Abstract is missing.
- Perceptual vs. automated judgements of music copyright infringementYuchen Yuan, Sho Oishi, Charles Cronin, Daniel Müllensiefen, Quentin D. Atkinson, Shinya Fujii, Patrick E. Savage. 23-29 [doi]
- Music Structure Analysis Based on an LSTM-HSMM Hybrid ModelGo Shibata, Ryo Nishikimi, Kazuyoshi Yoshii. 23-29 [doi]
- Measuring disruption in song similarity networksFelipe Falcão, Nazareno Andrade, Flavio Figueiredo, Diego Furtado Silva, Fábio Morais. 30-37 [doi]
- POP909: A Pop-Song Dataset for Music Arrangement GenerationZiyu Wang 0008, Ke Chen 0021, Junyan Jiang, Yiyi Zhang, Maoran Xu, Shuqi Dai, Gus Xia. 38-45 [doi]
- Connective Fusion: Learning Transformational Joining of Sequences with Application to Melody CreationTaketo Akama. 46-53 [doi]
- Towards Multimodal MIR: Predicting individual differences from music-induced movementYudhik Agrawal, Samyak Jain, Emily Carlson, Petri Toiviainen, Vinoo Alluri. 54-61 [doi]
- Improved Handling of Repeats and Jumps in Audio--Sheet Image SynchronizationMengyi Shan, Timothy Tsai 0001. 62-69 [doi]
- Zero-Shot Singing Voice ConversionShahan Nercessian. 70-76 [doi]
- Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and RhythmKe Chen 0021, Cheng-i Wang, Taylor Berg-Kirkpatrick, Shlomo Dubnov. 77-84 [doi]
- Joint analysis of mode and playing technique in Guqin performance with machine learningYu-Fen Huang, Jeng-I Liang, I-Chieh Wei, Li Su 0004. 85-92 [doi]
- Semi-supervised learning using teacher-student models for vocal melody extractionSangeun Kum, Jing-Hua Lin, Li Su 0004, Juhan Nam. 93-100 [doi]
- MusPy: A Toolkit for Symbolic Music GenerationHao-Wen Dong, Ke Chen 0021, Julian J. McAuley, Taylor Berg-Kirkpatrick. 101-108 [doi]
- Music FaderNets: Controllable Music Generation Based On High-Level Features via Low-Level Feature ModellingHao Hao Tan, Dorien Herremans. 109-116 [doi]
- Few-shot Drum Transcription in Polyphonic MusicYu Wang 0105, Justin Salamon, Mark Cartwright, Nicholas J. Bryan, Juan Pablo Bello. 117-124 [doi]
- dMelodies: A Music Dataset for Disentanglement LearningAshis Pati, Siddharth Kumar Gururani, Alexander Lerch 0001. 125-133 [doi]
- Modeling Music and Code Knowledge to Support a Co-creative AI Agent for EducationJason Smith 0005, Erin Truesdell, Jason Freeman, Brian Magerko, Kristy Boyer, Tom McKlin. 134-141 [doi]
- The Jazz Transformer on the Front Line: Exploring the Shortcomings of AI-composed Music through Quantitative MeasuresShih-Lun Wu, Yi-Hsuan Yang. 142-149 [doi]
- Explaining Perceived Emotion Predictions in Music: An Attentive ApproachSanga Chaki, Pranjal Doshi, Sourangshu Bhattacharya, Priyadarshi Patnaik. 150-156 [doi]
- Pandemics, music, and collective sentiment: evidence from the outbreak of COVID-19Meijun Liu, Eva Zangerle, Xiao Hu 0001, Alessandro B. Melchiorre, Markus Schedl. 157-165 [doi]
- Improving Polyphonic Music Models with Feature-rich EncodingOmar Peracha. 169-175 [doi]
- Composer Style Classification of Piano Sheet Music Images Using Language Model PretrainingTimothy Tsai 0001, Kevin Ji. 176-183 [doi]
- Using Weakly Aligned Score-Audio Pairs to Train Deep Chroma Models for Cross-Modal Music RetrievalFrank Zalkow, Meinard Müller. 184-191 [doi]
- Investigating U-Nets with various Intermediate Blocks for Spectrogram-based Singing Voice SeparationWoo-Sung Choi 0001, Minseok Kim 0003, JaeHwa Chung, Daewon Lee, Soonyoung Jung. 192-198 [doi]
- Discourse not Dualism: An Interdisciplinary Dialogue on Sonata Form in Beethoven's Early Piano SonatasChristof Weiss, Stephanie Klauk, Mark Gotham, Meinard Müller, Rainer Kleinertz. 199-206 [doi]
- The Jazz Harmony TreebankDaniel Harasim, Christoph Finkensiep, Petter Ericson, Timothy J. O'Donnell, Martin Rohrmeier. 207-215 [doi]
- Downbeat Tracking with Tempo Invariant Convolutional Neural NetworksBruno Di Giorgi, Matthias Mauch, Mark Levy. 216-222 [doi]
- A Simple Method for User-Driven Music ThumbnailingArianne N. van Nieuwenhuijsen, John Ashley Burgoyne, Frans Wiering, Mick Sneekes. 223-230 [doi]
- Score-Informed Source Separation of Choral MusicMatan Gover, Philippe Depalle. 231-239 [doi]
- Can't trust the feeling? How open data reveals unexpected behavior of high-level music descriptorsCynthia C. S. Liem, Chris Mostert. 240-247 [doi]
- Artist gender representation in music streamingAvriel Epps-Darling, Henriette Cramer, Romain Takeo Bouyer. 248-254 [doi]
- Data Cleansing with Contrastive Learning for Vocal Note Event AnnotationsGabriel Meseguer-Brocal, Rachel M. Bittner, Simon Durand, Brian Brost. 255-262 [doi]
- Multidimensional similarity modelling of complex drum loops using the GrooveToolboxFred Bruford, Olivier Lartillot, SKoT McDonald, Mark B. Sandler. 263-270 [doi]
- Rule Mining for Local Boundary Detection in MelodiesPeter van Kranenburg. 271-278 [doi]
- Combining musical features for cover detectionGuillaume Doras, Furkan Yesiler, Joan Serrà, Emilia Gómez, Geoffroy Peeters. 279-286 [doi]
- The Freesound Loop Dataset and Annotation ToolAntónio Ramires, Frederic Font, Dmitry Bogdanov, Jordan B. L. Smith, Yi-Hsuan Yang, Joann Ching, Bo-Yu Chen, Yueh-Kao Wu, Hsu Wei-Han, Xavier Serra. 287-294 [doi]
- Should we consider the users in contextual music auto-tagging models?Karim M. Ibrahim, Elena V. Epure, Geoffroy Peeters, Gaël Richard. 295-301 [doi]
- Multiple F0 Estimation in Vocal Ensembles using Convolutional Neural NetworksHelena Cuesta, Brian McFee, Emilia Gómez. 302-309 [doi]
- The multiple voices of musical emotions: source separation for improving music emotion recognition models and their interpretabilityJacopo de Berardinis, Angelo Cangelosi, Eduardo Coutinho. 310-317 [doi]
- Bistate reduction and comparison of drum patternsOlivier Lartillot, Fred Bruford. 318-324 [doi]
- Multi-Instrument Music Transcription Based on Deep Spherical Clustering of Spectrograms and PitchgramsKeitaro Tanaka, Takayuki Nakatsuka, Ryo Nishikimi, Kazuyoshi Yoshii, Shigeo Morishima. 327-334 [doi]
- SuPP & MaPP: Adaptable Structure-Based Representations for MIR TasksClaire Savard, Erin H. Bugbee, Melissa R. McGuirl, Katherine M. Kinnaird. 335-342 [doi]
- A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph TheoryFlorian Thalmann, Kazuyoshi Yoshii, Thomas Wilmering, Geraint A. Wiggins, Mark B. Sandler. 343-350 [doi]
- A Chorus-Section Detection Method for Lyrics TextKento Watanabe, Masataka Goto. 351-359 [doi]
- Chord Jazzification: Learning Jazz Interpretations of Chord SymbolsTsung-Ping Chen, Satoru Fukayama, Masataka Goto, Li Su 0004. 360-367 [doi]
- PIANOTREE VAE: Structured Representation Learning for Polyphonic MusicZiyu Wang 0008, Yiyi Zhang, Yixiao Zhang, Junyan Jiang, Ruihan Yang, Gus Xia, Junbo Zhao. 368-375 [doi]
- Hierarchical Musical Instrument SeparationEthan Manilow, Gordon Wichern, Jonathan Le Roux. 376-383 [doi]
- Tag2Risk: Harnessing Social Music Tags for Characterizing Depression RiskAayush Surana, Yash Goyal, Manish Shrivastava 0001, Suvi Saarikallio, Vinoo Alluri. 384-391 [doi]
- Programming Inequality: Gender Representation on Canadian Country Radio (2005-2019)Jada Emily Watson. 392-399 [doi]
- Dance Beat Tracking from Visual Information AloneFabrizio Pedersoli, Masataka Goto. 400-408 [doi]
- Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meterEstefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José R. Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez. 409-415 [doi]
- Automatic Rank-Ordering of Singing Vocals with Twin-Neural NetworkChitralekha Gupta, Lin Huang, Haizhou Li 0001. 416-423 [doi]
- Neural Loop Combiner: Neural Network Models for Assessing the Compatibility of LoopsBo-Yu Chen, Jordan B. L. Smith, Yi-Hsuan Yang. 424-431 [doi]
- Data Quality Matters: Iterative Corrections on a Corpus of Mendelssohn String Quartets and Implications for MIR AnalysisJacob deGroot-Maggetti, Timothy de Reuse, Laurent Feisthauer, Samuel Howes, Yaolong Ju, Suzuka Kokubu, Sylvain Margot, Néstor Nápoles López, Finn Upham. 432-438 [doi]
- Metric learning vs classification for disentangled music representation learningJongpil Lee, Nicholas J. Bryan, Justin Salamon, Zeyu Jin, Juhan Nam. 439-445 [doi]
- User Insights on Diversity in Music Recommendation ListsKyle Robinson, Dan Brown, Markus Schedl. 446-453 [doi]
- Polyphonic Piano Transcription Using Autoregressive Multi-State Note ModelTaegyun Kwon, Dasaem Jeong, Juhan Nam. 454-461 [doi]
- Exact, Parallelizable Dynamic Time Warping Alignment with Linear MemoryChristopher J. Tralie, Elizabeth Dempsey. 462-469 [doi]
- Classifying Leitmotifs in Recordings of Operas by Richard WagnerMichael Krause, Frank Zalkow, Julia Zalkow, Christof Weiss, Meinard Müller. 473-480 [doi]
- Camera-Based Piano Sheet Music IdentificationDaniel Yang, Timothy Tsai 0001. 481-488 [doi]
- User Perceptions Underlying Social Music BehaviorLouis Spinelli, Josephine Lau, Jin Ha Lee 0001. 489-496 [doi]
- The Rhythmic Dictator: Does Gamification of Rhythm Dictation Exercises Help?Matevz Pesek, Lovro Suhadolnik, Peter Savli, Matija Marolt. 497-503 [doi]
- Learning to Denoise Historical MusicYunpeng Li, Marco Tagliasacchi, Beat Gfeller, Dominik Roblek. 504-511 [doi]
- Multilingual lyrics-to-audio alignmentAndrea Vaglio, Romain Hennequin, Manuel Moussallam, Gaël Richard, Florence d'Alché-Buc. 512-519 [doi]
- Voice-Leading Schema Recognition Using Rhythm and Pitch FeaturesChristoph Finkensiep, Ken Déguernel, Markus Neuwirth, Martin Rohrmeier. 520-526 [doi]
- Semantically Meaningful Attributes from Co-Listen Embeddings for Playlist Exploration and ExpansionAyush Patwari, Nicholas Kong, Jun Wang, Ullas Gargi, Michele Covell, Aren Jansen. 527-533 [doi]
- ASAP: a dataset of aligned scores and performances for piano transcriptionFrancesco Foscarin, Andrew Mcleod, Philippe Rigaux, Florent Jacquemard, Masahiko Sakai. 534-541 [doi]
- Mood Classification Using Listening DataFilip Korzeniowski, Oriol Nieto, Matthew McCallum, Minz Won, Sergio Oramas, Erik M. Schmidt. 542-549 [doi]
- Ultra-light deep MIR by trimming lottery ticketsPhilippe Esling, Théis Bazin, Adrien Bitton, Tristan Carsault, Ninon Devis. 550-557 [doi]
- A Neural Approach for Full-Page Optical Music Recognition of Mensural DocumentsFrancisco J. Castellanos, Jorge Calvo-Zaragoza, José M. Iñesta. 558-565 [doi]
- Modeling perception with hierarchical prediction: Auditory segmentation with deep predictive coding locates candidate evoked potentials in EEGAndré Ofner, Sebastian Stober. 566-573 [doi]
- Deconstruct, Analyse, Reconstruct: How to improve Tempo, Beat, and Downbeat EstimationSebastian Böck, Matthew E. P. Davies. 574-582 [doi]
- Exploring Acoustic Similarity for Novel Music RecommendationDerek Cheng, Thorsten Joachims, Douglas Turnbull. 583-589 [doi]
- DRUMGAN: Synthesis of Drum Sounds with Timbral Feature Conditioning Using Generative Adversarial NetworksJavier Nistal, Stefan Lattner, Gaël Richard. 590-597 [doi]
- A Deep Learning Based Analysis-Synthesis Framework For Unison SingingPritish Chandna, Helena Cuesta, Emilia Gómez. 598-604 [doi]
- Essentia.js: A JavaScript Library for Music and Audio Analysis on the WebAlbin Andrew Correya, Dmitry Bogdanov, Luis Joglar-Ongay, Xavier Serra. 605-612 [doi]
- On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione GameCarlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer. 613-620 [doi]
- Towards a Formalization of Musical RhythmMartin Rohrmeier. 621-629 [doi]
- Practical Evaluation of Repeated Recommendations in Personalized Music DiscoveryBrian Manolovitz, Mitsunori Ogihara. 633-639 [doi]
- Automatic Figured Bass Annotation Using the New Bach Chorales Figured Bass DatasetYaolong Ju, Sylvain Margot, Cory McKay, Luke Dahn, Ichiro Fujinaga. 640-646 [doi]
- A corpus-based analysis of syncopated patterns in ragtimePhillip B. Kirlin. 647-653 [doi]
- Play Music: User Motivations and Expectations for Non-Specific Voice QueriesJennifer Thom, Angela Nazarian, Ruth Brillman, Henriette Cramer, Sarah Mennicken. 654-661 [doi]
- Learning Interpretable Representation for Controllable Polyphonic Music Generation Ziyu Wang 0008, Dingsu Wang, Yixiao Zhang, Gus Xia. 662-669 [doi]
- Attributes-Aware Deep Music TransformationLisa Kawai, Philippe Esling, Tatsuya Harada. 670-677 [doi]
- Structural Segmentation of Dhrupad Vocal Bandish Audio based on TempoRohit M. A., Vinutha T. P., Preeti Rao. 678-684 [doi]
- Exploring Aligned Lyrics-informed Singing Voice SeparationChang-Bin Jeon, Hyeong-Seok Choi, Kyogu Lee. 685-692 [doi]
- Score following with hidden tempo using a switching state-space modelYucong Jiang. 693-699 [doi]
- Unsupervised Disentanglement of Pitch and Timbre for Isolated Musical Instrument SoundsYin-Jyun Luo, Kin Wai Cheuk, Tomoyasu Nakano, Masataka Goto, Dorien Herremans. 700-707 [doi]
- Human-AI Co-Creation in SongwritingCheng-Zhi Anna Huang, Hendrik Vincent Koops, Ed Newton-Rex, Monica Dinculescu, Carrie Cai. 708-716 [doi]
- Analysis of Song/Artist Latent Features and Its Application for Song SearchKosetsu Tsukuda, Masataka Goto. 717-725 [doi]
- Detecting Collaboration Profiles in Success-based Music Genre NetworksGabriel P. Oliveira, Mariana Santos, Danilo B. Seufitelli, Anísio Lacerda, Mirella M. Moro. 726-732 [doi]
- Deep Learning Based Source Separation Applied To Choir EnsemblesDarius Petermann, Pritish Chandna, Helena Cuesta, Jordi Bonada, Emilia Gómez. 733-739 [doi]
- A Combination of Local Approaches for Hierarchical Music Genre ClassificationAntonio Rafael Sabino Parmezan, Diego Furtado Silva, Gustavo E. A. P. A. Batista. 740-747 [doi]
- Multitask Learning for Instrument Activation Aware Music Source SeparationYun-Ning Hung, Alexander Lerch 0001. 748-755 [doi]
- Automatic Composition of Guitar Tabs by Transformers and Groove ModelingYu-Hua Chen, Yu-Siang Huang, Wen-Yi Hsiao, Yi-Hsuan Yang. 756-763 [doi]
- A Computational Analysis of Real-World DJ Mixes using Mix-To-Track Subsequence AlignmentTaejun Kim, Minsuk Choi, Evan Sacks, Yi-Hsuan Yang, Juhan Nam. 764-770 [doi]
- Modeling and Estimating Local Tempo: A Case Study on Chopin's MazurkasHendrik Schreiber, Frank Zalkow, Meinard Müller. 773-779 [doi]
- Learning to Read and Follow Music in Complete Score Sheet ImagesFlorian Henkel, Rainer Kelz, Gerhard Widmer. 780-787 [doi]
- Uncovering audio patterns in music with Nonnegative Tucker Decomposition for structural segmentationAxel Marmoret, Jeremy E. Cohen, Frédéric Bimbot, Nancy Bertin. 788-794 [doi]
- Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque SoltoMatthew Davies, Magdalena Fuentes, João Fonseca, Luís Aly, Marco Jerónimo, Filippo Bonini Baraldi. 795-802 [doi]
- Multilingual Music Genre Embeddings for Effective Cross-Lingual Music Item AnnotationElena V. Epure, Guillaume Salha, Romain Hennequin. 803-810 [doi]
- Modelling Hierarchical Key Structure With Pitch ScapesRobert Lieck, Martin Rohrmeier. 811-818 [doi]
- Content based singing voice source separation via strong conditioning using aligned phonemesGabriel Meseguer-Brocal, Geoffroy Peeters. 819-827 [doi]
- BebopNet: Deep Neural Models for Personalized Jazz ImprovisationsShunit Haviv Hakimi, Nadav Bhonker, Ran El-Yaniv. 828-836 [doi]
- How Music Fans Shape Commercial Music Services: A Case Study of BTS and ARMYJin Ha Lee 0001, Anh-Thu Nguyen. 837-845 [doi]
- The MIDI Degradation Toolkit: Symbolic Music Augmentation and CorrectionAndrew Mcleod, James Owers, Kazuyoshi Yoshii. 846-852 [doi]
- Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classificationJuan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez. 853-860 [doi]
- Butter Lyrics Over Hominy Grit: Comparing Audio and Psychology-Based Text Features in MIR TasksJaehun Kim, Andrew M. Demetriou, Sandy Manolios, Maria Stella Tavella, Cynthia C. S. Liem. 861-868 [doi]
- Mode classification and natural units in plainchantBas Cornelissen, Willem H. Zuidema, John Ashley Burgoyne. 869-875 [doi]
- CONLON: A Pseudo-Song Generator Based on a New Pianoroll, Wasserstein Autoencoders, and Optimal InterpolationsLuca Angioloni, Valentijn Borghuis, Lorenzo Brusci, Paolo Frasconi. 876-883 [doi]
- Less is more: Faster and better music version identification with embedding distillationFurkan Yesiler, Joan Serrà, Emilia Gómez. 884-892 [doi]
- Generating Music with a Self-Correcting Non-Chronological Autoregressive ModelWayne Chi, Prachi Kumar, Suri Yaddanapudi, Rahul Suresh, Umut Isik. 893-900 [doi]
- Microtask Crowdsourcing for Music Score Transcriptions: An Experiment with Error DetectionIoannis Petros Samiotis, Sihang Qiu, Andrea Mauri 0001, Cynthia C. S. Liem, Christoph Lofi, Alessandro Bozzon. 901-907 [doi]
- Score-informed Networks for Music Performance AssessmentJiawen Huang, Yun-Ning Hung, Ashis Pati, Siddharth Kumar Gururani, Alexander Lerch 0001. 908-915 [doi]
- Hierarchical Timbre-painting and Articulation GenerationMichael Michelashvili, Lior Wolf. 916-922 [doi]
- From Music Ontology towards Ethno-Music-OntologyPolina Proutskova, Anja Volk, Peyman Heydarian, György Fazekas. 923-931 [doi]