Table of Contents

• Exploring the Correspondence of Melodic Contour With Gesture in Raga Alap SingingShreyas Nadkarni, Sujoy Roychowdhury, Preeti Rao, Martin Clayton. 21-28 [doi]
• TriAD: Capturing Harmonics With 3D ConvolutionsMiguel Pérez Fernández, Holger Kirchhoff, Xavier Serra. 29-36 [doi]
• Data Collection in Music Generation Training Sets: A Critical AnalysisFabio Morreale, Megha Sharma, I-Chieh Wei. 37-46 [doi]
• A Review of Validity and Its Relationship to Music Information ResearchBob L. T. Sturm, Arthur Flexer. 47-55 [doi]
• Segmentation and Analysis of Taniavartanam in Carnatic Music ConcertsGowriprasad R., Srikrishnan Sridharan, R. Aravind 0001, Hema A. Murthy. 56-63 [doi]
• Transfer Learning and Bias Correction With Pre-Trained Audio EmbeddingsChanghong Wang, Gaël Richard, Brian McFee. 64-70 [doi]
• Collaborative Song Dataset (CoSoD): An Annotated Dataset of Multi-Artist Collaborations in Popular MusicMichèle Duguay, Kate Mancey, Johanna Devaney. 71-79 [doi]
• Human-AI Music Creation: Understanding the Perceptions and Experiences of Music Creators for Ethical and Productive CollaborationMichele Newman, Lidia Morris, Jin Ha Lee 0001. 80-88 [doi]
• Impact of Time and Note Duration Tokenizations on Deep Learning Symbolic Music ModelingNathan Fradet, Nicolas Gutowski, Fabien Chhel, Jean-Pierre Briot. 89-97 [doi]
• Musical Micro-Timing for Live CodingMax Johnson, Mark Gotham. 98-105 [doi]
• A Few-Shot Neural Approach for Layout Analysis of Music Score ImagesFrancisco J. Castellanos 0001, Antonio Javier Gallego 0001, Ichiro Fujinaga. 106-113 [doi]
• TapTamDrum: A Dataset for Dualized Drum Patternsbehzad haki, Blazej Kotowski, Cheuk Lun Isaac Lee, Sergi Jordà. 114-120 [doi]
• Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarAndrea Martelloni, Andrew P. McPherson, Mathieu Barthet. 121-128 [doi]
• IteraTTA: An Interface for Exploring Both Text Prompts and Audio Priors in Generating Music With Text-to-Audio ModelsHiromu Yakura, Masataka Goto. 129-137 [doi]
• Similarity Evaluation of Violin Directivity Patterns for Musical Instrument RetrievalMirco Pezzoli, Raffaele Malvermi, Fabio Antonacci, Augusto Sarti. 138-145 [doi]
• Polyrhythmic Modelling of Non-Isochronous and Microtiming PatternsGeorge Sioros. 146-153 [doi]
• CLaMP: Contrastive Language-Music Pre-Training for Cross-Modal Symbolic Music Information RetrievalShangda Wu, Dingyao Yu, Xu Tan 0003, Maosong Sun. 157-165 [doi]
• Gender-Coded Sound: Analysing the Gendering of Music in Toy Commercials via Multi-Task LearningLuca Marinelli, György Fazekas, Charalampos Saitis. 166-173 [doi]
• A Dataset and Baselines for Measuring and Predicting the Music Piece MemorabilityLi-Yang Tseng, Tzu-Ling Lin, Hong-Han Shuai, Jen-Wei Huang, Wen-Whei Chang. 174-181 [doi]
• Efficient Notation Assembly in Optical Music RecognitionCarlos Peñarrubia, Carlos Garrido-Munoz, Jose J. Valero-Mas, Jorge Calvo-Zaragoza. 182-189 [doi]
• White Box Search Over Audio Synthesizer ParametersYuting Yang 0004, Zeyu Jin, Connelly Barnes, Adam Finkelstein. 190-196 [doi]
• Decoding Drums, Instrumentals, Vocals, and Mixed Sources in Music Using Human Brain Activity With fMRIVincent K. M. Cheung, Lana Okuma, Kazuhisa Shibata, Kosetsu Tsukuda, Masataka Goto, Shinichi Furuya. 197-206 [doi]
• Dual Attention-Based Multi-Scale Feature Fusion Approach for Dynamic Music Emotion RecognitionLiyue Zhang, Xinyu Yang, Yichi Zhang, Jing Luo. 207-214 [doi]
• Automatic Piano Transcription With Hierarchical Frequency-Time TransformerKeisuke Toyama 0002, Taketo Akama, Yukara Ikemiya, Yuhta Takida, Wei-Hsiang Liao, Yuki Mitsufuji. 215-222 [doi]
• High-Resolution Violin Transcription Using Weak LabelsNazif Can Tamer, Yigitcan Özer, Meinard Müller, Xavier Serra. 223-230 [doi]
• Polyffusion: A Diffusion Model for Polyphonic Score Generation With Internal and External ControlsLejun Min, Junyan Jiang, Gus Xia, Jingwei Zhao. 231-238 [doi]
• The Coordinated Corpus of Popular Musics (CoCoPops): A Meta-Corpus of Melodic and Harmonic TranscriptionsClaire Arthur, Nathaniel Condit-Schultz. 239-246 [doi]
• Towards Computational Music Analysis for Music TherapyAnja Volk, Tinka Veldhuis, Katrien Foubert, Jos De Backer. 247-256 [doi]
• Timbre Transfer Using Image-to-Image Denoising Diffusion Implicit ModelsLuca Comanducci, Fabio Antonacci, Augusto Sarti. 257-263 [doi]
• Correlation of EEG Responses Reflects Structural Similarity of Choruses in Popular MusicNeha Rajagopalan, Blair Kaneshiro. 264-271 [doi]
• Chromatic Chords in Theory and PracticeMark Gotham. 272-278 [doi]
• BPS-Motif: A Dataset for Repeated Pattern Discovery of Polyphonic Symbolic MusicYo-Wei Hsiao, Tzu-Yun Hung, Tsung-Ping Chen, Li Su 0004. 281-288 [doi]
• Weakly Supervised Multi-Pitch Estimation Using Cross-Version AlignmentMichael Krause 0002, Sebastian Strahl, Meinard Müller. 289-296 [doi]
• The Batik-Plays-Mozart Corpus: Linking Performance to Score to Musicological AnnotationsPatricia Hu, Gerhard Widmer. 297-303 [doi]
• Mono-to-Stereo Through Parametric Stereo GenerationJoan Serrà, Davide Scaini, Santiago Pascual, Daniel Arteaga, Jordi Pons, Jeroen Breebaart, Giulio Cengarle. 304-310 [doi]
• From West to East: Who Can Understand the Music of the Others Better?Charilaos Papaioannou, Emmanouil Benetos, Alexandros Potamianos. 311-318 [doi]
• On the Performance of Optical Music Recognition in the Absence of Specific Training DataJuan C. Martinez-Sevilla, Adrian Rosello, David Rizo, Jorge Calvo-Zaragoza. 319-326 [doi]
• Composer's Assistant: An Interactive Transformer for Multi-Track MIDI InfillingMartin E. Malandro. 327-334 [doi]
• The FAV Corpus: An Audio Dataset of Favorite Pieces and Excerpts, With Formal Analyses and Music Theory DescriptorsEthan Lustig, David Temperley. 335-342 [doi]
• LyricWhiz: Robust Multilingual Zero-Shot Lyrics Transcription by Whispering to ChatGPTLe Zhuo, Ruibin Yuan, Jiahao Pan, Yinghao Ma, Yizhi Li, Ge Zhang, Si Liu, Roger B. Dannenberg, Jie Fu, Chenghua Lin, Emmanouil Benetos, Wenhu Chen, Wei Xue, Yike Guo. 343-351 [doi]
• Sounds Out of Pläce? Score-Independent Detection of Conspicuous Mistakes in Piano PerformancesAlia Morsi, Kana Tatsumi, Akira Maezawa, Takuya Fujishima, Xavier Serra. 352-358 [doi]
• VampNet: Music Generation via Masked Acoustic Token ModelingHugo Flores García, Prem Seetharaman, Rithesh Kumar, Bryan Pardo. 359-366 [doi]
• Expert and Novice Evaluations of Piano Performances: Criteria for Computer-Aided FeedbackYucong Jiang. 367-374 [doi]
• Contrastive Learning for Cross-Modal Artist RetrievalAndres Ferraro, Jaehun Kim, Sergio Oramas, Andreas F. Ehmann, Fabien Gouyon. 375-382 [doi]
• Repetition-Structure Inference With Formal PrototypesChristoph Finkensiep, Matthieu Haeberle, Friedrich Eisenbrand, Markus Neuwirth, Martin Rohrmeier. 383-390 [doi]
• Algorithmic Harmonization of Tonal Melodies Using Weighted Pitch Context VectorsPeter van Kranenburg, Eoin Kearns. 391-397 [doi]
• Text-to-Lyrics Generation With Image-Based Semantics and Reduced Risk of PlagiarismKento Watanabe, Masataka Goto. 398-406 [doi]
• LP-MusicCaps: LLM-Based Pseudo Music CaptioningSeungheon Doh, Keunwoo Choi, Jongpil Lee, Juhan Nam. 409-416 [doi]
• A Repetition-Based Triplet Mining Approach for Music SegmentationMorgan Buisson, Brian McFee, Slim Essid, Hélène C. Crayencour. 417-424 [doi]
• Predicting Music Hierarchies With a Graph-Based Neural DecoderFrancesco Foscarin, Daniel Harasim, Gerhard Widmer. 425-432 [doi]
• Stabilizing Training With Soft Dynamic Time Warping: A Case Study for Pitch Class Estimation With Weakly Aligned TargetsJohannes Zeitler, Simon Deniffel, Michael Krause 0002, Meinard Müller. 433-439 [doi]
• Finding Tori: Self-Supervised Learning for Analyzing Korean Folk SongDanbinaerin Han, Rafael Caro Repetto, Dasaem Jeong. 440-447 [doi]
• Singer Identity Representation Learning Using Self-Supervised TechniquesBernardo Torres, Stefan Lattner, Gaël Richard. 448-456 [doi]
• On the Effectiveness of Speech Self-Supervised Learning for MusicYinghao Ma, Ruibin Yuan, Yizhi Li, Ge Zhang, Chenghua Lin, Xingran Chen, Anton Ragni, Hanzhi Yin, Emmanouil Benetos, Norbert Gyenge, Ruibo Liu, Gus Xia, Roger B. Dannenberg, Yike Guo, Jie Fu. 457-465 [doi]
• Transformer-Based Beat Tracking With Low-Resolution Encoder and High-Resolution DecoderTian Cheng 0001, Masataka Goto. 466-473 [doi]
• Adding Descriptors to Melodies Improves Pattern Matching: A Study on Slovenian Folk SongsVanessa Nina Borsan, Mathieu Giraud, Richard Groult, Thierry Lecroq. 474-481 [doi]
• How Control and Transparency for Users Could Improve Artist Fairness in Music Recommender SystemsKarlijn Dinnissen, Christine Bauer 0001. 482-491 [doi]
• Towards a New Interface for Music Listening: A User Experience Study on YouTubeAhyeon Choi, Eunsik Shin, Haesun Joung, Joongseek Lee, Kyogu Lee. 492-499 [doi]
• FiloBass: A Dataset and Corpus Based Study of Jazz BasslinesXavier Riley, Simon Dixon. 500-507 [doi]
• Comparing Texture in Piano ScoresLouis Couturier, Louis Bigo, Florence Levé. 508-515 [doi]
• Introducing DiMCAT for Processing and Analyzing Notated Music on a Very Large ScaleJohannes Hentschel, Andrew Mcleod, Yannis Rammos, Martin Rohrmeier. 516-523 [doi]
• Sequence-to-Sequence Network Training Methods for Automatic Guitar Transcription With Tokenized OutputsSehun Kim, Kazuya Takeda, Tomoki Toda. 524-531 [doi]
• PESTO: Pitch Estimation With Self-Supervised Transposition-Equivariant ObjectiveAlain Riou, Stefan Lattner, Gaëtan Hadjeres, Geoffroy Peeters. 535-544 [doi]
• The Games We Play: Exploring the Impact of ISMIR on MusicologyVanessa Nina Borsan, Mathieu Giraud, Richard Groult. 545-552 [doi]
• Carnatic Singing Voice Separation Using Cold Diffusion on Training Data With BleedingGenís Plaja-Roglans, Marius Miron, Adithi Shankar, Xavier Serra. 553-560 [doi]
• Unveiling the Impact of Musical Factors in Judging a Song on First Listen: Insights From a User SurveyKosetsu Tsukuda, Tomoyasu Nakano, Masahiro Hamasaki, Masataka Goto. 561-570 [doi]
• Towards Building a Phylogeny of Gregorian Chant MelodiesJan Hajic Jr., Gustavo A. Ballen, Klára Hedvika Mühlová, Hana Vlhová-Wörner. 571-578 [doi]
• Audio Embeddings as Teachers for Music ClassificationYiwei Ding, Alexander Lerch 0001. 579-587 [doi]
• ScorePerformer: Expressive Piano Performance Rendering With Fine-Grained ControlIlya Borovik, Vladimir Viro. 588-596 [doi]
• Roman Numeral Analysis With Graph Neural Networks: Onset-Wise Predictions From Note-Wise FeaturesEmmanouil Karystinaios, Gerhard Widmer. 597-604 [doi]
• Semi-Automated Music Catalog Curation Using Audio and MetadataBrian Regan, Desislava Hristova, Mariano Beguerisse-Díaz. 605-611 [doi]
• Crowd's Performance on Temporal Activity Detection of Musical Instruments in Polyphonic MusicIoannis Petros Samiotis, Christoph Lofi, Alessandro Bozzon. 612-618 [doi]
• MoisesDB: A Dataset for Source Separation Beyond 4-StemsIgor Pereira, Felipe Araújo, Filip Korzeniowski, Richard Vogl. 619-626 [doi]
• Music as Flow: A Formal Representation of Hierarchical Processes in MusicZeng Ren, Wulfram Gerstner, Martin Rohrmeier. 627-633 [doi]
• Online Symbolic Music Alignment With Offline Reinforcement LearningSilvan David Peter. 634-641 [doi]
• Inversynth II: Sound Matching via Self-Supervised Synthesizer-Proxy and Inference-Time FinetuningOren Barkan, Shlomi Shvartzman, Noy Uzrad, Moshe Laufer, Almog Elharar, Noam Koenigstein. 642-648 [doi]
• A Semi-Supervised Deep Learning Approach to Dataset Collection for Query-by-Humming TaskAmantur Amatov, Dmitry Lamanov, Maksim Titov, Ivan Vovk, Ilya Makarov, Mikhail A. Kudinov. 649-656 [doi]
• Towards Improving Harmonic Sensitivity and Prediction Stability for Singing Melody ExtractionKeren Shao, Ke Chen 0021, Taylor Berg-Kirkpatrick, Shlomo Dubnov. 657-663 [doi]
• Singing Voice Synthesis Using Differentiable LPC and Glottal-Flow-Inspired WavetablesChin-Yun Yu, György Fazekas. 667-675 [doi]
• Harmonic Analysis With Neural Semi-CRFQiaoyu Yang, Frank Cwitkowitz, Zhiyao Duan. 676-683 [doi]
• A Dataset and Baseline for Automated Assessment of Timbre Quality in Trumpet SoundAlberto Acquilino, Ninad Puranik, Ichiro Fujinaga, Gary P. Scavone. 684-691 [doi]
• Visual Overviews for Sheet Music StructureFrank Heyen, Quynh Quang Ngo, Michael Sedlmair. 692-699 [doi]
• Passage Summarization With Recurrent Models for Audio - Sheet Music RetrievalLuís Carvalho, Gerhard Widmer. 700-707 [doi]
• Predicting Performance Difficulty From Piano Sheet Music ImagesPedro Ramoneda, Jose J. Valero-Mas, Dasaem Jeong, Xavier Serra. 708-715 [doi]
• Self-Refining of Pseudo Labels for Music Source Separation With Noisy Labeled DataJunghyun Koo, Yunkee Chae, Chang-Bin Jeon, Kyogu Lee. 716-724 [doi]
• Quantifying the Ease of Playing Song Chords on the GuitarMarcel A. Vélez Vásquez, Mariëlle Baelemans, Jonathan Driedger, Willem H. Zuidema, John Ashley Burgoyne. 725-732 [doi]
• FlexDTW: Dynamic Time Warping With Flexible Boundary ConditionsIrmak Bukey, Jason Zhang, T. J. Tsai 0001. 733-740 [doi]
• Modeling Bends in Popular Music Guitar TablaturesAlexandre D'Hooge, Louis Bigo, Ken Déguernel. 741-748 [doi]
• Self-Similarity-Based and Novelty-Based Loss for Music Structure AnalysisGeoffroy Peeters. 749-756 [doi]
• Modeling Harmonic Similarity for Jazz Using Co-occurrence Vectors and the Membrane AreaCarey Bunks, Tillman Weyde, Simon Dixon, Bruno Di Giorgi. 757-764 [doi]
• SingStyle111: A Multilingual Singing Dataset With Style TransferShuqi Dai, Yuxuan Wu, Siqi Chen, Roy Huang, Roger B. Dannenberg. 765-773 [doi]
• A Computational Evaluation Framework for Singable Lyric TranslationHaven Kim, Kento Watanabe, Masataka Goto, Juhan Nam. 774-781 [doi]
• Chorus-Playlist: Exploring the Impact of Listening to Only Choruses in a PlaylistKosetsu Tsukuda, Masahiro Hamasaki, Masataka Goto. 782-792 [doi]
• Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data CollectionDavid Lewis 0003, Elisabete Shibata, Andrew Hankinson, Johannes Kepper, Kevin R. Page, Lisa Rosendahl, Mark Saccomano, Christine Siegert. 795-801 [doi]
• Optimizing Feature Extraction for Symbolic MusicFederico Simonetta, Ana Llorens, Martín-Serrano, Eduardo García-Portugués, Álvaro Torrente. 802-809 [doi]
• Exploring Sampling Techniques for Generating Melodies With a Transformer Language ModelMathias Rose Bjare, Stefan Lattner, Gerhard Widmer. 810-816 [doi]
• Measuring the Eurovision Song Contest: A Living Dataset for Real-World MIRJohn Ashley Burgoyne, Janne Spijkervet, David J. Baker. 817-823 [doi]
• Efficient Supervised Training of Audio Transformers for Music Representation LearningPablo Alonso-Jiménez, Xavier Serra, Dmitry Bogdanov. 824-831 [doi]
• A Cross-Version Approach to Audio Representation Learning for Orchestral MusicMichael Krause 0002, Christof Weiß, Meinard Müller. 832-839 [doi]
• Music Source Separation With MLP Mixing of Time, Frequency, and ChannelTomoyasu Nakano, Masataka Goto. 840-847 [doi]
• Symbolic Music Representations for Classification Tasks: A Systematic EvaluationHuan Zhang, Emmanouil Karystinaios, Simon Dixon, Gerhard Widmer, Carlos Eduardo Cancino Chacón. 848-858 [doi]
• The Music Meta Ontology: A Flexible Semantic Model for the Interoperability of Music MetadataJacopo de Berardinis, Valentina Anita Carriero, Albert Meroño-Peñuela, Andrea Poltronieri, Valentina Presutti. 859-867 [doi]
• Polar Manhattan Displacement: Measuring Tonal Distances Between Chords Based on Intervallic ContentJeff Miller, Johan Pauwels, Mark Sandler 0001. 868-874 [doi]