Abstract is missing.
- SiMPle: Assessing Music Similarity Using Subsequences JoinsDiego Silva, Chin-Chia Michael Yeh, Gustavo Batista, Eamonn Keogh. 23-29 [doi]
- Score-Informed Identification of Missing and Extra Notes in Piano RecordingsSebastian Ewert, Siying Wang, Meinard Müller, Mark B. Sandler. 30-36 [doi]
- Feature Learning for Chord Recognition: The Deep Chroma ExtractorFilip Korzeniowski, Gerhard Widmer. 37-43 [doi]
- Learning to Pinpoint Singing Voice from Weakly Labeled ExamplesJan Schlüter. 44-50 [doi]
- A Corpus of Annotated Irish Traditional Dance Music Recordings: Design and Benchmark EvaluationsPierre Beauguitte, Bryan Duggan, John D. Kelleher. 53-59 [doi]
- Adaptive Frequency Neural Networks for Dynamic Pulse and Metre PerceptionAndrew Lambert, Tillman Weyde, Newton Armstrong. 60-66 [doi]
- An Evaluation Framework and Case Study for Rhythmic Concatenative SynthesisCárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà. 67-72 [doi]
- An Ontology for Audio FeaturesAlo Allik, György Fazekas, Mark B. Sandler. 73-79 [doi]
- Analysis and Classification of Phonation Modes In SingingDaniel Stoller, Simon Dixon. 80-86 [doi]
- Analysis of Vocal Imitations of Pitch TrajectoriesJiajie Dai, Simon Dixon. 87-93 [doi]
- Automatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?Gabriel Vigliensoni, Ichiro Fujinaga. 94-100 [doi]
- Automatic Outlier Detection in Music Genre DatasetsYen-Cheng Lu, Chih-Wei Wu, Alexander Lerch, Chang-Tien Lu. 101-107 [doi]
- AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance StylesLuwei Yang, Khalid Z. Rajab, Elaine Chew. 108-114 [doi]
- Composer Recognition Based on 2D-Filtered Piano-RollsGissel Velarde, Tillman Weyde, Carlos Eduardo Cancino Chacón, David Meredith, Maarten Grachten. 115-121 [doi]
- Conversations with Expert Users in Music Retrieval and Research Challenges for Creative MIRKristina Andersen, Peter Knees. 122-128 [doi]
- Downbeat Tracking Using Beat Synchronous Features with Recurrent Neural NetworksFlorian Krebs, Sebastian Böck, Matthias Dorfer, Gerhard Widmer. 129-135 [doi]
- Enhancing Cover Song Identification with Hierarchical Rank AggregationJulien Osmalskyj, Marc Van Droogenbroeck, Jean-Jacques Embrechts. 136-142 [doi]
- Ensemble: A Hybrid Human-Machine System for Generating Melody Scores from AudioTim Tse, Justin Salamon, Alex Williams, Helga Jiang, Edith Law. 143-149 [doi]
- Exploring Customer Reviews for Music Genre Classification and Evolutionary StudiesSergio Oramas, Luis Espinosa Anke, Aonghus Lawlor, Xavier Serra, Horacio Saggion. 150-156 [doi]
- Further Steps Towards a Standard Testbed for Optical Music RecognitionJan Hajic Jr., Jiri Novotný, Pavel Pecina, Jaroslav Pokorný. 157-163 [doi]
- Improving Voice Separation by Better Connecting ContigsNicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé. 164-170 [doi]
- Integer Programming Formulation of the Problem of Generating Milton Babbitt's All-Partition ArraysTsubasa Tanaka, Brian Bemman, David Meredith. 171-177 [doi]
- Integration and Quality Assessment of Heterogeneous Chord Sequences Using Data FusionHendrik Vincent Koops, W. Bas de Haas, Dimitrios Bountouridis, Anja Volk. 178-184 [doi]
- Landmark-Based Audio Fingerprinting for DJ Mix MonitoringReinhard Sonnleitner, Andreas Arzt, Gerhard Widmer. 185-191 [doi]
- Learning and Visualizing Music Specifications Using Pattern GraphsRafael Valle, Daniel J. Fremont, Ilge Akkaya, Alexandre Donzé, Adrian Freed, Sanjit A. Seshia. 192-198 [doi]
- Listen To Me - Don't Listen To Me: What Communities of Critics Tell Us About MusicBen Fields, Christophe Rhodes. 199-205 [doi]
- Long-Term Reverberation Modeling for Under-Determined Audio Source Separation with Application to Vocal Melody ExtractionRomain Hennequin, François Rigaud. 206-210 [doi]
- Nonnegative Tensor Factorization with Frequency Modulation Cues for Blind Audio Source SeparationElliot Creager, Noah D. Stein, Roland Badeau, Philippe Depalle. 211-217 [doi]
- On Drum Playing Technique Detection in Polyphonic MixturesChih-Wei Wu, Alexander Lerch. 218-224 [doi]
- Predicting Missing Music Components with Bidirectional Long Short-Term Memory Neural NetworksI-Ting Liu, Richard Randall. 225-231 [doi]
- Structural Segmentation and Visualization of Sitar and Sarod Concert AudioVinutha T. P., Suryanarayana Sankagiri, Kaustuv Kanti Ganguli, Preeti Rao. 232-238 [doi]
- Template-Based Vibrato Analysis in Complex Music SignalsJonathan Driedger, Stefan Balke, Sebastian Ewert, Meinard Müller. 239-245 [doi]
- Towards Evaluating Multiple Predominant Melody Annotations in Jazz RecordingsStefan Balke, Jonathan Driedger, Jakob Abeßer, Christian Dittmar, Meinard Müller. 246-252 [doi]
- Joint Beat and Downbeat Tracking with Recurrent Neural NetworksSebastian Böck, Florian Krebs, Gerhard Widmer. 255-261 [doi]
- Bayesian Meter Tracking on Learned Signal RepresentationsAndre Holzapfel, Thomas Grill. 262-268 [doi]
- Tempo Estimation for Music Loops and a Simple Confidence MeasureFrederic Font, Xavier Serra. 269-275 [doi]
- Brain Beats: Tempo Extraction from EEG DataSebastian Stober, Thomas Prätzlich, Meinard Müller. 276-282 [doi]
- A Plan for Sustainable MIR EvaluationBrian McFee, Eric J. Humphrey, Julián Urbano. 285-291 [doi]
- Go with the Flow: When Listeners Use Music as TechnologyAndrew Demetriou, Martha Larson, Cynthia C. S. Liem. 292-298 [doi]
- A Look at the Cloud from Both Sides Now: An Analysis of Cloud Music Service UsageJin Ha Lee, Yea-Seul Kim, Chris Hubbles. 299-305 [doi]
- A Hierarchical Bayesian Model of Chords, Pitches, and Spectrograms for Multipitch AnalysisYuta Ojima, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii. 309-315 [doi]
- A Higher-Dimensional Expansion of Affective Norms for English Terms for Music TaggingMichele Buccoli, Massimiliano Zanoni, György Fazekas, Augusto Sarti, Mark B. Sandler. 316-322 [doi]
- A Latent Representation of Users, Sessions, and Songs for Listening Behavior AnalysisChia-Hao Chung, Jing-Kai Lou, Homer Chen. 323-329 [doi]
- A Methodology for Quality Assessment in Collaborative Score LibrariesVincent Besson, Marco Gurrieri, Philippe Rigaux, Alice Tacaille, Virginie Thion. 330-336 [doi]
- Aligned Hierarchies: A Multi-Scale Structure-Based Representation for Music-Based Data StreamsKatherine M. Kinnaird. 337-343 [doi]
- Analysing Scattering-Based Music Content Analysis Systems: Where's the Music?Francisco Rodríguez-Algarra, Bob L. Sturm, Hugo Maruri-Aguilar. 344-350 [doi]
- Beat Tracking with a Cepstroid Invariant Neural NetworkAnders Elowsson. 351-357 [doi]
- Bootstrapping a System for Phoneme Recognition and Keyword Spotting in Unaccompanied SingingAnna M. Kruspe. 358-364 [doi]
- Can Microblogs Predict Music Charts? An Analysis of the Relationship Between #Nowplaying Tweets and Music ChartsEva Zangerle, Martin Pichl, Benedikt Hupfauf, Günther Specht. 365-371 [doi]
- Cross Task Study on MIREX Recent Results: An Index for Evolution Measurement and Some Stagnation HypothesesRicardo Scholz, Geber Ramalho, Giordano Cabral. 372-378 [doi]
- Cross-Collection Evaluation for Music Classification TasksDmitry Bogdanov, Alastair Porter, Perfecto Herrera, Xavier Serra. 379-385 [doi]
- Downbeat Detection with Conditional Random Fields and Deep Learned FeaturesSimon Durand, Slim Essid. 386-392 [doi]
- Exploiting Frequency, Periodicity and Harmonicity Using Advanced Time-Frequency Concentration Techniques for Multipitch Estimation of Choir and SymphonyLi Su, Tsung-Ying Chuang, Yi-Hsuan Yang. 393-399 [doi]
- Genre Ontology Learning: Comparing Curated with Crowd-Sourced OntologiesHendrik Schreiber. 400-406 [doi]
- Genre Specific Dictionaries for Harmonic/Percussive Source SeparationClement Laroche, Hélène Papadopoulos, Matthieu Kowalski, Gaël Richard. 407-413 [doi]
- Good-sounds.org: A Framework to Explore Goodness in Instrumental SoundsGiuseppe Bandiera, Oriol Romani Picas, Hiroshi Tokuda, Wataru Hariya, Koji Oishi, Xavier Serra. 414-419 [doi]
- Improving Predictions of Derived Viewpoints in Multiple Viewpoints SystemsThomas Hedges, Geraint A. Wiggins. 420-426 [doi]
- Known Artist Live Song ID: A Hashprint ApproachT. J. Tsai, Thomas Prätzlich, Meinard Müller. 427-433 [doi]
- Learning Temporal Features Using a Deep Neural Network and its Application to Music Genre ClassificationIl-Young Jeong, Kyogu Lee. 434-440 [doi]
- Meter Detection in Symbolic Music Using Inner Metric AnalysisW. Bas de Haas, Anja Volk. 441-447 [doi]
- Minimax Viterbi Algorithm for HMM-Based Guitar Fingering DecisionGen Hori, Shigeki Sagayama. 448-453 [doi]
- Mixtape: Direction-Based Navigation in Large Media CollectionsJoão Paulo V. Cardoso, Luciana Fujii Pontello, Pedro H. F. Holanda, Bruno Guilherme, Olga Goussevskaia, Ana Paula Couto da Silva. 454-460 [doi]
- Musical Note Estimation for F0 Trajectories of Singing Voices Based on a Bayesian Semi-Beat-Synchronous HMMRyo Nishikimi, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii. 461-467 [doi]
- On the Evaluation of Rhythmic and Melodic Descriptors for Music SimilarityMaria Panteli, Simon Dixon. 468-474 [doi]
- On the Potential of Simple Framewise Approaches to Piano TranscriptionRainer Kelz, Matthias Dorfer, Filip Korzeniowski, Sebastian Böck, Andreas Arzt, Gerhard Widmer. 475-481 [doi]
- Phrase-Level Audio Segmentation of Jazz Improvisations Informed by Symbolic DataJeff Gregorio, Youngmoo Kim. 482-487 [doi]
- Revisiting Priorities: Improving MIR Evaluation PracticesBob L. Sturm. 488-494 [doi]
- Simultaneous Separation and Segmentation in Layered MusicPrem Seetharaman, Bryan Pardo. 495-501 [doi]
- Towards Modeling and Decomposing Loop-Based Electronic MusicPatricio López-Serrano, Christian Dittmar, Jonathan Driedger, Meinard Müller. 502-508 [doi]
- Two (Note) Heads Are Better Than One: Pen-Based Multimodal Interaction with Music ScoresJorge Calvo-Zaragoza, David Rizo, José Manuel Iñesta Quereda. 509-514 [doi]
- Analyzing Measure Annotations for Western Classical Music RecordingsChristof Weiß, Vlora Arifi-Müller, Thomas Prätzlich, Rainer Kleinertz, Meinard Müller. 517-523 [doi]
- Instrumental Idiom in the 16th Century: Embellishment Patterns in Arrangements of Vocal MusicDavid Lewis, Tim Crawford, Daniel Müllensiefen. 524-530 [doi]
- The Sousta Corpus: Beat-Informed Automatic Transcription of Traditional Dance TunesAndre Holzapfel, Emmanouil Benetos. 531-537 [doi]
- Learning a Feature Space for Similarity in World MusicMaria Panteli, Emmanouil Benetos, Simon Dixon. 538-544 [doi]
- Systematic Exploration of Computational Music Structure ResearchOriol Nieto, Juan Pablo Bello. 547-553 [doi]
- Using Priors to Improve Estimates of Music StructureJordan Smith, Masataka Goto. 554-560 [doi]
- Music Structural Segmentation Across Genres with Gammatone FeaturesMi Tian, Mark B. Sandler. 561-567 [doi]
- A Comparison of Melody Extraction Methods Based on Source-Filter ModellingJuan J. Bosch, Rachel M. Bittner, Justin Salamon, Emilia Gómez. 571-577 [doi]
- An Analysis of Agreement in Classical Music Perception and its Relationship to Listener CharacteristicsMarkus Schedl, Hamid Eghbal-zadeh, Emilia Gómez, Marko Tkalcic. 578-583 [doi]
- An Attack/Decay Model for Piano TranscriptionTian Cheng 0001, Matthias Mauch, Emmanouil Benetos, Simon Dixon. 584-590 [doi]
- Automatic Drum Transcription Using Bi-Directional Recurrent Neural NetworksCarl Southall, Ryan Stables, Jason Hockman. 591-597 [doi]
- Automatic Practice Logging: Introduction, Dataset & Preliminary StudyR. Michael Winters, Siddharth Gururani, Alexander Lerch. 598-604 [doi]
- Data-Driven Exploration of Melodic Structure in Hindustani MusicKaustuv Kanti Ganguli, Sankalp Gulati, Xavier Serra, Preeti Rao. 605-611 [doi]
- Deep Convolutional Networks on the Pitch Spiral For Music Instrument RecognitionVincent Lostanlen, Carmine-Emanuele Cella. 612-618 [doi]
- DTV-Based Melody Cutting for DTW-Based Melody Search and Indexing in QbH SystemsBartlomiej Stasiak. 619-625 [doi]
- Elucidating User Behavior in Music Services Through Persona and GenderJohn Fuller, Lauren Hubener, Yea-Seul Kim, Jin Ha Lee. 626-632 [doi]
- Exploring the Latent Structure of Collaborations in Music Recordings: A Case Study in JazzNazareno Andrade, Flavio Figueiredo. 633-639 [doi]
- Global Properties of Expert and Algorithmic Hierarchical Music AnalysesPhillip B. Kirlin. 640-646 [doi]
- Human-Interactive Optical Music RecognitionLiang Chen, Erik Stolterman, Christopher Raphael. 647-653 [doi]
- I Said it First: Topological Analysis of Lyrical Influence NetworksJack Atherton, Blair Kaneshiro. 654-660 [doi]
- Impact of Music on Decision Making in Quantitative TasksElad Liebman, Peter Stone, Corey N. White. 661-667 [doi]
- Interactive Scores in Classical Music ProductionSimon Waloschek, Axel Berndt, Benjamin W. Bohl, Aristotelis Hadjakos. 668-673 [doi]
- Jazz Ensemble Expressive Performance ModelingHelena Bantulà, Sergio Giraldo, Rafael Ramírez. 674-680 [doi]
- Mining Musical Traits of Social Functions in Native American MusicDaniel Shanahan, Kerstin Neubarth, Darrell Conklin. 681-687 [doi]
- Mining Online Music Listening TrajectoriesFlavio Figueiredo, Bruno Ribeiro, Christos Faloutsos, Nazareno Andrade, Jussara M. Almeida. 688-694 [doi]
- Musical Typicality: How Many Similar Songs Exist?Tomoyasu Nakano, Daichi Mochihashi, Kazuyoshi Yoshii, Masataka Goto. 695-701 [doi]
- MusicDB: A Platform for Longitudinal Music AnalyticsJeremy Hyrkas, Bill Howe. 702-708 [doi]
- Noise Robust Music Artist Recognition Using I-Vector FeaturesHamid Eghbal-zadeh, Gerhard Widmer. 709-715 [doi]
- On the Use of Note Onsets for Improved Lyrics-To-Audio Alignment in Turkish Makam MusicGeorgi Dzhambazov, Ajay Srinivasamurthy, Sertan Sentürk, Xavier Serra. 716-722 [doi]
- Querying XML Score Databases: XQuery is not Enough!Raphaël Fournier-S'niehotta, Philippe Rigaux, Nicolas Travers. 723-729 [doi]
- Recurrent Neural Networks for Drum TranscriptionRichard Vogl, Matthias Dorfer, Peter Knees. 730-736 [doi]
- Singing Voice Melody Transcription Using Deep Neural NetworksFrançois Rigaud, Mathieu Radenen. 737-743 [doi]
- Sparse Coding Based Music Genre Classification Using Spectro-Temporal ModulationsKai-Chun Hsu, Chih-Shan Lin, Tai-Shih Chi. 744-750 [doi]
- Time-Delayed Melody Surfaces for Rāga RecognitionSankalp Gulati, Joan Serrà, Kaustuv Kanti Ganguli, Sertan Sentürk, Xavier Serra. 751-757 [doi]
- Transcribing Human Piano Performances into Music NotationAndrea Cogliati, David Temperley, Zhiyao Duan. 758-764 [doi]
- WiMIR: An Informetric Study On Women Authors In ISMIRXiao Hu, Kahyun Choi, Jin Ha Lee, Audrey Laplante, Yun Hao, Sally Jo Cunningham, J. Stephen Downie. 765-771 [doi]
- Automatic Melodic Reduction Using a Supervised Probabilistic Context-Free GrammarRyan Groves. 775-781 [doi]
- A Neural Greedy Model for Voice Separation in Symbolic MusicPatrick Gray, Razvan C. Bunescu. 782-788 [doi]
- Towards Score Following In Sheet Music ImagesMatthias Dorfer, Andreas Arzt, Gerhard Widmer. 789-795 [doi]
- Extracting Ground-Truth Information from MIDI Files: A MIDIfestoColin Raffel, Daniel P. W. Ellis. 796-802 [doi]
- Automatic Tagging Using Deep Convolutional Neural NetworksKeunwoo Choi, György Fazekas, Mark B. Sandler. 805-811 [doi]
- A Hybrid Gaussian-HMM-Deep Learning Approach for Automatic Chord Estimation with Very Large VocabularyJun-qi Deng, Yu-Kwong Kwok. 812-818 [doi]
- Melody Extraction on Vocal Segments Using Multi-Column Deep Neural NetworksSangeun Kum, Changheun Oh, Juhan Nam. 819-825 [doi]