Table of Contents

• Image Quality Estimation for Multi-Score OMRDan Ringwalt, Roger B. Dannenberg. 17-23 [doi]
• Comparative Music Similarity Modelling Using Transfer Learning Across User GroupsDaniel Wolff, Andrew MacFarlane 0001, Tillman Weyde. 24-30 [doi]
• Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio FeaturesMatthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Òscar Celma, Youngmoo E. Kim. 31-37 [doi]
• Cover Song Identification with Timbral Shape SequencesChristopher J. Tralie, Paul Bendich. 38-44 [doi]
• On the Impact of Key Detection Performance for Identifying Classical Music StylesChristof Weiß, Maximilian Schaab. 45-51 [doi]
• Chord Detection Using Deep LearningXinquan Zhou, Alexander Lerch. 52-58 [doi]
• Temporal Music Context Identification with User Listening DataCameron Summers, Phillip Popp. 59-64 [doi]
• Improving Music Recommendations with a Weighted Factorization of the Tagging ActivityAndreu Vall, Marcin Skowron, Peter Knees, Markus Schedl. 65-71 [doi]
• An Efficient State-Space Model for Joint Tempo and Meter TrackingFlorian Krebs, Sebastian Böck, Gerhard Widmer. 72-78 [doi]
• Automatic Handwritten Mensural Notation Interpreter: From Manuscript to MIDI PerformanceYu-Hui Huang, Xuanli Chen, Serafina Beck, David Burn, Luc Van Gool. 79-85 [doi]
• Infinite Superimposed Discrete All-Pole Modeling for Multipitch Analysis of Wavelet SpectrogramsKazuyoshi Yoshii, Katsutoshi Itoyama, Masataka Goto. 86-92 [doi]
• Melodic Similarity in Traditional French-Canadian Instrumental Dance TunesLaura Risk, Lillio Mok, Andrew Hankinson, Julie Cumming. 93-99 [doi]
• A Semantic-Based Approach for Artist SimilaritySergio Oramas, Mohamed Sordo, Luis Espinosa Anke, Xavier Serra. 100-106 [doi]
• Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera SingingShuo Zhang, Rafael Caro Repetto, Xavier Serra. 107-113 [doi]
• Song2Quartet: A System for Generating String Quartet Cover Songs from Polyphonic Audio of Popular MusicGraham Percival, Satoru Fukayama, Masataka Goto. 114-120 [doi]
• Exploring Data Augmentation for Improved Singing Voice Detection with Neural NetworksJan Schlüter, Thomas Grill. 121-126 [doi]
• Audio Chord Recognition with a Hybrid Recurrent Neural NetworkSiddharth Sigtia, Nicolas Boulanger-Lewandowski, Simon Dixon. 127-133 [doi]
• Design and Evaluation of a Probabilistic Music Projection InterfaceBeatrix Vad, Daniel Boland, John Williamson, Roderick Murray-Smith, Peter Berg Steffensen. 134-140 [doi]
• Conceptual Blending in Music Cadences: A Formal Model and Subjective EvaluationAsterios I. Zacharakis, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos. 141-147 [doi]
• Harmonic-Percussive Source Separation Using Harmonicity and Sparsity ConstraintsJeongsoo Park, Kyogu Lee. 148-154 [doi]
• A Hierarchical Bayesian Framework for Score-Informed Source Separation of Piano Music SignalsWai Man Szeto, Kin-hong Wong. 155-161 [doi]
• Automatic Tune Family Identification by Musical Sequence AlignmentPatrick E. Savage, Quentin D. Atkinson. 162-168 [doi]
• Evaluation of Album Effect for Feature Selection in Music Genre RecognitionIgor Vatolkin, Günter Rudolph, Claus Weihs. 169-175 [doi]
• Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio RepresentationsCheng-i Wang, Jennifer Hsu, Shlomo Dubnov. 176-182 [doi]
• Automatic Solfège AssessmentRodrigo Schramm, Helena de Souza Nunes, Cláudio Rosito Jung. 183-189 [doi]
• Evaluating Conflict Management Mechanisms for Online Social JukeboxesFelipe Vieira, Nazareno Andrade. 190-196 [doi]
• Particle Filters for Efficient Meter Tracking with Dynamic Bayesian NetworksAjay Srinivasamurthy, Andre Holzapfel, Ali Taylan Cemgil, Xavier Serra. 197-203 [doi]
• Analysis of the Evolution of Research Groups and Topics in the ISMIR ConferenceMohamed Sordo, Mitsunori Ogihara, Stefan Wuchty. 204-210 [doi]
• A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring CycleKevin R. Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, David M. Weigl, Richard Lewis, Laurence Dreyfus, David De Roure. 211-217 [doi]
• Selective Acquisition Techniques for Enculturation-Based Melodic Phrase SegmentationMarcelo E. Rodríguez-López, Anja Volk. 218-224 [doi]
• Corpus Analysis Tools for Computational Hook DiscoveryJan Van Balen, John Ashley Burgoyne, Dimitrios Bountouridis, Daniel Müllensiefen, Remco C. Veltkamp. 227-233 [doi]
• Large-Scale Content-Based Matching of MIDI and Audio FilesColin Raffel, Daniel P. W. Ellis. 234-240 [doi]
• Improving Genre Annotations for the Million Song DatasetHendrik Schreiber. 241-247 [doi]
• A Software Framework for Musical Data AugmentationBrian McFee, Eric J. Humphrey, Juan Pablo Bello. 248-254 [doi]
• Drum Transcription Using Partially Fixed Non-Negative Matrix Factorization with Template AdaptationChih-Wei Wu, Alexander Lerch. 257-263 [doi]
• Beat and Downbeat Tracking Based on Rhythmic Patterns Applied to the Uruguayan Candombe DrummingLeonardo O. Nunes, Martín Rocamora, Luis Jure, Luiz W. P. Biscainho. 264-270 [doi]
• Automated Estimation of Ride Cymbal Swing Ratios in Jazz RecordingsChristian Dittmar, Martin Pfleiderer, Meinard Müller. 271-277 [doi]
• Musical Offset Detection of Pitched Instruments: The Case of ViolinChe-Yuan Liang, Li Su, Yi-Hsuan Yang, Hsin-Ming Lin. 281-287 [doi]
• Specter: Combining Music Information Retrieval with Sound SpatializationBill Z. Manaris, Seth Stoudenmier. 288-294 [doi]
• Content-Aware Collaborative Music Recommendation Using Pre-trained Neural NetworksDawen Liang, Minshu Zhan, Daniel P. W. Ellis. 295-301 [doi]
• Comparative Analysis of Orchestral Performance Recordings: An Image-Based ApproachCynthia C. S. Liem, Alan Hanjalic. 302-308 [doi]
• Monaural Blind Source Separation in the Context of Vocal DetectionBernhard Lehner, Gerhard Widmer. 309-315 [doi]
• Detection of Common Mistakes in Novice Violin PlayingYin-Jyun Luo, Li Su, Yi-Hsuan Yang, Tai-Shih Chi. 316-322 [doi]
• Probabilistic Modular Bass Voice Leading in Melodic HarmonisationDimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos. 323-329 [doi]
• An Iterative Multi Range Non-Negative Matrix Factorization Algorithm for Polyphonic Music TranscriptionAnis Khlif, Vidhyasaharan Sethu. 330-335 [doi]
• Training Phoneme Models for Singing with "Songified" Speech DataAnna M. Kruspe. 336-342 [doi]
• Graph-Based Rhythm InterpretationRong Jin, Christopher Raphael. 343-349 [doi]
• Let it Bee - Towards NMF-Inspired Audio MosaicingJonathan Driedger, Thomas Prätzlich, Meinard Müller. 350-356 [doi]
• Real-Time Music Tracking Using Multiple Performances as a ReferenceAndreas Arzt, Gerhard Widmer. 357-363 [doi]
• Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User CorrectionsPeter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck, Florian Hörschläger, Mickael Le Goff. 364-370 [doi]
• Towards Support for Understanding Classical Music: Alignment of Content Descriptions on the WebTaku Kuribayashi, Yasuhito Asano, Masatoshi Yoshikawa. 371-377 [doi]
• FlaBase: Towards the Creation of a Flamenco Music Knowledge BaseSergio Oramas, Francisco Gómez, Emilia Gómez, Joaquín Mora. 378-384 [doi]
• Discovery of Syllabic Percussion Patterns in Tabla Solo RecordingsSwapnil Gupta, Ajay Srinivasamurthy, Manoj Kumar, Hema A. Murthy, Xavier Serra. 385-391 [doi]
• Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score FollowingEita Nakamura, Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama. 392-398 [doi]
• Automatic Mashup Creation by Considering both Vertical and Horizontal MashabilitiesChuan-Lung Lee, Yin-Tzu Lin, Zun-Ren Yao, Feng-Yi Lee, Ja-Ling Wu. 399-405 [doi]
• Hierarchical Evaluation of Segment Boundary DetectionBrian McFee, Oriol Nieto, Juan Pablo Bello. 406-412 [doi]
• Improving MIDI Guitar's Accuracy with NMF and Neural NetMasaki Otsuka, Tetsuro Kitahara. 413-419 [doi]
• Analysis of Intonation Trajectories in Solo SingingJiajie Dai, Matthias Mauch, Simon Dixon. 420-426 [doi]
• Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord CategoriesMaximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos. 427-433 [doi]
• Beat Histogram Features from NMF-Based Novelty Functions for Music ClassificationAthanasios Lykartsis, Chih-Wei Wu, Alexander Lerch. 434-440 [doi]
• Music Shapelets for Fast Cover Song RecognitionDiego Furtado Silva, Vinícius M. A. de Souza, Gustavo E. A. P. A. Batista. 441-447 [doi]
• Improving Score-Informed Source Separation for Classical Music through Note RefinementMarius Miron, Julio José Carabias-Orti, Jordi Janer. 448-454 [doi]
• In Their Own Words: Using Text Analysis to Identify Musicologists' Attitudes towards TechnologyCharles Inskip, Frans Wiering. 455-461 [doi]
• Combining Features for Cover Song IdentificationJulien Osmalskyj, Peter Foster, Simon Dixon, Jean-Jacques Embrechts. 462-468 [doi]
• Score Following for Piano Performances with Sustain-Pedal EffectsBochen Li, Zhiyao Duan. 469-475 [doi]
• Understanding Users of Commercial Music Services through Personas: Design ImplicationsJin Ha Lee, Rachel Price. 476-482 [doi]
• Corpus-Based Rhythmic Pattern Analysis of Ragtime SyncopationHendrik Vincent Koops, Anja Volk, W. Bas de Haas. 483-489 [doi]
• Comparing Voice and Stream Segmentation AlgorithmsNicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé. 493-499 [doi]
• Melody Extraction by Contour ClassificationRachel M. Bittner, Justin Salamon, Slim Essid, Juan Pablo Bello. 500-506 [doi]
• Comparison of the Singing Style of Two Jingju SchoolsRafael Caro Repetto, Rong Gong, Nadine Kroher, Xavier Serra. 507-513 [doi]
• Improving Optical Music Recognition by Combining Outputs from Multiple SourcesVictor Padilla, Alex McLean, Alan Marsden, Kia Ng. 517-523 [doi]
• Relating Natural Language Text to Musical PassagesRichard F. E. Sutcliffe, Tim Crawford, Chris Fox, Deane L. Root, Eduard H. Hovy, Richard Lewis. 524-530 [doi]
• Music Boundary Detection Using Neural Networks on Combined Features and Two-Level AnnotationsThomas Grill, Jan Schlüter. 531-537 [doi]
• Neuroimaging Methods for Music Information Retrieval: Current Findings and Future ProspectsBlair Kaneshiro, Jacek P. Dmochowski. 538-544 [doi]
• Improving Visualization of High-Dimensional Music Similarity SpacesArthur Flexer. 547-553 [doi]
• I-Vectors for Timbre-Based Music Similarity and Music Artist ClassificationHamid Eghbal-zadeh, Bernhard Lehner, Markus Schedl, Gerhard Widmer. 554-560 [doi]
• Correlating Extracted and Ground-Truth Harmonic Data in Music Retrieval TasksDylan Freedman, Eddie Kohler, Hans Tutschku. 561-567 [doi]
• Classical Music on the Web - User Interfaces and Data RepresentationsMartin Gasser, Andreas Arzt, Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer. 571-577 [doi]
• A Statistical View on the Expressive Timing of Piano Rolled ChordsMutian Fu, Guangyu Xia, Roger B. Dannenberg, Larry A. Wasserman. 578-583 [doi]
• Hybrid Long- and Short-Term Models of Folk MelodiesSrikanth Cherla, Son N. Tran, Tillman Weyde, Artur S. d'Avila Garcez. 584-590 [doi]
• Efficient Melodic Query Based Audio Search for Hindustani Vocal CompositionsKaustuv Kanti Ganguli, Abhinav Rastogi, Vedhas Pandit, Prithvi Kantan, Preeti Rao. 591-597 [doi]
• Modified Perceptual Linear Prediction Liftered Cepstrum (MPLPLC) Model for Pop Cover Song RecognitionNing Chen, J. Stephen Downie, Haidong Xiao, Yu Zhu, Jie Zhu. 598-604 [doi]
• Raga Verification in Carnatic Music Using Longest Common Segment SetShrey Dutta, Krishnaraj Sekhar PV, Hema A. Murthy. 605-611 [doi]
• Instrument Identification in Optical Music RecognitionYucong Jiang, Christopher Raphael. 612-617 [doi]
• Cross-Version Singing Voice Detection in Classical Opera RecordingsChristian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer. 618-624 [doi]
• Accurate Tempo Estimation Based on Recurrent Neural Networks and Resonating Comb FiltersSebastian Böck, Florian Krebs, Gerhard Widmer. 625-631 [doi]
• Musicology of Early Music with Europeana Tools and ServicesErik Duval, Marnix van Berchum, Anja Jentzsch, Gonzalo Alberto Parra Chico, Andreas Drakos. 632-638 [doi]
• Singing Voice Separation from Monaural Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude EstimationHye-Seung Cho, Jun-Yong Lee, Hyoung-Gook Kim. 639-644 [doi]
• Schematizing the Treatment of Dissonance in 16th-Century CounterpointAndie Sigler, Jon Wild, Eliot Handelman. 645-651 [doi]
• Predictive Power of Personality on Music-Genre ExclusivityJotthi Bansal, Matthew Woolhouse. 652-658 [doi]
• A Comparison of Symbolic Similarity Measures for Finding Occurrences of Melodic SegmentsBerit Janssen, Peter van Kranenburg, Anja Volk. 659-665 [doi]
• PAD and SAD: Two Awareness-Weighted Rhythmic Similarity DistancesDaniel Gómez-Marín, Sergi Jordà, Perfecto Herrera. 666-672 [doi]
• Four Timely Insights on Automatic Chord EstimationEric J. Humphrey, Juan Pablo Bello. 673-679 [doi]
• Improving Melodic Similarity in Indian Art Music Using Culture-Specific Melodic CharacteristicsSankalp Gulati, Joan Serrà, Xavier Serra. 680-686 [doi]
• Searching Lyrical Phrases in A-Capella Turkish Makam RecordingsGeorgi Dzhambazov, Sertan Sentürk, Xavier Serra. 687-693 [doi]
• Quantifying Lexical Novelty in Song LyricsRobert J. Ellis, Zhe Xing, Jiakun Fang, Ye Wang. 694-700 [doi]
• An Efficient Temporally-Constrained Probabilistic Model for Multiple-Instrument Music TranscriptionEmmanouil Benetos, Tillman Weyde. 701-707 [doi]
• Electric Guitar Playing Technique Detection in Real-World Recording Based on F0 Sequence Pattern RecognitionYuan-Ping Chen, Li Su, Yi-Hsuan Yang. 708-714 [doi]
• Extending a Model of Monophonic Hierarchical Music Analysis to HomophonyPhillip B. Kirlin, David L. Thomas. 715-721 [doi]
• The MIR Perspective on the Evolution of Dynamics in Mainstream MusicEmmanuel Deruty, François Pachet. 722-727 [doi]
• Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music AnalysisJohanna Devaney, Claire Arthur, Nathaniel Condit-Schultz, Kirsten Nisula. 728-734 [doi]
• Benford's Law for Music AnalysisIsabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert. 735-741 [doi]
• An Audio to Score Alignment Framework Using Spectral Factorization and Dynamic Time WarpingJulio José Carabias-Orti, Francisco J. Rodríguez-Serrano, Pedro Vera-Candeas, Nicolás Ruiz-Reyes, Francisco J. Cañadas-Quesada. 742-748 [doi]
• New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing ToolsDaniel Matz, Estefanía Cano, Jakob Abeßer. 749-755 [doi]
• Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov ModelsPeter Jancovic, Münevver Köküer, Wrena Baptiste. 756-762 [doi]
• Towards Music Imagery Information Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music Perception and ImaginationSebastian Stober, Avital Sternin, Adrian M. Owen, Jessica A. Grahn. 763-769 [doi]
• Emotion Based Segmentation of Musical AudioAnna Aljanaki, Frans Wiering, Remco C. Veltkamp. 770-776 [doi]
• MIREX Grand Challenge 2014 User Experience: Qualitative Analysis of User FeedbackJin Ha Lee, Xiao Hu, Kahyun Choi, J. Stephen Downie. 779-785 [doi]
• AcousticBrainz: A Community Platform for Gathering Music Information Obtained from AudioAlastair Porter, Dmitry Bogdanov, Robert Kaye, Roman Tsukanov, Xavier Serra. 786-792 [doi]
• How Music Alters Decision Making - Impact of Music Stimuli on Emotional ClassificationElad Liebman, Peter Stone, Corey N. White. 793-799 [doi]
• Put the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert ApplicationsMark S. Melenhorst, Cynthia C. S. Liem. 800-806 [doi]
• Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio FeaturesPei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin W. Y. Su. 809-815 [doi]
• Spectral Learning for Expressive Interactive Ensemble Music PerformanceGuangyu Xia, Yun Wang, Roger B. Dannenberg, Geoffrey Gordon. 816-822 [doi]
• Score-Informed Analysis of Intonation and Pitch Modulation in Jazz SolosJakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach. 823-829 [doi]