Table of Contents

• ANIRA: An Architecture for Neural Network Inference in Real-Time Audio ApplicationsValentin Ackva, Fares Schulz. 1-10 [doi]
• Using Web Audio Modules for Immersive Audio Collaboration in the Musical MetaverseMichel Buffa, Dorian Girard, Ayoub Hofr. 1-10 [doi]
• Extending Networked Mapping Research Middleware into the Browser SandboxMatthew S. Peachey, Kyle Smith, Joseph M. Malloch. 1-6 [doi]
• Investigation of Server-Based Spatial Audio for Metaverse Concert DistributionPatrick Cairns, Helena Daffern, Gavin Kearney. 1-8 [doi]
• Immersive Io3MT Environments: Design Guidelines, Use Cases and Future DirectionsRômulo Vieira, Shu Wei, Thomas Röggla, Débora C. Muchaluat-Saade, Pablo César. 1-10 [doi]
• Multi-Signal Informed Attention for Beat and Downbeat DetectionJames Bolt, Johan Pauwels, György Fazekas. 1-7 [doi]
• The OCON Model: An Old but Green Solution for Distributable Supervised Classification for Acoustic Monitoring in Smart CitiesStefano Giacomelli, Marco Giordano, Claudia Rinaldi. 1-10 [doi]
• Locally Adapted Immersive Environments for Distributed Music Performances in Mixed RealityAndrea F. Genovese, Marta Gospodarek, Zack Nguyen, Robert Pahle, Agnieszka Roginska. 1-10 [doi]
• Real-Time Automatic Drum Transcription Using Dynamic Few-Shot LearningPhilipp Weber, Christian Uhle, Meinard Müller, Matthias Lang. 1-8 [doi]
• Can you DAW it Online?: The Challenges of a Web-Based Open Source WorkstationMichel Buffa, Samuel Demont. 1-8 [doi]
• Metadata-Assisted Spatial Audio (MASA) - An OverviewJouni Paulus, Lasse Laaksonen, Tapani Pihlajakuja, Mikko-Ville Laitinen, Juha Vilkamo, Adriana Vasilache. 1-10 [doi]
• Large-Scale Room Impulse Response Dataset Compression with Neural Audio CodecsAlessandro Ilic Mezza, Alberto Bernardini, Fabio Antonacci. 1-8 [doi]
• Ethical Considerations in the Production and Consumption of Music in the MetaverseGareth W. Young. 1-9 [doi]
• Key Considerations for Duo Singing in Virtual Reality and Videoconferencing: An Exploratory Study with Bigscreen and ZoomBen Loveridge. 1-7 [doi]
• Benchmarking Music Demixing Models for Deep Drum Source SeparationAlessandro Ilic Mezza, Riccardo Giampiccolo, Alberto Bernardini, Augusto Sarti. 1-6 [doi]
• TinyVocos: Neural Vocoders on MCUsStefano Ciapponi, Francesco Paissan, Alberto Ancilotto, Elisabetta Farella. 1-10 [doi]
• Enhancing Video Music Recommendation with Transformer-Driven Audio-Visual EmbeddingsShimiao Liu, Alexander Lerch 0001. 1-6 [doi]
• Remote Orchestral Conduction via a Virtual Reality SystemLeonardo Severi, Matteo Sacchetto, Andrea Bianco, Cristina Rottondi, Gabriele Abbate, Antonio Paolillo, Alessandro Giusti. 1-6 [doi]
• FLCrypt - Secure Federated Learning for Audio Event Classification Using Homomorphic EncryptionKay Fuhrmeister, Hao Cui, Artem Yaroshchuk, Thomas Köllmer. 1-7 [doi]
• Telemersive Audio Systems for Online JammingPatrick Müller, Roman Häfeli, Johannes Michael Schütt, Matthias Ziegler. 1-15 [doi]
• AudioInsight: Online Exploration of Large Audio Datasets for Musical AcousticsMichael Starakis, Chrisoula Alexandraki. 1-10 [doi]
• BCHJam: a Brain-Computer Music Interface for Live Music Performance in Shared Mixed Reality EnvironmentsMichele Romani, Gregorio Andrea Giudici, Domenico Stefani, Devis Zanoni, Alberto Boem, Luca Turchet. 1-9 [doi]
• The Musical Metaverse: Advancements and Applications in Networked Immersive AudioClaudia Rinaldi, Carlo Centofanti. 1-7 [doi]
• Ethernet Real-Time Audio Transmission to FPGAPierre Cochard, Jurek Weber, Romain Michon, Tanguy Risset, Stéphane Letz. 1-7 [doi]
• EEG Hyperscanning in the Internet of Sounds: Low-Delay Real-Time Multi-Modal Transmission Using the OVBOXGiso Grimm, Mareike Daeglau, Volker Hohmann, Stefan Debener. 1-8 [doi]
• Evaluation of Compressed Higher-Order Ambisonics at Off-Center Listening PositionsMatthias Frank 0003, Sonja Lutz. 1-7 [doi]
• On the Use of a Hybrid Linear-ERB Frequency Scale for Lightweight Simulation of HRTFsMaurício do Vale Madeira da Costa, Luiz Wagner Pereira Biscainho, Michael Oehler. 1-8 [doi]
• Internet of Musical Things for Childrenluc nijs, Luca Turchet. 1-9 [doi]
• Holodeck: A Research Framework for Distributed Multimedia Concert PerformancesAndrea F. Genovese, Zack Nguyen, Marta Gospodarek, Robert Pahle, Corinne Brenner, Agnieszka Roginska. 1-10 [doi]
• Rebound Effects Make Digital Audio UnsustainableVincent Lostanlen, Lucie Bouchet. 1-7 [doi]
• DECT-2020 NR for Professional Live Audio: Design Space Exploration and Practical EvaluationJan Dürre, Norbert Werner. 1-7 [doi]
• MusicoNet: A Social Network for Musicians Based on the Internet of Musical Things and People ParadigmLuca Turchet, Jacopo Tomelleri, Alessandro Ruffo. 1-9 [doi]
• TinyChirp: Bird Song Recognition Using TinyML Models on Low-power Wireless Acoustic SensorsZ. Huang, Adrien Tousnakhoff, Polina Kozyr, Roman Rehausen, F. Bießmann, Robert Lachlan, Cédric Adjih, Emmanuel Baccelli. 1-10 [doi]
• RBS-Based Time Synchronization Approach with Autonomous Acoustic Sensors - A Simulative Proof of ConceptAlexander Tessmer, Leonhard Brüggemann, Nils Aschenbruck. 1-8 [doi]
• Prototyping a Sustainable GUI for an IoMusT Project: A Reflection on Adopting Sustainable PracticesElisa Silene Panozzo, Mela Bettega, Antonio Rodà, Nicolo Merendino. 1-10 [doi]
• SoundSignature: What Type of Music do you Like?Brandon James Carone, Pablo Ripollés. 1-10 [doi]
• Deepfake Audio Detection Using Spectrogram-based Feature and Ensemble of Deep Learning ModelsLam Pham, Phat Lam, Truong Nguyen, Huyen Nguyen, Alexander Schindler. 1-5 [doi]
• Towards Measuring and Forecasting Noise Exposure at the VELTINS-Arena in Gel senkirchen, GermanyPitchapa Ngamthipwatthana, Marco Götze, András Kátai, Jakob Abeßer. 1-8 [doi]
• Noise-to-Mask Ratio Loss for Deep Neural Network Based Audio WatermarkingMartin Moritz, Toni Olán, Tuomas Virtanen. 1-6 [doi]
• Use-Cases of the new 3GPP Immersive Voice and Audio Services (IVAS) Codec and a Web Demo ImplementationEleni Fotopoulou, Kacper Sagnowski, Karin Prebeck, Moumita Chakraborty, Suhas Medicherla, Stefan Döhla. 1-6 [doi]
• Supporting the Identification of Natural Sounds in Ecoacoustic Soundscapes Through Spectrogram-Based Analysis MethodsJana Popp, Bernd Edler, Cornelius Pöpel. 1-9 [doi]
• "It Takes Two" - Shared and Collaborative Virtual Musical Instruments in the Musical MetaverseAlberto Boem, Damian Dziwis, Matteo Tomasetti, Sascha Etezazi, Luca Turchet. 1-10 [doi]
• Presence and Flow in Virtual and Mixed Realities for Music-Related Educational SettingsLeonard Bruns, Benedict Saurbier, Tray Minh Voong, Michael Oehler. 1-7 [doi]
• Immersive Networked Music Performance: Impact of Extended Reality on the Quality of ExperienceRobert Hupke, Stephan Preihs, Jürgen Peissig. 1-9 [doi]
• Remastering Divide and Remaster: A Cinematic Audio Source Separation Dataset with Multilingual SupportKarn N. Warcharasupat, Chih-Wei Wu, Iroro Orife. 1-10 [doi]
• Dice Cubes: Quantum-Based Networked Performance with CubeHarmonicMaria Mannone, Luca Turchet. 1-5 [doi]
• The Internet of Musical Things Meets Satellites: Evaluating Starlink Support for Networked Music Performances in Rural AreasLuca Turchet, Paolo Casari. 1-8 [doi]
• Introducing DUST: A Dataset of Real-Time UDP Sound Packet TracesLeonardo Severi, Matteo Sacchetto, Andrea Bianco, Cristina Rottondi. 1-4 [doi]
• Remote Immersive Audio Production: State of the Art Implementation, Challenges, and ImprovementsStefano Giacomelli, Carlo Centofanti, José Santos, Mauro Galbiati, Tiziano Salvi, Fabio Graziosi, Claudia Rinaldi. 1-10 [doi]
• GENPIA: A Genre-Conditioned Piano Music Generation SystemQuoc-Viet Nguyen, Hao-Wei Lai, Khanh-Duy Nguyen, Min-Te Sun, Wu-Yuin Hwang, Kazuya Sakai, Wei-Shinn Ku. 1-10 [doi]