Table of Contents

• Multi-Label Music Genre Classification from Audio, Text and Images Using Deep FeaturesSergio Oramas, Oriol Nieto, Francesco Barbieri, Xavier Serra. 23-30 [doi]
• The Significance of the Low Complexity Dimension in Music Similarity JudgementsJeff Ens, Bernhard E. Riecke, Philippe Pasquier. 31-38 [doi]
• Towards Computational Modeling of the Ungrammatical in a Raga PerformanceKaustuv Kanti Ganguli, Preeti Rao. 39-45 [doi]
• A Collection of Music Scores for Corpus Based Jingju Singing ResearchRafael Caro Repetto, Xavier Serra. 46-52 [doi]
• Monaural Score-Informed Source Separation for Classical Music Using Convolutional Neural NetworksMarius Miron, Jordi Janer, Emilia Gómez. 55-62 [doi]
• Deep Salience Representations for F0 Estimation in Polyphonic MusicRachel M. Bittner, Brian McFee, Justin Salamon, Peter Li, Juan Pablo Bello. 63-70 [doi]
• An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack DatasetsJustin Salamon, Rachel M. Bittner, Jordi Bonada, Juan J. Bosch, Emilia Gómez, Juan Pablo Bello. 71-78 [doi]
• Make Your Own Accompaniment: Adapting Full-Mix Recordings to Match Solo-Only User RecordingsT. J. Tsai, Steven K. Tjoa, Meinard Müller. 79-86 [doi]
• Quantifying Music Trends and Facts Using Editorial Metadata from the Discogs DatabaseDmitry Bogdanov, Xavier Serra. 89-95 [doi]
• The Music Listening Histories DatasetGabriel Vigliensoni, Ichiro Fujinaga. 96-102 [doi]
• Artist Preferences and Cultural, Socio-Economic Distances Across Countries: A Big Data PerspectiveMeijun Liu, Xiao Hu, Markus Schedl. 103-111 [doi]
• Learning Audio-Sheet Music Correspondences for Score Identification and Offline AlignmentMatthias Dorfer, Andreas Arzt, Gerhard Widmer. 115-122 [doi]
• Video-Based Vibrato Detection and Analysis for Polyphonic String MusicBochen Li, Karthik Dinesh, Gaurav Sharma, Zhiyao Duan. 123-130 [doi]
• Decoding Neurally Relevant Musical Features Using Canonical Correlation AnalysisNick Gang, Blair Kaneshiro, Jonathan Berger, Jacek P. Dmochowski. 131-138 [doi]
• Transfer Learning for Music Classification and Regression TasksKeunwoo Choi, György Fazekas, Mark B. Sandler, KyungHyun Cho. 141-149 [doi]
• Drum Transcription via Joint Beat and Drum Modeling Using Convolutional Recurrent Neural NetworksRichard Vogl, Matthias Dorfer, Gerhard Widmer, Peter Knees. 150-157 [doi]
• A Formalization of Relative Local Tempo Variations in Collections of PerformancesJeroen Peperkamp, Klaus Hildebrandt, Cynthia C. S. Liem. 158-164 [doi]
• Sampling Variations of Sequences for Structured Music GenerationFrançois Pachet, Alexandre Papadopoulos, Pierre Roy. 167-173 [doi]
• Quantized Melodic Contours in Indian Art Music Perception: Application to TranscriptionH. G. Ranjani, Deepak Paramashivan, Thippur V. Sreenivas. 174-180 [doi]
• Modeling the Multiscale Structure of Chord Sequences Using Polytopic GraphsCorentin Louboutin, Frédéric Bimbot. 181-187 [doi]
• Structured Training for Large-Vocabulary Chord RecognitionBrian McFee, Juan Pablo Bello. 188-194 [doi]
• Modeling and Digitizing Reproducing Piano RollsZhengshan Shi, Kumaran Arul, Julius O. Smith. 197-203 [doi]
• Comparing Offertory Melodies of Five Medieval Christian Chant TraditionsPeter van Kranenburg, Geert Maessen. 204-210 [doi]
• Counterpoint by ConvolutionCheng-Zhi Anna Huang, Tim Cooijmans, Adam Roberts, Aaron C. Courville, Douglas Eck. 211-218 [doi]
• A Framework for Distributed Semantic Annotation of Musical Score: "Take It to the Bridge!"David M. Weigl, Kevin R. Page. 221-228 [doi]
• A Music Player with Song Selection Function for a Group of PeopleJunichi Suzuki, Tetsuro Kitahara. 229-234 [doi]
• A Post-Processing Procedure for Improving Music Tempo Estimates Using Supervised LearningHendrik Schreiber, Meinard Müller. 235-242 [doi]
• A Statistical Analysis of Gamakas in Carnatic MusicVenkata Subramanian Viraraghavan, Rangarajan Aravind, Hema A. Murthy. 243-249 [doi]
• Accurate Audio-to-Score Alignment for Expressive Violin RecordingsJia-Ling Syue, Li Su, Yi-Ju Lin, Pei-Ching Li, Yen-Kuang Lu, Yu-Lin Wang, Alvin W. Y. Su. 250-256 [doi]
• Acoustic Features for Determining Goodness of Tabla StrokesKrish Narang, Preeti Rao. 257-263 [doi]
• Automatic Sample Detection in Polyphonic MusicSiddharth Gururani, Alexander Lerch. 264-271 [doi]
• Chord Recognition in Symbolic Music Using Semi-Markov Conditional Random FieldsKristen Masada, Razvan C. Bunescu. 272-278 [doi]
• Confidence Measures and Their Applications in Music Labelling Systems Based on Hidden Markov ModelsJohan Pauwels, Ken O'Hanlon, György Fazekas, Mark B. Sandler. 279-285 [doi]
• Convolutional Neural Networks for Real-Time Beat Tracking: A Dancing Robot ApplicationAggelos Gkiokas, Vassilios Katsouros. 286-293 [doi]
• Early MFCC and HPCP Fusion for Robust Cover Song IdentificationChristopher J. Tralie. 294-301 [doi]
• Exploring the Music Library Association Mailing List: A Text Mining ApproachXiao Hu, Kahyun Choi, Yun Hao, Sally Jo Cunningham, Jin Ha Lee, Audrey Laplante, David Bainbridge, J. Stephen Downie. 302-308 [doi]
• Fast and Accurate: Improving a Simple Beat Tracker with a Selectively-Applied Deep Beat IdentificationAkira Maezawa. 309-315 [doi]
• FMA: A Dataset for Music AnalysisMichaël Defferrard, Kirell Benzi, Pierre Vandergheynst, Xavier Bresson. 316-323 [doi]
• MidiNet: A Convolutional Generative Adversarial Network for Symbolic-Domain Music GenerationLi-Chia Yang, Szu-Yu Chou, Yi-Hsuan Yang. 324-331 [doi]
• Modeling Harmony with Skip-GramsDavid R. W. Sears, Andreas Arzt, Harald Frostel, Reinhard Sonnleitner, Gerhard Widmer. 332-338 [doi]
• NMED-T: A Tempo-Focused Dataset of Cortical and Behavioral Responses to Naturalistic MusicSteven Losorelli, Duc T. Nguyen, Jacek P. Dmochowski, Blair Kaneshiro. 339-346 [doi]
• Performance Error Detection and Post-Processing for Fast and Accurate Symbolic Music AlignmentEita Nakamura, Kazuyoshi Yoshii, Haruhiro Katayose. 347-353 [doi]
• Piece Identification in Classical Piano Music Without Reference ScoresAndreas Arzt, Gerhard Widmer. 354-360 [doi]
• PiPo, a Plugin Interface for Afferent Data Stream Processing OperatorsNorbert Schnell, Diemo Schwarz, Joseph Larralde, Riccardo Borghesi. 361-367 [doi]
• Ranking-Based Emotion Recognition for Experimental MusicJianyu Fan, Kivanç Tatar, Miles Thorogood, Philippe Pasquier. 368-375 [doi]
• Scale- and Rhythm-Aware Musical Note Estimation for Vocal F0 Trajectories Based on a Semi-Tatum-Synchronous Hierarchical Hidden Semi-Markov ModelRyo Nishikimi, Eita Nakamura, Masataka Goto, Katsutoshi Itoyama, Kazuyoshi Yoshii. 376-382 [doi]
• Score-Informed Syllable Segmentation for A Cappella Singing Voice with Convolutional Neural NetworksJordi Pons, Rong Gong, Xavier Serra. 383-389 [doi]
• Towards Automatic Mispronunciation Detection in SingingChitralekha Gupta, David Grunberg, Preeti Rao, Ye Wang. 390-396 [doi]
• Understanding the Expressive Functions of Jingju Metrical Patterns Through Lyrics Text MiningShuo Zhang, Rafael Caro Repetto, Xavier Serra. 397-403 [doi]
• A Metric for Music Notation Transcription AccuracyAndrea Cogliati, Zhiyao Duan. 407-413 [doi]
• A Multiobjective Music Recommendation Approach for Aspect-Based DiversificationRicardo S. Oliveira, Caio Nóbrega, Leandro Balby Marinho, Nazareno Andrade. 414-420 [doi]
• A Study on LSTM Networks for Polyphonic Music Sequence ModellingAdrien Ycart, Emmanouil Benetos. 421-427 [doi]
• Audio to Score Matching by Combining Phonetic and Duration InformationRong Gong, Jordi Pons, Xavier Serra. 428-434 [doi]
• Automatic Interpretation of Music Structure Analyses: A Validated Technique for Post-Hoc Estimation of the Rationale for an AnnotationJordan B. L. Smith, Elaine Chew. 435-441 [doi]
• Automatic Playlist Sequencing and TransitionsRachel M. Bittner, Minwei Gu, Gandalf Hernandez, Eric J. Humphrey, Tristan Jehan, Hunter McCurry, Nicola Montecchio. 442-448 [doi]
• Automatic Stylistic Composition of Bach Chorales with Deep LSTMFeynman T. Liang, Mark Gotham, Matthew Johnson 0003, Jamie Shotton. 449-456 [doi]
• Clustering Expressive Timing with Regressed Polynomial Coefficients Demonstrated by a Model Selection TestShengchen Li, Simon Dixon, Mark D. Plumbley. 457-463 [doi]
• Discourse Analysis of Lyric and Lyric-Based Classification of MusicJiakun Fang, David Grunberg, Diane Litman, Ye Wang. 464-471 [doi]
• End-to-End Optical Music Recognition Using Neural NetworksJorge Calvo-Zaragoza, Jose J. Valero-Mas, Antonio Pertusa. 472-477 [doi]
• Exploiting Playlists for Representation of Songs and Words for Text-Based Music RetrievalChia-Hao Chung, Yian Chen, Homer H. Chen. 478-485 [doi]
• Freesound Datasets: A Platform for the Creation of Open Audio DatasetsEduardo Fonseca, Jordi Pons, Xavier Favory, Frederic Font, Dmitry Bogdanov, Andres Ferraro, Sergio Oramas, Alastair Porter, Xavier Serra. 486-493 [doi]
• From Bach to the Beatles: The Simulation of Human Tonal Expectation Using Ecologically-Trained Predictive ModelsCarlos Eduardo Cancino Chacón, Maarten Grachten, Kat Agres. 494-501 [doi]
• Function- and Rhythm-Aware Melody Harmonization Based on Tree-Structured Parsing and Split-Merge Sampling of Chord SequencesHiroaki Tsushima, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii. 502-508 [doi]
• High-Level Music Descriptor Extraction Algorithm Based on Combination of Multi-Channel CNNs and LSTMNing Chen, Shijun Wang. 509-514 [doi]
• Identifying Raga Similarity Through Embeddings Learned from Compositions' NotationJoe Cheri Ross, Abhijit Mishra, Kaustuv Kanti Ganguli, Pushpak Bhattacharyya, Preeti Rao. 515-522 [doi]
• Improving Note Segmentation in Automatic Piano Music Transcription Systems with a Two-State Pitch-Wise HMM MethodDorian Cazau, Yuancheng Wang, Olivier Adam, Qiao Wang, Grégory Nuel. 523-530 [doi]
• Large Vocabulary Automatic Chord Estimation with an Even Chance Training SchemeJun-qi Deng, Yu-Kwong Kwok. 531-536 [doi]
• Local Interpretable Model-Agnostic Explanations for Music Content AnalysisSaumitra Mishra, Bob L. Sturm, Simon Dixon. 537-543 [doi]
• Lyric Jumper: A Lyrics-Based Music Exploratory Web Service by Modeling Lyrics Generative ProcessKosetsu Tsukuda, Keisuke Ishida, Masataka Goto. 544-551 [doi]
• Multi-Pitch Detection and Voice Assignment for A Cappella Recordings of Multiple SingersRodrigo Schramm, Andrew Mcleod, Mark Steedman, Emmanouil Benetos. 552-559 [doi]
• Onset Detection in Composition Items of Carnatic MusicJilt Sebastian, Hema A. Murthy. 560-567 [doi]
• Song2Guitar: A Difficulty-Aware Arrangement System for Generating Guitar Solo Covers from Polyphonic Audio of Popular MusicShunya Ariga, Satoru Fukayama, Masataka Goto. 568-574 [doi]
• The SEILS Dataset: Symbolically Encoded Scores in Modern-Early Notation for Computational MusicologyEmilia Parada-Cabaleiro, Anton Batliner, Alice Baird, Björn W. Schuller. 575-581 [doi]
• "I'm at #Osheaga!": Listening to the Backchannel of a Music Festival on TwitterAudrey Laplante, Timothy D. Bowman, Nawel Aamar. 585-591 [doi]
• A Database Linking Piano and Orchestral MIDI Scores with Application to Automatic Projective OrchestrationLéopold Crestel, Philippe Esling, Lena Heng, Stephen McAdams. 592-598 [doi]
• Analysis of Interactive Intonation in Unaccompanied SATB EnsemblesJiajie Dai, Simon Dixon. 599-605 [doi]
• Automatic Drum Transcription for Polyphonic Recordings Using Soft Attention Mechanisms and Convolutional Neural NetworksCarl Southall, Ryan Stables, Jason Hockman. 606-612 [doi]
• Automatic Drum Transcription Using the Student-Teacher Learning Paradigm with Unlabeled Music DataChih-Wei Wu, Alexander Lerch. 613-620 [doi]
• Chord Generation from Symbolic Melody Using BLSTM NetworksHyungui Lim, Seungyeon Rhyu, Kyogu Lee. 621-627 [doi]
• Cover Song Identification with Metric Learning Using Distance as a FeatureHoon Heo, Hyunwoo J. Kim, Wan Soo Kim, Kyogu Lee. 628-634 [doi]
• Examining Musical Meaning in Similarity ThresholdsKatherine M. Kinnaird. 635-641 [doi]
• Exploring Tonal-Dramatic Relationships in Richard Wagner's Ring CycleFrank Zalkow, Christof Weiß, Meinard Müller. 642-648 [doi]
• Feature Discovery for Sequential Prediction of Monophonic MusicJonas Langhabel, Robert Lieck, Marc Toussaint, Martin Rohrmeier. 649-656 [doi]
• Generating Nontrivial Melodies for Music as a ServiceYifei Teng, Anny Zhao, Camille Goudeseune. 657-663 [doi]
• Geographical Origin Prediction of Folk Music Recordings from the United KingdomVytaute Kedyte, Maria Panteli, Tillman Weyde, Simon Dixon. 664-670 [doi]
• In Search of the Consensus Among Musical Pattern Discovery AlgorithmsIris Yuping Ren, Hendrik Vincent Koops, Anja Volk, Wouter Swierstra. 671-678 [doi]
• Informed Automatic Meter Analysis of Music RecordingsAjay Srinivasamurthy, Andre Holzapfel, Xavier Serra. 679-685 [doi]
• Intelligibility of Sung Lyrics: A Pilot StudyKarim M. Ibrahim, David Grunberg, Kat Agres, Chitralekha Gupta, Ye Wang. 686-693 [doi]
• Lyrics-Based Music Genre Classification Using a Hierarchical Attention NetworkAlexandros Tsaptsinos. 694-701 [doi]
• Metrical-Accent Aware Vocal Onset Detection in Polyphonic AudioGeorgi Dzhambazov, Andre Holzapfel, Ajay Srinivasamurthy, Xavier Serra. 702-708 [doi]
• Mining Labeled Data from Web-Scale Collections for Vocal Activity Detection in MusicEric J. Humphrey, Nicola Montecchio, Rachel M. Bittner, Andreas Jansson, Tristan Jehan. 709-715 [doi]
• Multi-Part Pattern Analysis: Combining Structure Analysis and Source Separation to Discover Intra-Part Repeated SequencesJordan B. L. Smith, Masataka Goto. 716-723 [doi]
• One-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural NetworksJorge Calvo-Zaragoza, Gabriel Vigliensoni, Ichiro Fujinaga. 724-730 [doi]
• Optical Music Recognition with Convolutional Sequence-to-Sequence ModelsEelco van der Wel, Karen Ullrich. 731-737 [doi]
• Re-Visiting the Music Segmentation Problem with CrowdsourcingCheng-i Wang, Gautham J. Mysore, Shlomo Dubnov. 738-744 [doi]
• Singing Voice Separation with Deep U-Net Convolutional NetworksAndreas Jansson, Eric J. Humphrey, Nicola Montecchio, Rachel M. Bittner, Aparna Kumar, Tillman Weyde. 745-751 [doi]
• Sketching Sonata Form Structure in Selected Classical String QuartetsLouis Bigo, Mathieu Giraud, Richard Groult, Nicolas Guiomard-Kagan, Florence Levé. 752-759 [doi]