Abstract is missing.
- The Torii of PhasesEmmanuel Amiot. 1-18 [doi]
- Towards a Categorical Theory of Creativity for Music, Discourse, and CognitionMoreno Andreatta, Andrée C. Ehresmann, René Guitart, Guerino Mazzola. 19-37 [doi]
- Computation and Visualization of Musical Structures in Chord-Based Simplicial ComplexesLouis Bigo, Moreno Andreatta, Jean-Louis Giavitto, Olivier Michel, Antoine Spicher. 38-51 [doi]
- Compositional Data Analysis of Harmonic Structures in Popular MusicJohn Ashley Burgoyne, Jonathan Wild, Ichiro Fujinaga. 52-63 [doi]
- Sturmian CanonsClifton Callender. 64-75 [doi]
- Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance ComparisonsElaine Chew, Clifton Callender. 76-87 [doi]
- Maximal Translational Equivalence Classes of Musical Patterns in Point-Set RepresentationsTom Collins, David Meredith. 88-99 [doi]
- Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian DualityThomas M. Fiore, Thomas Noll, Ramon Satyendra. 100-114 [doi]
- Key Induction and Key Mapping Using Pitch-Class Set AssertionsEliot Handelman, Andie Sigler. 115-127 [doi]
- The Structure of Z-Related SetsFranck Jedrzejewski, Tom Johnson. 128-137 [doi]
- Hypergesture Homology for Performance Stemmata with Lie OperatorsGuerino Mazzola. 138-150 [doi]
- Glarean's Dodecachordon RevisitedThomas Noll, Mariana Montiel. 151-166 [doi]
- Effects of Temporal Position on Harmonic Succession in the Bach Chorale CorpusMitchell Ohriner. 167-176 [doi]
- A Hypercube-Graph Model for n-Tone Rows and RelationsRobert W. Peck. 177-188 [doi]
- Using Formal Concept Analysisto Represent Chroma SystemsTobias Schlemmer, Moreno Andreatta. 189-200 [doi]
- An Alphabet-Reduction Algorithm for Chordal n-GramsChristopher Wm. White. 201-212 [doi]
- Evaluation of n-Gram-Based Classification Approaches on Classical Music CorporaJacek Wolkowicz, Vlado Keselj. 213-225 [doi]
- The Minkowski Geometry of Numbers Applied to the Theory of Tone SystemsMarek Zabka. 226-240 [doi]