironi, Samuele Cornell, Leonardo Gabrielli, Stefano Squartini. 1-7 [doi]
• Composing Interface Connections for a Networked Touchscreen EnsembleCharles Patrick Martin, Alexander Hunter, Brent Schuetze, Yichen Wang. 1-5 [doi]
• Ubiquitous Multimodality as a Tool in Violin Performance ClassificationWilliam Francis Wilson, Niccolò Granieri, Islah Ali-MacLachlan. 1-8 [doi]
• Towards a System Supporting Music Feedback Exercise in Physical Tele-RehabilitationAlexander Carôt, Thomas Hans Fritz, Katja Englert. 1-7 [doi]
• FAUSTMapper: Facilitating Complex Mappings for Smart Musical InstrumentsMatthew Peachey, Joseph W. Malloch. 1-6 [doi]
• JumpApp: an online didactic game for music training and educationMarco Olivieri, Federico Simeon, Luca Comanducci, Fabio Antonacci, Augusto Sarti. 1-7 [doi]
• Exploring musical information through images: a method for leveraging musical iconography to the semantics of internet of thingsLuiz Naveda. 1-8 [doi]
• Improving a real-time music alignment algorithm for opera performancesOliver Hödl, Dennis Gubbels, Oleksandr Shabelnyk, Peter Reichl. 1-6 [doi]
• Real-Time Embedded Deep Learning on Elk Audio OSDomenico Stefani, Luca Turchet. 1-10 [doi]
• Audio-aware applications at the edge using in-browser WebAssembly and fingerprintingDavide Pisanò, Antonio Servetti. 1-9 [doi]
• Spectrogram Based Bee Sound Analysis with DNNs: a step toward Federated Learning approachLuca Borgianni, Md. Sabbir Ahmed, Davide Adami, Stefano Giordano. 1-8 [doi]
• SERENADE: A Model for Human-in-the-loop Automatic Chord EstimationHendrik Vincent Koops, Gianluca Micchi, Ilaria Manco, Elio Quinton. 1-7 [doi]
• PLC Testbench: a modular tool for the study and comparison of audio Packet Loss Concealment algorithmsLuca Vignati, Stefano Dallona, Luca Turchet. 1-8 [doi]
• Pianist Identification Using Convolutional Neural NetworksJingjing Tang, Geraint A. Wiggins, György Fazekas. 1-6 [doi]
• Procedural music generation for videogames conditioned through video emotion recognitionFrancesco Zumerle, Luca Comanducci, Massimiliano Zanoni, Alberto Bernardini, Fabio Antonacci, Augusto Sarti. 1-8 [doi]
• Towards a representation model and fog-based device orchestration for audio-centric pervasive storytellingMarcelo F. Moreno, Nils Peters, Pedro H. V. Almeida, Carlos Pernisa. 1-10 [doi]
• Collaborative Score Transformations in Online Music Lessons: the MusiCoLab ToolsetChrisoula Alexandraki, Demosthenes Akoumianakis, Dimitris Milios, Alexandras Nousias, Yannis Viglis, Michael Kalochristianakis, Konstantinos Velenis, Maximos A. Kaliakatsos-Papakostas. 1-10 [doi]
• Towards an Internet of Multisensory, Multimedia and Musical Things (Io3MT) EnvironmentRômulo Vieira, Débora C. Muchaluat-Saade, Pablo César. 1-10 [doi]
• On the perception of urgency in audition: sound design of an early warning alarmMarco Giordano, Claudia Rinaldi, Carlo Centofanti, Andrea Marotta. 1-6 [doi]
• Light-Weight Deep Learning Models for Acoustic Scene Classification Using Teacher-Student Scheme and Multiple SpectrogramsLam Pham, Tin Nguyen 0007, Phat Lam, Dat Ngo, Anahid N. Jalali, Alexander Schindler. 1-8 [doi]
• "Sons al Balcó": Empowering Citizens in Assessing Urban Soundscapes and Quiet ZonesRosa Maris Alsina-Pagès, Marc Freixes, Daniel Bonet-Solà, Ester Vidaña-Vila, Carlos Guerrero, Xavier Sevillano. 1-5 [doi]
• Design and Implementation of an immersive, cooperative Net Art installation using Web CsoundMattia Mazzocchio. 1-9 [doi]
• Musical Metaverse Playgrounds: exploring the design of shared virtual sonic experiences on web browsersAlberto Boem, Luca Turchet. 1-9 [doi]
• Gestural Interactions with Object-Based Audio in an Internet of Sounds EcosystemKurt Mikolajczyk, Sam Trolland, Alon Ilsar, Jon McCormack, Sam Ferguson, Oliver Bown 0001. 1-9 [doi]
• Towards Accessible and Embodied Control of Telematic Sonic Space Through Browser-Based Facial TrackingRory Hoy, Doug Van Nort. 1-5 [doi]
• Creating Latent Representations of Synthesizer Patches using Variational AutoencodersMatthew Peachey, Sageev Oore, Joseph W. Malloch. 1-7 [doi]
• Unsupervised Feature-Space Domain Adaptation applied for Audio ClassificationAmir Latifi Bidarouni, Jakob Abeßer. 1-7 [doi]