Table of Contents

• Four-way Classification of Tabla Strokes with Models Adapted from Automatic Drum TranscriptionRohit M. A., Amitrajit Bhattacharjee, Preeti Rao. 19-26 [doi]
• A Contextual Latent Space Model: Subsequence Modulation in Melodic SequenceTaketo Akama. 27-34 [doi]
• OMR-assisted transcription: a case study with early printsMaría Alfaro-Contreras, David Rizo, José M. Iñesta, Jorge Calvo-Zaragoza. 35-41 [doi]
• Deeper Convolutional Neural Networks and Broad Augmentation Policies Improve Performance in Musical Key EstimationStefan A. Baumann. 42-49 [doi]
• The Music Performance Markup Format and EcosystemAxel Berndt. 50-57 [doi]
• Identification of rhythm guitar sections in symbolic tablaturesLouis Bigo, David Regnier, Nicolas Martin. 58-65 [doi]
• On-Line Audio-to-Lyrics Alignment Based on a Reference PerformanceCharles Brazier, Gerhard Widmer. 66-73 [doi]
• Visualizing Intertextual Form with Arc Diagrams: Contour and Schema-based MethodsAaron Carter-Enyi, Gilad Rabinovitch, Nathaniel Condit-Schultz. 74-80 [doi]
• Unsupervised Domain Adaptation for Document Analysis of Music Score ImagesFrancisco J. Castellanos, Antonio Javier Gallego, Jorge Calvo-Zaragoza. 81-87 [doi]
• Codified audio language modeling learns useful representations for music information retrievalRodrigo Castellon, Chris Donahue, Percy Liang. 88-96 [doi]
• Variable-Length Music Score Infilling via XLNet and Musically Specialized Positional EncodingChin-Jui Chang, Chun-Yi Lee, Yi-Hsuan Yang. 97-104 [doi]
• SurpriseNet: Melody Harmonization Conditioning on User-controlled Surprise ContoursYi-Wei Chen, Hung-Shin Lee, Yen-Hsing Chen, Hsin-Min Wang. 105-112 [doi]
• Semi-supervised violin fingering generation using variational autoencodersVincent K. M. Cheung, Hsuan-Kai Kao, Li Su 0004. 113-120 [doi]
• Listen, Read, and Identify: Multimodal Singing Language Identification of MusicKeunwoo Choi, Yuxuan Wang 0002. 121-127 [doi]
• On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual FeaturesShreyan Chowdhury, Gerhard Widmer. 128-134 [doi]
• Cosine Contours: a Multipurpose Representation for MelodiesBas Cornelissen, Willem H. Zuidema, John Ashley Burgoyne. 135-142 [doi]
• Controllable deep melody generation via hierarchical music structure representationShuqi Dai, Zeyu Jin, Celso Gomes, Roger B. Dannenberg. 143-150 [doi]
• MSTRE-Net: Multistreaming Acoustic Modeling for Automatic Lyrics TranscriptionEmir Demirel, Sven Ahlbäck, Simon Dixon. 151-158 [doi]
• Towards Automatic Instrumentation by Learning to Separate Parts in Symbolic Multitrack MusicHao-Wen Dong, Chris Donahue, Taylor Berg-Kirkpatrick, Julian J. McAuley. 159-166 [doi]
• An Empirical Evaluation of End-to-End Polyphonic Optical Music RecognitionSachinda Edirisooriya, Hao-Wen Dong, Julian J. McAuley, Taylor Berg-Kirkpatrick. 167-173 [doi]
• A Hardanger Fiddle Dataset with Performances Spanning Emotional Expressions and Annotations Aligned using Image RegistrationAnders Elowsson, Olivier Lartillot. 174-181 [doi]
• Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical DataJeffrey Ens, Philippe Pasquier. 182-188 [doi]
• Modeling and Inferring Proto-Voice Structure in Free PolyphonyChristoph Finkensiep, Martin Rohrmeier. 189-196 [doi]
• PKSpell: Data-Driven Pitch Spelling and Key Signature EstimationFrancesco Foscarin, Nicolas Audebert, Raphaël Fournier-S'niehotta. 197-204 [doi]
• Filosax: A Dataset of Annotated Jazz Saxophone RecordingsDave Foster, Simon Dixon. 205-212 [doi]
• An interpretable music similarity measure based on path interestingnessGiovanni Gabbolini, Derek Bridge. 213-219 [doi]
• Leveraging Hierarchical Structures for Few-Shot Musical Instrument RecognitionHugo Flores Garcia, Aldo Aguilar, Ethan Manilow, Bryan Pardo. 220-228 [doi]
• What if the 'When' Implies the 'What'?: Human harmonic analysis datasets clarify the relative role of the separate steps in automatic tonal analysisMark Gotham, Rainer Kleinertz, Christof Weiss, Meinard Müller, Stephanie Klauk. 229-236 [doi]
• Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion RecognitionJuan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez. 237-245 [doi]
• Sequence-to-Sequence Piano Transcription with TransformersCurtis Hawthorne, Ian Simon, Rigel Swavely, Ethan Manilow, Jesse H. Engel. 246-253 [doi]
• Neural Waveshaping SynthesisBen Hayes, Charalampos Saitis, György Fazekas. 254-261 [doi]
• A semi-automated workflow paradigm for the distributed creation and curation of expert annotationsJohannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin Rohrmeier. 262-269 [doi]
• BeatNet: CRNN and Particle Filtering for Online Joint Beat, Downbeat and Meter TrackingMojtaba Heydari, Frank Cwitkowitz, Zhiyao Duan. 270-277 [doi]
• Joint Estimation of Note Values and Voices for Audio-to-Score Piano TranscriptionYuki Hiramatsu, Eita Nakamura, Kazuyoshi Yoshii. 278-284 [doi]
• Learning note-to-note affinity for voice segregation and melody line identification of symbolic music dataYo-Wei Hsiao, Li Su 0004. 285-292 [doi]
• VOCANO: A note transcription framework for singing voice in polyphonic musicJui-Yang Hsu, Li Su 0004. 293-300 [doi]
• De-centering the West: East Asian Philosophies and the Ethics of Applying Artificial Intelligence to MusicRujing Huang, Bob L. T. Sturm, Andre Holzapfel. 301-309 [doi]
• A Benchmarking Initiative for Audio-domain Music Generation using the FreeSound Loop DatasetTun-Min Hung, Bo-Yu Chen, Yen-Tung Yeh, Yi-Hsuan Yang. 310-317 [doi]
• EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music GenerationHsiao-Tzu Hung, Joann Ching, Seungheon Doh, Nabin Kim, Juhan Nam, Yi-Hsuan Yang. 318-325 [doi]
• Piano Sheet Music Identification Using Marketplace FingerprintingKevin Ji, Daniel Yang, Timothy Tsai 0001. 326-333 [doi]
• Learning a cross-domain embedding space of vocal and mixed audio with a structure-preserving triplet lossKeunhyoung Luke Kim, Jongpil Lee, Sangeun Kum, Juhan Nam. 334-341 [doi]
• Decoupling Magnitude and Phase Estimation with Deep ResUNet for Music Source SeparationQiuqiang Kong, Yin Cao, Haohe Liu, Keunwoo Choi, Yuxuan Wang 0002. 342-349 [doi]
• Artist Similarity Using Graph Neural NetworksFilip Korzeniowski, Sergio Oramas, Fabien Gouyon. 350-357 [doi]
• â??Finding Homeâ?: Understanding How Music Supports Listenersâ?? Mental Health through a Case Study of BTSJin Ha Lee 0001, Arpita Bhattacharya, Ria Antony, Nicole K. Santero, Anh Le. 358-365 [doi]
• Cross-cultural Mood Perception in Pop Songs and its Alignment with Mood Detection AlgorithmsHarin Lee, Frank Höger, Marc Schönwiesner, Minsu Park, Nori Jacoby. 366-373 [doi]
• Reconsidering quantization in MIRJordan Lenchitz. 374-380 [doi]
• A unified model for zero-shot music source separation, transcription and synthesisLiwei Lin, Gus Xia, Qiuqiang Kong, Junyan Jiang. 381-388 [doi]
• Pitch-Informed Instrument Assignment using a Deep Convolutional Network with Multiple Kernel ShapesCarlos Lordelo, Emmanouil Benetos, Simon Dixon, Sven Ahlbäck. 389-395 [doi]
• SpecTNT: a Time-Frequency Transformer for Music AudioWei Tsung Lu, Ju-Chiang Wang, Minz Won, Keunwoo Choi, Xuchen Song. 396-403 [doi]
• AugmentedNet: A Roman Numeral Analysis Network with Synthetic Training Examples and Additional Tonal TasksNéstor Nápoles López, Mark Gotham, Ichiro Fujinaga. 404-411 [doi]
• MINGUS: Melodic Improvisation Neural Generator Using Seq2SeqVincenzo Madaghiele, Pasquale Lisena, Raphaël Troncy. 412-419 [doi]
• User-centered evaluation of lyrics-to-audio alignmentNinon Lizé Masclef, Andrea Vaglio, Manuel Moussallam. 420-427 [doi]
• Synthesizer Sound Matching with Differentiable DSPNaotake Masuda, Daisuke Saito. 428-434 [doi]
• A Modular System for the Harmonic Analysis of Musical Scores using a Large VocabularyAndrew Mcleod, Martin Rohrmeier. 435-442 [doi]
• A deep learning method for enforcing coherence in Automatic Chord RecognitionGianluca Micchi, Katerina Kosta, Gabriele Medeot, Pierre Chanquion. 443-451 [doi]
• Modeling beat uncertainty as a 2D distribution of period and phase: a MIR task proposalMartin Miguel, Diego Fernández Slezak. 452-459 [doi]
• A case study of deep enculturation and sensorimotor synchronization to real musicOlof Misgeld, Torbjörn Gulz, Jura Miniotaite, Andre Holzapfel. 460-467 [doi]
• Symbolic Music Generation with Diffusion ModelsGautam Mittal, Jesse H. Engel, Curtis Hawthorne, Ian Simon. 468-475 [doi]
• Learning from Musical Feedback with Sonic the HedgehogFaraaz Nadeem. 476-483 [doi]
• DarkGAN: Exploiting Knowledge Distillation for Comprehensible Audio Synthesis With GANsJavier Nistal, Stefan Lattner, Gaël Richard. 484-492 [doi]
• Phase-Aware Joint Beat and Downbeat Estimation Based on Periodicity of Metrical StructureTakehisa Oyama, Ryoto Ishizuka, Kazuyoshi Yoshii. 493-499 [doi]
• Agreement Among Human and Automated Transcriptions of Global SongsYuto Ozaki, John M. McBride, Emmanouil Benetos, Peter Q. Pfordresher, Joren Six, Adam Tierney, Polina Proutskova, Emi Sakai, Haruka Kondo, Haruno Fukatsu, Shinya Fujii, Patrick E. Savage. 500-508 [doi]
• Automatic Recognition of Texture in Renaissance MusicEmilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner, Björn W. Schuller, Markus Schedl. 509-516 [doi]
• Is Disentanglement enough? On Latent Representations for Controllable Music GenerationAshis Pati, Alexander Lerch 0001. 517-524 [doi]
• Pulse clarity metrics developed from a deep learning beat tracking modelNicolás Pironio, Diego Fernández Slezak, Martin Miguel. 525-530 [doi]
• On the Veracity of Local, Model-agnostic Explanations in Audio Classification: Targeted Investigations with Adversarial ExamplesVerena Praher, Katharina Prinz, Arthur Flexer, Gerhard Widmer. 531-538 [doi]
• Is there a "language of music-video clips" ? A qualitative and quantitative studyLaure Prétet, Gaël Richard, Geoffroy Peeters. 539-546 [doi]
• Tabla Gharana Recognition from Audio music recordings of Tabla Solo performancesR. Gowriprasad., V. Venkatesh, Hema A. Murthy, R. Aravind 0001, K. Sri Rama Murty. 547-554 [doi]
• Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio featuresLindsey Reymore, Emmanuelle Beauvais-Lacasse, Bennett Smith, Stephen McAdams. 555-561 [doi]
• Quantitative User Perceptions of Music Recommendation List DiversityKyle Robinson, Dan Brown. 562-568 [doi]
• A Formal Model of Extended Tonal HarmonyMartin Rohrmeier, Fabian C. Moss. 569-578 [doi]
• CRASH: Raw Audio Score-based Generative Modeling for Controllable High-resolution Drum Sound SynthesisSimon Rouard, Gaëtan Hadjeres. 579-585 [doi]
• Curriculum Learning for Imbalanced Classification in Large Vocabulary Automatic Chord RecognitionLuke O. Rowe, George Tzanetakis. 586-593 [doi]
• Deep Embeddings and Section Fusion Improve Music SegmentationJustin Salamon, Oriol Nieto, Nicholas J. Bryan. 594-601 [doi]
• Multi-Task Learning of Graph-based Inductive Representations of Music ContentAntonia Saravanou, Federico Tomasi, Rishabh Mehrotra, Mounia Lalmas. 602-609 [doi]
• DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence ModelsPedro Sarmento, Adarsh Kumar, C. J. Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang. 610-617 [doi]
• Does Track Sequence in User-generated Playlists Matter?Harald Victor Schweiger, Emilia Parada-Cabaleiro, Markus Schedl. 618-625 [doi]
• A Differentiable Cost Measure for Intonation Processing in Polyphonic MusicSimon J. Schwär, Sebastian Rosenzweig, Meinard Müller. 626-633 [doi]
• Improving Music Performance Assessment With Contrastive LearningPavan Seshadri, Alexander Lerch 0001. 634-641 [doi]
• Tracing Affordance and Item Adoption on Music Streaming PlatformsDougal Shakespeare, Camille Roth. 642-649 [doi]
• Computational analysis and modeling of expressive timing in Chopin's MazurkasZhengshan Shi. 650-656 [doi]
• Computational analysis of melodic mode switching in raga performanceNithya Nadig Shikarpur, Asawari Keskar, Preeti Rao. 657-664 [doi]
• SinTra: Learning an inspiration model from a single multi-track music segmentQingwei Song, Qiwei Sun, Dongsheng Guo, Haiyong Zheng. 665-672 [doi]
• Contrastive Learning of Musical RepresentationsJanne Spijkervet, John Ashley Burgoyne. 673-681 [doi]
• Musical Tempo Estimation Using a Multi-scale NetworkXiaoheng Sun, Qiqi He, Yongwei Gao, Wei Li 0012. 682-689 [doi]
• On the Integration of Language Models into Sequence to Sequence Architectures for Handwritten Music RecognitionPau Torras, Arnau Baró, Lei Kang, Alicia Fornés. 690-696 [doi]
• Kiite Cafe: A Web Service for Getting Together Virtually to Listen to MusicKosetsu Tsukuda, Keisuke Ishida, Masahiro Hamasaki, Masataka Goto. 697-704 [doi]
• Toward an Understanding of Lyrics-viewing Behavior While Listening to Music on a SmartphoneKosetsu Tsukuda, Masahiro Hamasaki, Masataka Goto. 705-713 [doi]
• The Words Remain the Same: Cover Detection with Lyrics TranscriptionAndrea Vaglio, Romain Hennequin, Manuel Moussallam, Gaël Richard. 714-721 [doi]
• MuseBERT: Pre-training Music Representation for Music Understanding and Controllable GenerationZiyu Wang 0008, Gus Xia. 722-729 [doi]
• Supervised Metric Learning For Music Structure FeaturesJu-Chiang Wang, Jordan B. L. Smith, Wei Tsung Lu, Xuchen Song. 730-737 [doi]
• Learning long-term music representations via hierarchical contextual constraintsShiqi Wei, Gus Xia. 738-745 [doi]
• Learning Pitch-Class Representations from Score-Audio Pairs of Classical MusicChristof Weiss, Johannes Zeitler, Tim Zunner, Florian Schuberth, Meinard Müller. 746-753 [doi]
• Training Deep Pitch-Class Representations With a Multi-Label CTC LossChristof Weiss, Geoffroy Peeters. 754-761 [doi]
• Audio Defect Detection in Music with Deep NetworksDaniel Wolff, Rémi Mignot, Axel Roebel. 762-768 [doi]
• Semi-supervised Music Tagging TransformerMinz Won, Keunwoo Choi, Xavier Serra. 769-776 [doi]
• Emotion Embedding Spaces for Matching Music to StoriesMinz Won, Justin Salamon, Nicholas J. Bryan, Gautham J. Mysore, Xavier Serra. 777-785 [doi]
• CollageNet: Fusing arbitrary melody and accompaniment into a coherent songAbudukelimu Wuerkaixi, Christodoulos Benetatos, Zhiyao Duan, Changshui Zhang. 786-793 [doi]
• Human-in-the-Loop Adaptation for Interactive Musical Beat TrackingKazuhiko Yamamoto. 794-801 [doi]
• Composer Classification With Cross-Modal Transfer Learning and Musically-Informed AugmentationDaniel Yang, Timothy Tsai 0001. 802-809 [doi]
• Aligning Unsynchronized Part Recordings to a Full Mix Using Iterative Subtractive AlignmentDaniel Yang, Kevin Ji, Timothy Tsai 0001. 810-817 [doi]
• ADTOF: A large dataset of non-synthetic music for automatic drum transcriptionMickaël Zehren, Marco Alunno, Paolo Bientinesi. 818-824 [doi]
• Learn by Referencing: Towards Deep Metric Learning for Singing AssessmentHuan Zhang, Yiliang Jiang, Tao Jiang, Hu Peng. 825-832 [doi]
• AccoMontage: Accompaniment Arrangement via Phrase Selection and Style TransferJingwei Zhao, Gus Xia. 833-840 [doi]