Abstract is missing.
- A Structural Theory of Rhythm Notation Based on Tree Representations and Term RewritingFlorent Jacquemard, Pierre Donat-Bouillud, Jean Bresson. 3-15 [doi]
- Renotation from Optical Music RecognitionLiang Chen, Rong Jin, Christopher Raphael. 16-26 [doi]
- Foundations for Reliable and Flexible Interactive Multimedia ScoresJaime Arias, Myriam Desainte-Catherine, Carlos Olarte, Camilo Rueda. 29-41 [doi]
- Genetic Algorithms Based on the Principles of Grundgestalt and Developing VariationCarlos de Lemos Almada. 42-51 [doi]
- Describing Global Musical Structures by Integer Programming on Musical PatternsTsubasa Tanaka, Koichi Fujii. 52-63 [doi]
- Improved Iterative Random Walk for Four-Part HarmonizationRaymond Whorley, Darrell Conklin. 64-70 [doi]
- Location Constraints for Repetition-Based Segmentation of MelodiesMarcelo Enrique Rodríguez-López, Anja Volk. 73-84 [doi]
- Modeling Musical Structure with Parametric GrammarsMathieu Giraud, Slawek Staworko. 85-96 [doi]
- Perfect Balance: A Novel Principle for the Construction of Musical Scales and MetersAndrew J. Milne, David Bulger, Steffen A. Herff, William A. Sethares. 97-108 [doi]
- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class IntervalsEita Nakamura, Shinji Takaki. 109-114 [doi]
- A Corpus-Sensitive Algorithm for Automated Tonal AnalysisChristopher Wm. White. 115-121 [doi]
- Finding Optimal Triadic Transformational Spaces with Dijkstra's Shortest Path AlgorithmRyan Groves. 122-127 [doi]
- A Probabilistic Approach to Determining Bass Voice Leading in Melodic HarmonisationDimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos. 128-134 [doi]
- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical RealityMaria Mannone, Guerino Mazzola. 137-148 [doi]
- Generating Fingerings for Polyphonic Piano Music with a Tabu Search AlgorithmMatteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo, Kenneth Sörensen. 149-160 [doi]
- Logistic Modeling of Note TransitionsLuwei Yang, Elaine Chew, Khalid Z. Rajab. 161-172 [doi]
- Evaluating Singer Consistency and Uniqueness in Vocal PerformancesJohanna Devaney. 173-178 [doi]
- A Change-Point Approach Towards Representing Musical DynamicsKaterina Kosta, Oscar F. Bandtlow, Elaine Chew. 179-184 [doi]
- Structural Similarity Based on Time-Span Sub-TreesMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 187-192 [doi]
- Cross Entropy as a Measure of Musical ContrastRobin C. Laney, Robert Samuels, Emilie Capulet. 193-198 [doi]
- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic ProgrammingRafael Valle, Adrian Freed. 199-204 [doi]
- Applications of DFT to the Theory of Twentieth-Century HarmonyJason Yust. 207-218 [doi]
- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo FluteKate Sekula. 219-230 [doi]
- A Statistical Approach to the Global Structure of John Cage's Number Piece Five^5Alexandre Popoff. 231-236 [doi]
- Exact Cover Problem in Milton Babbitt's All-Partition ArrayBrian Bemman, David Meredith. 237-242 [doi]
- Constructing Geometrical Spaces from Acoustical RepresentationsÖzgür Izmirli. 245-256 [doi]
- Geometry, Iterated Quantization and Filtered Voice-Leading SpacesClifton Callender. 257-266 [doi]
- Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice LeadingJames R. Hughes. 267-278 [doi]
- All-Interval StructuresRobert W. Peck. 279-290 [doi]
- Unifying Tone System Definitions: Ordering ChromasTobias Schlemmer. 291-302 [doi]
- A Categorical Generalization of Klumpenhouwer NetworksAlexandre Popoff, Moreno Andreatta, Andrée C. Ehresmann. 303-314 [doi]
- The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis - Using Polarization and Tonal Regions in a Dynamic EnvironmentGilles Baroin, Hugues Seress. 315-320 [doi]
- Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann MachinesStefan Lattner, Maarten Grachten, Kat Agres, Carlos Eduardo Cancino Chacón. 323-334 [doi]
- ¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral PeriodicityBob L. Sturm, Corey Kereliuk, Jan Larsen. 335-346 [doi]
- Can a Musical Scale Have 14 Generators?Emmanuel Amiot. 349-360 [doi]
- On the Step-Patterns of Generated Scales that are Not Well-FormedMarco Castrillón López, Manuel Domínguez Romero. 361-372 [doi]
- Triads as Modes within Scales as ModesThomas Noll. 373-384 [doi]
- Greek Ethnic Modal Names vs. Alia Musica's NomenclatureDavid Clampitt, Jennifer Shafer. 385-390 [doi]